Unknown - Cat_In_A_Midnight_Choir-spaces_ru
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- Название:Cat_In_A_Midnight_Choir-spaces_ru
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Cat_In_A_Midnight_Choir-spaces_ru: краткое содержание, описание и аннотация
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“No, you want to stop the killing. That’s always been your problem. Most people are happy to get a good job and retire with a gold watch, although yours probably would be a Patek Philippe. You want to end the Irish Troubles and put your dead cousin to rest.”
“Sean will never rest.”
“He will, but you won’t. Max, being secretive about what you really do, your past, is hurting you with Molina. This could get serious. She could arrest you, or worse, shoot you. If you would only tell her a little —”
“She wouldn’t believe it. She’s made a hobby out of not believing me, and telling her a little could hurt a lot of people.”
“She’s in law enforcement, I can’t believe she’d be so blind —”
“Believe it!”
Temple stiffened to encounter the stainless steel in Max’s voice, an ungiving intensity she’d never heard before.
“Do you realize what you’re doing, Temple? You’re taking Molina at face value. Because she’s a woman, a policewoman, because she has a career in law enforcement, you assume she’s straight. You assume she doesn’t have a personal agenda. You assume she’s honest.”
“Well, she acts annoyingly self-righteous. Are you saying Molina might be crooked?”
“She might have agendas that have nothing to do with the law or her job. I’m saying she might be human, and if she’s human, she might go very wrong.”
Temple leaned against the island’s hard granite edge, feeling it dig into her back. It was straighter than a stone ruler, and could not lie.
People were another matter.
“You’re right, Max. Ever since Molina came charging at me after you vanished, nagging, worrying, digging, like an annoying dog after a bone — you’re right, I assumed that all she wanted was justice. She might be misinformed, or, in your case, underinformed, but she really just wanted to catch criminals. You’re saying she has a special interest in pinning these vague crimes on you. It isn’t just dogged police work, it’s…obsession? Self-protection?”
“I’m saying if someone is persistently wearing blinders, maybe he, or she, has something to hide from herself. And people with something to hide from themselves are very dangerous.”
Temple tried to rearrange the chessboard in her mind. Molina, the Red Queen, say. Not just legal authority but a human being with human failings. Blind to any but one view of Max, because that supported an illusion she needed to maintain, no matter what.
“I wish I could, Temple,” Max said softly, watching her think, watching her rearrange her assumptions. His voice was sad and tender.
“Could what?”
“Could tell you the whole truth. But I love you too much to risk it. I’ll have to risk you finding out half-truths from everybody else and turning against me. It’s just the way it is.
“I can tell you this. I spent more than ten years of my life worrying about danger that might befall strangers. Now, since I came to Vegas with you, it’s become personal. I don’t worry about strangers anymore. I’m cured of that delusion. Now I’m like everybody else who can’t do anything at all about fate, and life, and death. Now I worry about the people I know.”
“People?”
He inclined his head in tribute to her instincts. “People.”
“Anybody I know?”
“Everybody you know.”
Temple considered this unwelcome news. Max would always tell her the truth, as far as he could.
She nodded, and picked up her folder.
“Max, what happened to Professor Mangel’s magical poster collection once the room was no longer a crime scene? Did anyone at the university care to keep the exhibition going?”
“No.”
“No? What a shame! Even though the posters of you were missing after the murder, the rest of the material must have been invaluable.”
“I’m glad you thought the collection diminished by my absence, but now it’s enhanced by my presence.”
“What on earth do you mean?”
“Come with me.” He beckoned her toward the hallway.
“I haven’t time for dalliance, Mr. Valentino. Or do we say Pitt nowadays?”
“I hope not. But dalliance is not on my mind.” Max led her down the dark hallway to the large, unoccupied bedroom where he stored all of his and the late Gandolph’s magical paraphernalia.
“I’ve seen this act before,” Temple objected.
“I’ve got a new illusion.” Max opened the door and switched on the light: no magic, just Thomas Edison and Hoover Dam in tandem.
Temple gasped anyway. Against one wall stood ranks of aluminum poster stands framing the mostly yellow, black, and red vintage placards announcing the great magic acts of the past century and a half.
“Now this is a magic trick. How, Max?”
“The magic of money. An anonymous donor offered the university a good price for the entire collection.”
“How wonderful!” Temple flung her arms around Max’s neck, dangling from his height. “What a wonderful thing to do. I’m so glad.”
“Well, Mangel really and truly loved my act. He loved the acts of every magician whose posters he collected. Now they’re in a private museum with the leftovers of Gandolph’s magical career. In a way Gandolph and Jeff Mangel, and Gloria Fuentes, Gandolph’s murdered former assistant, are all interred here, locked away from life.”
Max’s eyes grew distant as he gazed at the collection of magic acts in their most physical form. Temple had the oddest sensation of being in an Egyptian pharaoh’s tomb, of seeing the things the ruler intended to surround himself with in the afterlife, even of witnessing the final enshrinement of the Mystifying Max and his career in magic.
The notion was so sad she let her arms fall slack and stepped away from him. She could say nothing. It was like being tongue-tied at a funeral because the corpse had sat up politely to listen.
“Okay,” she said finally, trying to sound businesslike, and succeeding. “I’m here to do some research. I’ve got a murder to solve, or maybe six. Show me the books you took from Professor Mangel’s office just before he was killed.”
Max rubbed her shoulders, his fingers digging into the tense muscles ridging the nape of her neck. He put a fresh mug of coffee with Bailey’s Irish Cream for flavoring next to her on the desk.
“Ye gods,” Temple complained. “Haven’t these aspiring Ph.D.s ever heard of a declarative sentence? This last one was two hundred and fifty words, all passive voice.”
“I’m no writer. Sounds okay to me.”
“I hope your book on Gandolph isn’t written like this. What’s happening with that anyway?”
“I’ve, ah, kind of dropped it. Got a little busy.”
“You can’t stop writing if you want to finish something.”
“Yes, ma’am.”
Temple frowned at the narrow pages bound in soft rag-paper covers. “What do they use for type size? Agate italic? Never mind what I’m referring to, it’s a print-media phrase for very tiny type.” She sighed and sipped.
“They’re quoting medieval alchemists and Edgar Cayce and Gypsy tarot readers. Especially something called the Tarot of the Bohemians.”
“These are probably academic cranks, Temple. Let’s face it, magic is not the usual postgraduate discipline.”
“No, but poor Jeff Mangel took it seriously as an art form, and apparently got killed for his pains. Listen to this: ‘The key to ancient science of Egypt and India is synthesis, which condenses all acquired knowledge into a few simple laws. To save the laws of synthesis from oblivion, secret societies were established. In the West, they were the Gnostic sects, the Arabs, Alchemists, Templars, Rosicrucians, and lastly the Freemasons.”
“The Synth. But tarot, alchemy, knights Templar, Freemasons…that’s rank superstition, Temple.”
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