Alex Haley - Roots - The Saga of an American Family

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When he was a boy in Henning, Tennessee, Alex Haley's grandmother used to tell him stories about their family—stories that went back to
grandparents, and
grandparents, down through the generations all the way to a man she called "the African." She said he had lived across the ocean near what he called the "
" and had been out in the forest one day chopping wood to make a drum when he was set upon by four men, beaten, chained and dragged aboard a slave ship bound for Colonial America.
Still vividly remembering the stories after he grew up and became a writer, Haley began to search for documentation that might authenticate the narrative. It took ten years and a half a million miles of travel across three continents to find it, but finally, in an astonishing feat of genealogical detective work, he discovered not only the name of "the African"--Kunta Kinte—but the precise location of Juffure, the very village in The Gambia, West Africa, from which he was abducted in 1767 at the age of sixteen and taken on the
to Maryland and sold to a Virginia planter.
Haley has talked in Juffure with his own African sixth cousins. On September 29, 1967, he stood on the dock in Annapolis where his great-great-great-great-grandfather was taken ashore on September 29, 1767. Now he has written the monumental two-century drama of Kunta Kinte and the six generations who came after him—slaves and freedmen, farmers and blacksmiths, lumber mill workers and Pullman porters, lawyers and architects—and one author.
But Haley has done more than recapture the history of his own family. As the first black American writer to trace his origins back to their roots, he has told the story of 25,000,000 Americans of African descent. He has rediscovered for an entire people a rich cultural heritage that slavery took away from them, along with their names and their identities. But
speaks, finally, not just to blacks, or to whites, but to all people and all races everywhere, for the story it tells is one of the most eloquent testimonials ever written to the indomitability of the human spirit.

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For half a moment the youth stared quizzically at Tom, then his eyes flew wide; he disappeared so fast that Irene stood astounded—and she was even more so when Tom told her whom she had been about to feed.

The whole of slave row became aware of the incredible occurrence on the next night when—with both Tom and Irene among the family gathering—Matilda mentioned that just after breakfast, “some scrawny po’ white boy” had suddenly appeared at the kitchen screen door piteously begging for food; she had given him a bowl of leftover cold stew for which he had thanked her profusely before disappearing, then later she had found the cleaned bowl sitting on the kitchen steps. After Tom explained who the youth was, he said, “Since you feedin’ ’im, I ’speck he still hangin’ roun’. Probably jes’ sleepin’ somewhere out in de woods. I don’ trust him nohow; first thing we know, somebody be in trouble.”

“Ain’t it de truth!” exclaimed Matilda. “Well, I tell you one thing, if he show me his face ag’in, I gwine ax him to wait an’ let’im b’leeve I’se fixin’ ’im sump’n while I goes an’ tells massa.”

The trap was sprung perfectly when the youth reappeared the following morning. Alerted by Matilda, Massa Murray hurried through the front door and around the side of the house as Matilda hastened back to the kitchen in time to overhear the waiting youth caught by total surprise. “What are you hanging around here for?” demanded Massa Murray. But the youth neither panicked nor even seemed flustered. “Mister, I’m just wore out from travelin’ an’ stayin’ hungry. You can’t hold that ’gainst no man, an’ your niggers been good enough to feed me something.” Massa Murray hesitated, then said, “Well, I can sympathize, but you ought to know how hard the times are now, so we can’t be feeding extra mouths. You just have to move on.” Then Matilda heard the youth’s voice abjectly pleading, “Mister, please let me stay. I ain’t scared of no work. I just don’t want to starve. I’ll do any work you got.”

Massa Murray said, “There’s nothing for you here to do. My niggers work the fields.”

“I was born and raised in the fields. I’ll work harder’n your niggers, Mister—to just eat regular,” the youth insisted.

“What’s your name and where you come here from, boy?”

“George Johnson. From South Carolina, sir. The war pretty near tore up where I lived. I tried to join up but they said I’m too young. I’m just turned sixteen. War ruint our crops an’ everything so bad, look like even no rabbits left. An’ I left, too, figgered somewhere—anywhere else—had to be better. But seem like the only somebody even give me the time of day been your niggers.”

Matilda could sense that the youth’s story had moved Massa Murray. Incredulously then she heard, “Would you know anything at all about being an overseer?”

“Ain’t never tried that.” The George Johnson youth sounded startled. Then he added hesitantly, “But I told you ain’t nothin’ I won’t try.”

