Lee Child - The Midnight Line

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**#1** New York Times **bestselling author Lee Child returns with a gripping new powerhouse thriller featuring Jack Reacher, “one of this century’s most original, tantalizing pop-fiction heroes” (** The Washington Post **).** Reacher takes a stroll through a small Wisconsin town and sees a class ring in a pawn shop window: West Point 2005. A tough year to graduate: Iraq, then Afghanistan. The ring is tiny, for a woman, and it has her initials engraved on the inside. Reacher wonders what unlucky circumstance made her give up something she earned over four hard years. He decides to find out. And find the woman. And return her ring. Why not? So begins a harrowing journey that takes Reacher through the upper Midwest, from a lowlife bar on the sad side of small town to a dirt-blown crossroads in the middle of nowhere, encountering bikers, cops, crooks, muscle, and a missing persons PI who wears a suit and a tie in the Wyoming wilderness. The deeper Reacher digs, and the more he learns, the more dangerous the terrain becomes. Turns out the ring was just a small link in a far darker chain. Powerful forces are guarding a vast criminal enterprise. Some lines should never be crossed. But then, neither should Reacher. **Advance praise for** The Midnight Line   “Compulsively readable.” **—** Publishers Weekly **(starred review)** “[A] multifaceted novel about dealing with the unthinkable . . . It’s automatic: Reacher gets off a bus, and Child lands on the *New York Times* bestseller list.” **—** Booklist  “I just read the new Jack Reacher novel by Lee Child. . . . It is as good as they always are. I read every single one.”— **Malcolm Gladwell** “The book is very smart . . . [and] suggests something that has not been visible in the series’ previous entries: a creeping sadness in Reacher’s wanderings that, set here among the vast and empty landscapes of Wyoming, resembles the peculiarly solitary loneliness of the classic American hero. This return to form is also a hint of new ground to be covered.” **—** **Advance praise for** The Midnight Line ** **“Compulsively readable.” **—** Publishers Weekly **(starred review)** “[A] multifaceted novel about dealing with the unthinkable . . . It’s automatic: Reacher gets off a bus, and Child lands on the  *New York Times*  bestseller list.” **—** Booklist  “I just read the new Jack Reacher novel by Lee Child. . . . It is as good as they always are. I read every single one.”— **Malcolm Gladwell** “The book is very smart . . . [and] suggests something that has not been visible in the series’ previous entries: a creeping sadness in Reacher’s wanderings that, set here among the vast and empty landscapes of Wyoming, resembles the peculiarly solitary loneliness of the classic American hero. This return to form is also a hint of new ground to be covered.” **—*Kirkus Reviews** * ### About the Author **Lee Child** is the author of twenty-one *New York Times* bestselling Jack Reacher thrillers, twelve of which have reached the #1 position, as well as *No Middle Name: The Complete Collected Jack Reacher Short Stories*. All his novels have been optioned for major motion pictures—including *Jack Reacher* (based on *One Shot* ) ** and *Jack Reacher: Never Go Back*. Foreign rights in the Reacher series have sold in one hundred territories. A native of England and a former television director, Lee Child lives in New York City.

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Reacher moved east through the trees and lined up with the back of the barn. His first port of call. He took a breath and stepped out.

No reaction.

He crossed the open space, controlled, not fast, not slow, with tiny slaps and crunches from his feet on the grit and the gravel.

No reaction.

He pressed up against the back of the barn. There were no windows. The personnel door was ten feet to his left. He crabbed sideways and tried the handle. Locked. Which was a pity. Barns were usually good for useful stuff. Hammers, hatchets, wrenches, knives. He crabbed back to where he started, and onward to the corner. The house was twenty feet away. Still quiet. The side facing him was made of heavy logs, and it had two small windows on the first floor and two on the second. All four were backed by half-closed sun-faded drapes.

He took another breath and crossed the open space. He pressed his back hard against the logs. The first-floor window sills were about level with his shoulder. He inched closer and risked a one-eyed look inside. He saw a powder room, with a closed door. He moved on. Checked the second window. Saw a small alcove at the foot of a staircase. Beyond it was the front half of a living room. Two more windows, a front door, a stone fireplace, well-worn armchairs. Log walls, stained dark.

No people.

The front door would lead to a front porch.

Which would be around the next exterior corner.

He moved on, slow and cautious. He stopped a foot short of the corner and listened hard. Heard nothing except silence, and the tiniest eddy of breeze through the trees, and the caw of a rook far in the distance. No breathing, no movement, no creak of wood. Nothing at all.

One more half step.

He peered around the corner. Saw a covered porch, with a railing, and two heavy wooden chairs, and a swing seat hanging motionless on four thick chains.

No people.

No rifle resting on the boards.

No Billy.

