Unknown - The_Growing_589064

Over the mile’s distance from flightline to officer’s housing, soldiers salute her as she passes. That, too, seems strangely familiar. She waves briefly back, noting with satisfaction that Shannon is turning the sign on the clinic door to OPEN as they drive by without stopping, her own insistence dying in her throat. As they round the former parade ground, now thick with rough wooden markers for the dead of the Cheyenne, she makes note of three new plots of disturbed earth. There is no memorial for them.

The house, when she enters, is chill and empty. Asimov must be out with Kirsten, wherever she is. Her absence is a dark void inside Koda, and the sharpness of her disappointment gnaws at her.

Kirsten could not have known that she would return early. She had not known it herself.

She sheds her clothes in the hall and heads for the shower.

*

Kirsten pushes open the kitchen door, feeling pleasantly warm and loose from the half-mile run from the woods to the officers’ housing section. Asi, not at all tired from the exercise, gives a high, loud yip as he shoulders past her, sending the door banging against the wall next to the fridge, and dances across the tiles to his empty bowl.

“All right. All right. It’s coming.”

She rummages about in the pantry, looking for the Base’s last surviving box of Milk-Bones. The ancient pipes in the wall hum and thump with water; Maggie must have come in for a shower and change of clothes. With the thought comes disappointment. Koda is not due back from Minot for at least another day, assuming everything goes well. And when, she reflects, was the last time everything went smoothly? Sometime in a past life, when she was a Washington wonk and had barely heard of South Dakota, still less of a woman named Dakota River

Asi yelps again, louder and more urgently. Kirsten stifles a surge of guilt at the thought that the big dog—the big baby, truth be told—has missed her so badly, even though he clearly has not lacked for attention. “Think of it as gaining a second mother,” she says as she finds the box and rips it open. “Twice the attention, twice the walks. Twice the flea baths.”

She turns to toss him the treat, but he is no longer there. From the hallway comes the sound of whining, the sharp click of his nails on the hardwood floor. Frowning, she sets the box on the counter and follows just in time to see him fling his whole weight against the bathroom door, shaking it on its aged hinges. From deep in his throat comes a howl like the winter wind over snow, and Kirsten’s breath catches in her throat, then resumes on a sigh of relief. On the floor, piled in careless abandon, lie a pair of jeans, a shirt, underclothes. The flannel shirt, in Black Watch tartan, she recognizes as Koda’s. “Easy, boy,” she says, pulling at Asi’s scruff, and lays her free hand on the knob. She grins. A shower a deaux is just what Dr. King would have ordered for herself had she known her lover was home early. Asi batters at the door a second time, and in a shaft of light from the lamp in the front room she sees what Asi has smelled since they came through the kitchen door. Almost all of the shirt, and both legs of the jeans, are soaked stiff with something half-dried, something the color of rust. The sharp scent of iron rises from them.

Blood.

“Koda!” she screams, and throws herself against the door.

CHAPTER FORTY TWO

KODA SHIVERS AS she stands on the bathmat, the breeze that stirs the curtains ghosting over her skin. Despite the morning’s brightness, it leaves no warmth behind it, and she feels the gooseflesh rise and tighten along her arms. More out of habit than conviction, she turns on the hot tap and lets the water run while she collects towel and washcloth from the tall, narrow cabinet above the clothes bin. The stench of blood is on her still, mingled with sweat and dirt and the oil-and-metal smell of the APC. She is used to blood, and used to smelling of it. You cannot, after all, turn a breech foal or perform emergency field surgery and remain clean. It goes with the job.

Killing a man in a duel and taking his warband for prize does not go with a veterinarian’s job. It does not go with a warrior’s job, either, she reflects. Or it has not, at least for the last thousand years or so.

Yet there was nothing in it that was strange, or unfamiliar to her. There had been a pattern to the encounter that revealed itself as the fight played out, a choreography. It was as if she had been thrust out in front of the footlights in riding boots and a complete innocence of Tschaikovsky, and had danced a perfect Swan Queen. Tacoma had called it the warrior spirit waking within her, growing. He should know. As she had been called to the life of a shaman, he had been born a warrior. Strange, that like as they are, each has been given the other’s heart’s desire.

Koda steps into the shower and pulls the curtain to keep off the draft. The water hits her like a rush of snowmelt, so cold it burns. Gritting her teeth, she stands still, shivering, watching as the brown stains on her skin liquify and sluice down her body, swirling crimson around the drain at her feet. She unwraps the length of cotton around her arm and lets her own blood join the flow. As if, she thinks, we were making relatives in the Hunkapi. At that moment, her enemy seems as close as her own brothers and sisters, as her own lover.

Her hand, half numb, closes on the soap, and she begins to work it into a lather on the bathsponge. Just as she turns off the frigid water pelting down on her, Asi’s deep bay sounds in the hall, and the door shakes on its hinges. The dog’s howl comes again, with a second battering against the door, and with it Kirsten’s voice, high pitched in fear. “Koda!”

*

Kirsten’s weight hits the door for the second time, and suddenly its solidity is gone, giving way before her and carrying her straight into Dakota where she stands wet an naked on the bathmat, her hair streaming down her back and over her breasts like dark floodwater, water and blood running red in branching rivulets down the length of her legs, dripping from a long, shallow cut visible on her forearm.

The cold water soaks through her own thin shirt, chilling her. But it is the fear that causes her to shudder as she pushes Koda away, holding by both arms as her eyes run the length her body, searching for the source of the blood on the clothing still lying in a heap on the floor. But there is only the single wound, clearly not lethal, only a crimson thread against the copper of Dakota’s skin. Kirsten’s heart, lodged in her throat, slips back into its accustomed place, and she begins to breathe again. “All that blood,” she gasps. “It isn’t yours.”

“Not mine, no,” Koda echoes. “I killed a man.”

Her fingers tighten on Dakota’s arms, making small white marks where they dig into the skin. “At Minot? They fought you?”

“Not ‘they.’ Just one.” Koda’s eyes are on hers, a light in them that is part triumph, part desire, part something else she cannot name. “We took his men from him.”

“We?” Kirsten asks carefully. “You mean ‘you.’”

“I challenged him. None of our soldiers was killed, none of his. Just him.”

Once again, she sees the tall figure racing ahead of her onto the shattered bridge at the Cheyenne, dark hair streaming behind her like smoke. Once again, the fear strikes through her, this time without the hum of adrenaline in the blood that had drawn her out of herself and propelled her across the pile of tumbled concrete after the other woman. She is still not sure whether she acted from blind trust or blind panic. “How dare you,” she says softly, the words hissing between her teeth. “When so much depends on you.”

“When what depends on me?” Dakota steps closer, so that Kirsten can hear her breathing, not quite steady now. The light from the open window, glancing through the blowing curtains, shimmers over Koda’s wet skin, slipping over her shoulders and breasts like silk.