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Laura Dave: The Last Thing He Told Me

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Laura Dave The Last Thing He Told Me

The Last Thing He Told Me: краткое содержание, описание и аннотация

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**From internationally bestselling author Laura Dave comes a riveting new suspense novel about how one woman must learn the truth of her husband's disappearance --no matter the cost.** We all have stories we never tell. Before Owen Michaels disappears, he manages to smuggle a note to his beloved wife of one year: *Protect her.* Despite her confusion and fear, Hannah Hall knows exactly to whom the note refers: Owen's sixteen-year-old daughter, Bailey. Bailey, who lost her mother tragically as a child. Bailey, who wants absolutely nothing to do with her new stepmother. As Hannah's increasingly desperate calls to Owen go unanswered; as the FBI arrests Owen's boss; as a US Marshal and FBI agents arrive at her Sausalito home unannounced, Hannah quickly realizes her husband isn't who he said he was. And that Bailey just may hold the key to figuring out Owen's true identity--and why he really disappeared. Hannah and Bailey set out to discover...

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Bailey gets out of bed and heads toward the bathroom and the terrible day ahead of her, ahead of both of us. I almost stop her and tell her to come back to the bed. But that seems more about what I need. Isn’t what’s best for her to get out of this house? Go to school? Forget about her father for five minutes?

Protect her.

“I’m going to drop you off,” I say. “I don’t want you walking to school alone this morning.”

“Whatever,” she says.

She’s apparently too tired to argue. One break.

“I’m sure we’re going to hear from your father soon,” I say. “And things will start to make a lot more sense.”

“Oh, you’re sure of that?” she says. “Wow, that’s a relief.”

Her sarcasm can’t mask it—how tired she is, how alone she feels. It makes me miss my grandfather, who would know exactly how to make Bailey feel better. He’d know how to give her the thing she needs, whatever that thing might be, to know she’s loved in a moment like this. To know she can trust. The same way he did for me. How many months after my mother left did he find me upstairs in my room, trying to write a letter to her? Asking her how she could desert me?

I was crying and angry and scared. And I’ll never forget what he did next. He was wearing his overalls and these thick work gloves—purple, and ridged. The gloves were a recent purchase. He got them made special in purple because that was my favorite color. He took the gloves off and he sat down on the floor next to me and helped me finish the letter, exactly as I wanted to write it. No judgment. He helped me spell out any words I was having trouble with. He waited while I figured out exactly how I wanted the letter to end. Then he read the entire letter out loud so I could hear it for myself, pausing when he got to the sentence in which I asked my mother how she could have left me behind. Maybe that’s not the only question we should be asking, my grandfather said. Maybe we should also think about whether we’d really want it to be different. We could think about whether she actually did us a favor in her own way… I looked at him, starting to understand where he was gently leading me. After all, what your mother did… it gave me you.

The most generous thing to say. The most comforting and generous thing. What would he say to Bailey now? When am I going to figure out how to say it too?

“Look, I’m trying here, Bailey,” I say. “I’m sorry. I know I keep saying the wrong things to you.”

“Well,” she says as she closes the bathroom door behind herself, “at least you know.”

Help Is on the Way

When we decided I was moving to Sausalito, Owen and I talked about how to make the transition as easy as possible for Bailey. I felt strongly, probably more strongly than Owen even did, that we shouldn’t move Bailey out of the only home she’d ever known—the home she’d been living in for as long as she could remember. I wanted her to have continuity. Her floating home—complete with its wooden beams and bay windows, its storybook views on Issaquah Dock—was her continuity. Her safe haven.

But I wonder if it didn’t just make it more apparent: Someone moved into her most cherished space and there was nothing she could do about it.

Still, I did everything I could to not disturb the balance. Her balance. Even in the way that I moved into the house, I tried to keep the peace. I put my stamp on Owen’s and my bedroom, but the only other room I redecorated wasn’t a room at all. It was our porch, lovingly hugging the front of the house. Before I arrived, the porch was empty. But I lined it with potted plants, rustic tea tables. And I built a bench to put by the front door.

It is a great rocking bench—shingled in white oak, striped pillows for comfort.

Owen and I have made it our weekend ritual to sit on the bench together, drinking our morning coffee. It’s our time to catch up on the week as the sun rises slowly over the San Francisco Bay, catching the bench in its warmth. Owen is more animated in those conversations than during the work week—a load lifted as the day stretches out before him, empty and relaxed.

That’s partially why the bench makes me so happy, why I take comfort even passing by it. And why I nearly jump out of my skin when I walk outside to take out the trash and there is someone sitting on it.

“Garbage day?” he says.

I turn around to see a man I don’t recognize leaning against the bench’s arm, like he belongs there. He wears a backward baseball cap and a windbreaker, holds tight to a cup of coffee.

“Can I help you?” I say.

“I’m hoping so.” He motions toward my wrists. “But you may want to put those down first.”

I look down to see that I’m still holding the trash, the two weighty garbage bags in my hands. I drop the bags into the trash cans. Then I look back up and take him in. He is young—maybe in his early thirties. And he is good-looking in a way that’s disarming, complete with a strong jaw, dark eyes. He is almost too good-looking. But the way he smiles gives him away. He knows it better than anyone.

“Hannah, I take it?” he says. “It’s nice to meet you.”

“Who the hell are you?” I say.

“I’m Grady,” he says.

He bites the edge of the coffee cup, holding it between his lips as he points at me to give him a second. Then he reaches in his pocket and pulls out something that looks like a badge. He holds it out for me to take.

“Grady Bradford,” he says. “You can call me Grady. Or Deputy Bradford if you prefer, though that seems awfully formal for our purposes.”

“And what are those?”

“Friendly,” he says. Then he smiles. “Friendly purposes.”

I study the badge. It has a star with a circular ring wrapped around it. I want to run my finger around that circle, through the star, as if that will help me determine whether the badge is genuine.

“You’re a police officer?”

“A U.S. marshal actually,” he says.

“You don’t look like a U.S. marshal,” I say.

“And what does a U.S. marshal look like?” he says.

“Tommy Lee Jones in The Fugitive ,” I say.

He laughs. “It’s true, I’m younger than some of my colleagues, but my grandfather was with the service, so I got an early start,” he says. “I assure you it’s been a legitimate one.”

“What do you do for the Marshals’ office?”

He takes his badge back and stands up, the bench rocking back and forth as it loses the weight of him.

“Well, primarily, I apprehend people who are defrauding the U.S. government,” he says.

“You think my husband’s done that?”

“I think The Shop has done that. But no, I’m not convinced your husband has. Though I’d need to speak to him before I could properly assess his involvement,” he says. “Seems like he doesn’t want to have that conversation though.”

That sticks to me for some reason. It sticks to me as not the entire truth, at least not Grady’s entire truth as to what he’s doing on my dock.

“Can I see your badge again?” I say.

“512-555-5393,” he says.

“Is that your badge number?”

“That’s the phone number for my branch office,” he says. “Give a call there, if you like. They’ll confirm for you who I am. And that I just need a few minutes of your time.”

“Do I have a choice?”

He gives me a smile. “You always have a choice,” he says. “But I’d certainly appreciate if you talked to me.”

It doesn’t feel like I have a choice, at least not a good one. And I don’t know if I like him, this Grady Bradford, with his practiced drawl. But how much would I like anyone who is about to ask me a bunch of questions about Owen?

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