Reacher shuffled sideways to the rear corner of the house. He paused a beat, and slid around, and moved along the back wall. He checked the first window he came to. A kitchen. Still and quiet and no one in it. Next to the kitchen window was a kitchen door. Solid wood. No glass. He passed it by and checked a second window. A small back parlor. A desk, a chair. Still and quiet and no one in it.

Silence.

He crept back to the kitchen door. Now logic said Billy was upstairs. He had been warned. His view would be marginally better from a second-floor window. He would see a mile or more of the two-lane beyond the old post office. He would get six or seven minutes, even if an incoming vehicle was driving fast.

Reacher tried the door handle.

It turned.

The door opened.

He pushed it gently, with spread fingers. The kitchen air smelled still and stale. There were dark wood cabinets and a cold stove. Yesterday’s dishes were in the sink. There was tile on the floor. The inside door was open to the living room. No people. Last winter’s ash was still in the fireplace. A poker and a brush and a long-handled shovel were propped together in a stand on the hearth stones.

Slowly, carefully, he eased the poker out of the stand. It was iron, about a yard long, and it had a vicious hook at the end, jutting out like a hitchhiker’s thumb.

Better than nothing.

He crept to the foot of the stairs. Listened hard. The log construction was massive and solid. No sound. Nothing at all.

He started up the stairs. The moment of maximum vulnerability. Nothing to be done if Billy showed up shooting in the upstairs hallway. Short of swinging the poker at the bullet like a slugger going after a high fastball. Unlikely to work. But, nothing ventured, nothing gained. The stairs were sawn half-logs about ten inches thick. No danger of creaking. He held his breath.

He made it to the top. Directly ahead of him was a half-open door to a bathroom, directly above the kitchen. No one in it. Ahead and to his right was a half-open door to a back bedroom, above the back parlor. No one in it. He turned in the hallway and faced two front bedrooms. One had a wide-open door. No one in it.

One had a closed door.

Reacher held the poker across his body, at port arms.

You and me, Billy, he thought.

There was a rag rug in the upstairs hallway. He stepped onto it and walked slowly, carefully, silently. He stopped four feet short of the door. He was a big believer in shock and awe and surprise and overwhelming force. What used to be called common sense, before the Pentagon pointy-heads started dreaming up fancy names for simple concepts. He set his feet and rocked back and forth, back and forth, like a high-jumper going for a record, and then he smashed through the door with the sole of his boot and exploded into the room with the poker scything through the air in front of him.

The room was empty.

No Billy.

Just an unmade bed, and the sour smell of sleep, and a three-pane window with a perfect view to the horizon. Nothing out there except the herd of pronghorns, grazing unconcerned a mile away.

Reacher had searched a lot of houses, and he found the barn keys in the first place he looked, on a nail in the wall near the kitchen door. The barn was a big one-story space that smelled of dust and wood stain and cold motor oil. There were bald tires and all kinds of mechanical junk and a detached snowplow blade stacked on the floor. No actual vehicles. Nothing else of interest. He went back to the house and stood on the front porch and checked the view. He traced the route, along the driveway, along the dirt road, bit by bit, his eyes moving like a finger on a map, all the way out past the old post office and the firework store.

Nothing coming.

No dust on the dirt road.

He started downstairs and searched the house methodically, running a clock in his head, returning to the porch every sixty seconds to check the horizon. There was nothing of significance in the kitchen. Nothing in the living room. Billy seemed to be a guy with neat but not obsessive habits. The place was reasonably tidy and reasonably clean. The stuff in it was neither obviously expensive nor obviously cheap. It was clear he lived alone.

The back parlor was set up as an office. A desk, a chair, a file cabinet. On the desk was a cell phone. A simple thing. Old fashioned but not old. It was plugged in to a charger. The battery icon said a hundred percent. The screen said New Message .

Sixty seconds. Reacher slipped out to the porch and checked the view. Nothing coming. He went back to the office. He had never owned a cell phone, but he had used one from time to time. He knew how they worked. At the bottom of the screen were the words Menu and Play, and below them were two slim bar-shaped buttons. He pressed the bar below Play .

He heard a nervous breath and a throat being cleared.

Then he heard Scorpio’s voice.

It said, “Billy, this is Arthur. We got some weird shit going on. Nothing real serious. Just a strange piece of bad luck. Some guy showed up chasing a ring.”

Sixty seconds. Reacher stepped out to the front porch again and checked the view. Still nothing coming. He went back in and up the stairs to the slept-in bedroom. First thing he looked at was the closet. Just for fun. Against the back wall behind a rail of hanging pants he found four shoeboxes. They were neatly stacked two on two. The top two held shoes. White athletic sneakers on the left, and rubber soled black leather dress items on the right. The kind of thing a country boy might wear to a wedding or a funeral or a visit with the loan officer at the bank. Both pairs had been worn, but not often. Both pairs were size eight and a half. The hanging pants were all thirty-two waist and thirty leg.

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