Unknown - Cat_shining_bright_Merfi_630007

When they pulled into the drive, Clyde’s vintage Jaguar was there, leaving room for Ryan’s pickup. Rock, still nervous from the crashed drafting table, greeted them at the front door as if he had been standing guard. Ryan, heading for the kitchen, glanced up the stairs where Clyde sat at his desk. “Home,” she called up to him. In the kitchen, Wilma sat at the table with fresh coffee, reading the morning paper; it was so neatly folded that Wilma wondered if Joe Grey had even touched it; she was amused that she didn’t have to read around syrupy pawprints.

Clyde left his desk and came down. “Striker’s all right? And where’s Buffin?”

“Striker’s fine, and Buffin wanted to stay with him,” Ryan said, releasing Dulcie to hop down to the table. “The Firettis were pleased, they love those kittens,” she said softly.

Dulcie lay down on the table close beside Wilma. Joe Grey leaped up beside her, fixing his yellow gaze on Wilma, giving her an urgent, let’s get on with it look.

Dulcie watched him, suddenly wary and alert. From the kitchen counter Courtney watched with bright intensity. While she had napped with Snowball, her father and Wilma had had a long, whispering conversation. What wondrous thing they were planning.

But Clyde glared hard at Joe. Not for a minute did he trust that look, nor did he trust the excited amusement in Wilma’s eyes. “What?” he said. “What’s with you two?”

Wilma shrugged, and looked at Joe. Joe had started to lay out his plan when they heard the front cat door flap open, and Kit and Pan came galloping into the kitchen; smelling cranberry bread, they leaped to the table. As Ryan cut a slice for them, Clyde remained staring at Joe and Wilma, waiting for the bomb to drop. Whatever they were hatching, this was going to mean trouble.

Quietly Joe, under the gaze of his two human housemates and surrounded by the questioning cats, shared his plan.

“Charlie’s the best prospect,” he said. “The stalker might not even know her.” He looked at Ryan and Clyde. “The prowler, if he’s been watching this house, too, he knows both of you. He might have seen Charlie here, but maybe not. And she fits right in, she’s in and out of the art shop all the time, and in and out of the PD.”

“I don’t like this,” Clyde said. “It could get someone hurt, probably Officer McFarland.”

“But McFarland will be there anyway.” Joe reached a paw for another slice of cranberry bread.

“And,” Clyde added, “Charlie isn’t a good choice, she’s Wilma’s niece. He could have seen her there any time—no one could forget that bright red hair.”

“She can wear a cap,” Ryan said. “Tuck her hair under.” There was a long silence, then Wilma rose, heading for the guest room. Clyde and Ryan followed, the cats dashing past their feet.

Within minutes they were all gathered on or beside the desk as Wilma, comfortable in the wicker desk chair, called Tay’s Rare Bookstore, in the village. Yes, they still had the copy she had inquired about several weeks ago, one of the original editions of Bewick’s memoir. Despite the cost she put it on her credit card and asked them to wrap it in plain brown paper. When she’d hung up, she called Charlie.

An hour later, Charlie had cut her long red hair nearly a foot shorter. Feeling naked and regretful she left the house, cranked up the old green pickup they used around the ranch. Heading for the village, she parked in front of the art supply as a minivan moved out. She entered the store wearing a cap, not one curl of red hair showing, her dark glasses propped across the crown.

She spent perhaps fifteen minutes choosing her purchases. Leaving them there to be wrapped, she slipped out through the storeroom’s back door to the narrow alley that ran through from the art store past the backs of a deli and an upscale camera shop, to the rear of Russell Tay’s bookstore; passing trash cans lined along one wall, she slipped in through the unlocked back door.

She moved from the storeroom into the shop, into the smell of old books. She found Russell at the counter, slim, white haired, the lines in his face solemn and patient. He had set the book aside, concealed in brown paper as Wilma had requested. She tucked it into her oversized purse; they talked for only a few minutes, about the weather, the windstorm, and El Niño, then she hurried out the back again.

She knew she was being watched.

Coming down the alley she had glimpsed Dulcie peering over directly above her; and on the roof across the narrow side street she could barely see Joe Grey in a mass of overhanging pine branches, could see only the narrow white strip down his nose, his white chest and paws—and the gleam of his yellow eyes as he watched the street below him.

At the far end of the group of shops, Pan and Courtney crouched at separate corners, Pan above the alley, Courtney above the street looking very full of herself because of this important mission. The calico was as much the drama queen as Kit, giddily proud to be performing a glamorous job while her two brothers lounged in a cage in John Firetti’s hospital, even if they were being spoiled.

Charlie caught sight of Kit last of all, up in the pine tree that hung out over the street where, from its branches, she could see both ways down the sidewalk, could see every passing shopper.

Hurrying back down the alley, her package in her carryall, Charlie was startled when a heavily muscled man turned the corner, coming straight toward her—he fit too closely Kit and Pan’s rough description of the man they’d seen at Barbara Conley’s house on that windy night.

But no, this was not the same man. This fellow was lame, limping along. He passed her paying no attention as she slipped back into the artist’s supply.

Above her, the cats, having watched her progress, crouched together now on the roof of the art supply watching her load her packages in the passenger seat of the old pickup and set her big carryall on the floor. That’s where the book would be, a book like the one Wilma had burned—or almost like it, Courtney thought. How strange and complicated was human life. As Charlie drove away, Courtney snuggled up to her daddy, and knew that his anger about the drafting table was gone. She thought about Charlie going on with Joe’s plans and hoped … No, she knew his scheme would work just fine—as sure as hiding cheese to lure a mouse.

From the art shop Charlie drove to the bank. Taking off her cap, shaking out her red hair, she found a clerk free and went straight to Wilma’s safe-deposit box. She signed their card, used her own key, removed the metal drawer and carried it into a small, locked cubicle.

Removing the book-sized package from the metal box she unwrapped the age-stained white paper, then the disintegrating piece of ancient leather wrap, revealing a small and empty, carved chest. Opening this, smelling the lingering scent of the old book that was no longer there, she unwrapped the brown paper from the book she had just picked up. Same title, same binding, same dated first edition. Placing this in the chest she wrapped it up again in the frail leather and then the brown paper.

This she put in her carryall. She took the metal drawer back where the clerk followed her into the vault, slid the safe-deposit box into its slot, saw that it was properly locked then headed for MPPD. There was nothing unusual about her going into the station, the chief’s wife was in and out frequently, to have lunch with Max, sometimes to pick up their young ward, Billy, after school was out. This morning she skipped Max’s office, found Jimmie McFarland in the conference room typing a report. She gave him the box, and gave him instructions.

“This,” Jimmie said, his brown eyes amused, “you know this is entrapment, Charlie.”