Unknown - The_Growing_589064

“I don’t know yet. I think someone’s in the house.”

Carefully she slips from the bed, her muscles moving smoothly and silently as Igmu Tanka’s own. Without sound, she lays a quieting hand on Asi’s head, then pulls on the jeans and shirt folded over the back of a chair, tucking the gun on the lamp table into her waistband. Kirsten glides from the bed behind her in one, smooth noiseless motion, reaching for her own clothes and weapons. Still barefoot, Koda steals toward the spiral metal stair that leads down to the ground floor. The loft opens onto the long side of the house, giving it privacy from the kitchen and living area below; all she can see from the head of the stair is the small game table by the floor-to-ceiling window and the shadow of the roof where it slopes to within a few feet of the ground. She stands there, scarcely breathing, her eyes closed as she concentrates her whole attention on her hearing, her thought spiraling out from her to touch the sense of wrongness that pervades her whole mind.

Someone is in the house. Quiet, not moving. Waiting.

Danger.

“Koda. There are men in the woods behind us. With guns.” Kirsten’s voice is no more than a breath at her ear.

Dakota crosses the room to step up onto the chair beneath the small window. There are perhaps half a dozen of them, two of whom she recognizes from the bachelor groups of the night before. Which makes the whole situation quite suddenly quite clear. “Goddam asshole baboons,” she mutters, biting her lip as she assesses options.

One. They can break the window and pick the idiots off. While satisfying, that still leaves whoever is downstairs, not to mention a riled community. Not a viable first choice.

Two. The skylight over the bed is just low enough that she and Kirsten can pull themselves and Asi through it. That leaves a long, risky slide down the roof, possibly a long, risky, noisy slide down the roof into the arms of the idiots presently gathered behind the house. Asi, particularly, is not likely to perform the maneuver quietly.

Three. Draw the said idiots toward the front of the building. Then proceed with Two.

She whispers, “I’m going to go downstairs and create a diversion. While I’m doing that, break out the skylight.” Kirsten gives her an alarmed look, then her face clears as she nods her understanding.

Koda slips into her boots, loosening her shirt around her waist to hide the butt of the pistol. As she steps out onto the metal rungs of the stair, deliberately clanging her heels against them, she can hear Kirsten chiseling away with her knife at the sealer that holds the lexan skylight in place. She clatters down the staircase and around the corner of the kitchen. She pauses there for a long moment, hooking her thumbs into her belt next to her gun. A man sits at the table, a cup by one hand, a rifle by the other. Koda lets the silence drag out, then says, “Well, now. I sure don’t remember inviting you to breakfast.”

Ariel Kriegesmann grins over the top of his cup, taking a long drink of the steaming coffee. “I remember it just fine. And here I am.”

“How’d you get in?”

For answer, Kriegesmann dangles a ring of keys. “You forget. I’m the landlord.”

“Funny. I thought that was your father.”

A flush spreads across Kriegesmann’s face, pale in the early light, but he says evenly, “For the time being.”

Koda moves toward him, out of the east light that silhouettes her against the window. His gaze follows her, half appraising, half hungry. “Does he know you’re here?”

“Actually, it was his idea. We need someone with medical skills at Elk Mountain.” He shrugs. “We have plenty of food, relative safety, some of the comforts of civilization. It beats wandering around in the mountains.”

Crossing behind him, Koda is faintly surprised to find the door is not locked. That must mean there are more armed men out in front, which is where she wants them. Holding it open, she says, “Then tell Julius I appreciate his offer, but Annie and I need to get on to Salt Lake. It’s been nice knowing you, etc., etc.. Now get out.”

“Jeez, aren’t you the grateful one. How about, ‘Thank you for the good food, Ari.’ Or,

‘Thanks for letting us spend the night in the cabin.’”

“Thanks for the good food, Ari,” she says. Her sight narrows, hunter-vision pinpointing him in a cloud of darkness. With an effort she shakes it off. She does not want to have to shoot him. That would take time she does not have. “Thanks for letting us spend the night in the cabin. Now get your ass out of here.”

“Well, see, it’s not quite that simple.” He rises easily, stretching. Strutting. He comes to face her across the open door. “It’s not just doctors we need. You may have noticed we’ve got a surplus of men.”

“I noticed.”

” Well, then. We need women. Healthy women who can have kids. You, for instance.” He gestures toward the staircase. “Your little friend, for instance. You could be very comfortable here, you know.”

“Is that a proposal? I decline.” It requires all her strength to keep the contempt out of her voice. She does not want to goad him into a demonstration of his manhood here and now. The darkness closes in on her sight again. Gods, the stupid arrogance of the idiot.

Laying his hand on the door, Kriegesmann jerks it shut with a slam. “I’m not asking you. I’m telling you. Get used to it.”

To the end of her life, she will never know how she manages not to laugh in his face. Instead, she steps back, and in one swift motion draws her pistol and fires three times past his head. The plate glass in the tall windows shatters and falls to the deck, and as Kriegesmann jerks around to follow the sudden sound, she darts around him, snatches his rifle off the table and sprints for the stair. Grasping the center post to swing her herself up the spiral two steps at a time, she never pauses to look behind her. From outside, she can hear shouting. That is good; that means that the idiots under the window are now with the presumed idiots at the front, reinforcing their inglorious leader.

Kirsten, her own gun in hand, stands at the head of the stairs, one foot on the first tread. She backs up, relief clear in her face as Koda steps out into the loft. The skylight leans against the wall by the bed, nothing now between them and the pines that tower over the roof.

She answers the unspoken question. “I broke some windows, that’s all. Give me a hand here—”

Together they pull the bed over to cover the stair head. It will not keep the men out for long; what will keep them out longer is the belief that she and Kirsten are holed up in the loft with a small arsenal. With luck, they will be long gone by the time the ruse is discovered.

“The packs?”

“Already out on the roof.”

“Okay. Let’s go.”

Making a stirrup of her hands, Koda boosts Kirsten up and halfway through the open skylight. Anchoring herself by the frame, Kirsten scrambles the rest of the way through and scoots over to one side. Asimov is next. Dakota gives him a pat and a “Good boy,” then lifts him through, halfway into Kirsten’s lap. Last Koda grasps the edge of the opening and levers herself up onto the shingles. The pine branches grow thick along this stretch of the roof, giving them at least some cover from below. Not that that will matter in a second or two.

From here, the slide looks decidedly longer and steeper than it did from below. Asi, looking down, gives an anxious whine, scrabbling against the rough surface with his nails. There is no time to waste thinking about it. Before Koda can speak, Kirsten gives herself a shove and goes hurtling down the slope, bumping along the shingles with Asi still halfway across her. Koda follows, coming off the edge of the roof six feet above the ground with a somersault that lands her, if not on her feet, at least not on her head or on her rifle. Kirsten, beside her, unfolds upward with a groan, while Asimov dances around her, tongue lolling. “Chirst, you beast,” Kirsten says, and it is not at all clear whether she means her dog or her lover. Then they are running, all three, for the line of woods behind the house, Koda with her rifle in her hands, Kirsten’s finger on the trigger of her automatic. From behind them comes shouting, the sounds of a coalescing mob. A single gunshot cracks the air, followed by a full-throated roar from a dozen throats.