Matilda eased yet closer to the edge of the screen door to hear better in her horror.

“I’ve always liked the idea of an overseer, even though my niggers do a good job raising my crops. I’d be willing to try you out for just bed and board to start—to see how it works out.”

“Mister—sir, what’s your name?”

“Murray,” the massa said.

“Well, you got yourself an overseer, Mr. Murray.”

Matilda heard the massa chuckle. He said, “There’s an empty shed over behind the barn you can move into. Where’s your stuff?”

“Sir, all the stuff I’ve got, I’ve got on,” said George Johnson.

The shocking news spread through the family with a thunder-bolt’s force. “Jes’ couldn’t b’leeve what I was hearin’!” exclaimed Matilda, ending her incredible report, and the family’s members fairly exploded. “Massa mus’ be goin’ crazy!” . . . “Ain’t we run his place fine ourselves?” . . . “Jes’ ’cause dey both white, dat’s all!”. . . “’speck he gwine see dat po’ cracker different time we sees to it’nough things go wrong!”

But as furious as they were, from their first direct confrontation with the impostor out in the field on the following morning, he immediately made it difficult for their anger to remain at a fever pitch. Already out in the field when they arrived led by Virgil, the scrawny, sallow George Johnson came walking to meet them. His thin face was reddened and his Adam’s apple bobbed as he said, “I can’t blame y’all none for hatin’ me, but I can ask y’all to wait a little to see if I turn out bad as y’all think. You the first niggers I ever had anything to do with, but seem like to me y’all got black same as I got white, an’ I judge anybody by how they act. I know one thing, y’all fed me when I was hungry, and it was plenty of white folks hadn’t. Now seem like Mr. Murray got his mind set on having a overseer, and I know y’all could help him git rid of me, but I figger you do that, you be takin’ your chances the next one he git might be a whole lot worse.”

None of the family seemed to know what to say in response. There seemed nothing to do except filter away and set to work, all of them covertly observing George Johnson proceeding to work as hard as they, if not harder—in fact, he seemed obsessed to prove his sincerity.

Tom’s and Irene’s third daughter—Viney—was born at the end of the newcomer’s first week. By now out in the field, George Johnson boldly sat down with the members of the family at lunchtimes, appearing not to notice how Ashford conspicuously got up, scowling, and moved elsewhere. “Y ’all see I don’t know nothin’ ’bout overseein’, so y’all needs to help me along,” George Johnson told them frankly. “It would be no good for Mr. Murray to come out here an’ figger I ain’t doin’ the job like he want.”

The idea of training their overseer amused even the usually solemn Tom when it was discussed in the slave row that night, and all agreed that the responsibility naturally belonged to Virgil, since he had always run the field work. “First thing,” he said to George Johnson, “you gon’ have to change whole lot o’ yo’ ways. ’Cose, wid all us lookin’ all de time, massa ain’t likely to git close fo’ us can give you a signal. Den you have to hurry up an’ git ’way from too close roun’ us. Reckon you knows white folks an’ ’specially oberseers ain’t s’posed to seem like deys close wid niggers.”

“Well, in South Carolina where I come from, seem like the niggers never got too close to white folks,” George Johnson said.

“Well, dem niggers is smart!” said Virgil. “De nex’ thing, a massa want to feel like his oberseer makin’ his niggers work harder’n dey did befo’ de oberseer come. You got to learn how to holler, ‘Git to work, you niggers!’ an’ sich as dat. An’ anytime you’s roun’ massa or any mo’ white folks, don’ never call us by our names de way you does. You got to learn how to growl an’ cuss an’ soun’ real mean, to make massa feel like you ain’t too easy an’ got us goin’.”

When Massa Murray did next visit his fields, George Johnson made strong efforts, hollering, cursing, even threatening everyone in the field, from Virgil down. “Well, how they doing?” asked Massa Murray. “Pretty fair for niggers been on their own,” George Johnson drawled, “but I ’speck another week or two ought to git’em shaped up awright.”

The family rocked with laughter that night, imitating George Johnson, along with Massa Murray’s evident pleasure. Afterward when the mirth had waned, George Johnson quietly told them how it had been to be dirt-poor for all of his earlier life, even before his family had been routed with their fields ruined by the war, until he had sought some new, better life. “He ’bout de only white man we ever gwine meet dat’s jes’ plain honest ’bout hisself,” Virgil expressed their collective appraisal.

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