Wolfe, Gene - The Best of Gene Wolfe

I said something to the effect that I had been unaware of any other houses in the neighborhood.

“A few steps would have brought you in sight of it.” She cracked her whip expertly over the horse’s back, and he broke into a trot. “Little Maria does not like it, but I am only a few steps away for her husband too. But he is old. Do you think I am getting old also?”

She leaned back, turning her head to show me her profile—a tip-tilted nose, generous lips salved carmine. “My bust is still good. I’m perhaps a little thicker at the waist, but my thighs are heavier too, and that is good.”

“You’re very beautiful,” I said, and she was, though the delicately tinted cheeks beneath the cosmetics showed craquelure.

“Very beautiful but older than you.”

“A few years, maybe.”

“Much more. But you find me attractive?”

“Most men would find you attractive.”

“I am not, you understand, a tart. Many times with Signor Stromboli, yes. But only a few with other men. And I have never been sold—no, not once for any price.” She was driving very fast, the buggy rattling down the turns.

After a few moments of silence she said, “There is a place, not far from here. The ground is flat and you may drive off the road to where a stream comes down from the mountain. There is grass there, and flowers, and the sound of the water.”

“I have to catch my ship.”

“You have two hours. We would spend perhaps one. For the other you can sit in a chair down there, yawning and thinking nice thoughts about Sarg and me.”

I shook my head.

“You say that Signor Stromboli has taught you much. He has taught me much too. I will teach it to you. Now. In an hour.” Her leg pressed hard against mine.

“I’m sorry,” I said, “but there’s somebody else.” It wasn’t true, but it seemed the best way of getting free of an embarrassing situation. I added, “Someone I can’t betray, if I’m going to live with myself.”

Lili let me off at the entrance to the spaceport, where I could pile my bags directly on the conveyor. As soon as the last of them were gone she touched the horse’s rump with the lash of her whip, and she, with the horse and the rattling buggy, disappeared in rising dust. A coin-operated machine inside the port vacuumed most of it out of my clothes.

As she had said, I had almost two hours to kill. I spent them alternately reading magazines and staring at the mountains I would be leaving.

“For the Sol system and Vega. Gate five. You have fifteen minutes before departure.”

I picked myself up in a leisurely way and headed toward Gate Five, then stopped. Coming toward me was a preposterous figure, familiar from a thousand pictures.

“Sir!” (Actually it sounded more like “SeeraughHa!” given a rising intonation all the way—the kind of sound that might have come from a chummy, intoxicated, dangerous elephant.)

“Sir!” The great swag belly was wrapped in a waistcoat with blue and white stripes as broad as my hand. The great shapeless nose shone with an officious cunning. “Sir, your shoes. I have your shoes!”

It was Zanni the Butler, Stromboli’s greatest creation. He held out my secondbest shoes, well brushed. In his flipper of a hand they looked as absurd as I felt. People were staring at us, and already beginning to argue about whether or not Zanni was real.

“The master,” Zanni was saying, “insisted that I restore them to you. You will little credit it, sir, but I have run all the way.”

I took my shoes and mumbled, “Thank you,” looking through the crowd for Stromboli, who had to be somewhere nearby.

“The master has heard,” Zanni continued in a stage whisper that must have been audible out in the blast pits, “of your little talk with Madame Lili. He asks—well, sir, we sometimes call our little world the Planet of Roses, sir. He asks that you consider a part of what you have learned here—at least a part, sir—as under the rose.”

I nodded. I had found Stromboli at last, standing in a corner. His face was perfectly impassive while his fingers flew over the levers of Zanni’s controller. I said, “Joruri.”

“ Joruri , sir?”

“The Japanese puppet theater. The operators stand in full view of the audience, but the audience pretends not to see them.”

“That is the master’s field, sir, and not mine, but perhaps that is the best way.”

“Perhaps. But now I’ve got to catch my ship.”

“So you said to Madame Lili earlier, sir. The master begs leave to remind you that he was once a young man very like yourself, sir. He expresses the hope that you know with whom you are keeping faith. He further expresses the hope that he himself does not know.”

I thought of the fine cracks I had seen, under the cosmetics, in Lili’s cheeks, and of Charity’s cheeks, as blooming as peaches.

Then I took my second-best pair of shoes, and went out to the ship, and climbed into my own little box.

AFTERWORD

Now it seems that all toys are high tech. Goodness knows there’s nothing wrong with high-tech toys, but it seems to me that we had just as much fun with low. Can I have been alone in playing with puppets and marionettes?

There was once a marionette in the form of a robot with a spiked club, and a blond boy with a sword who was to fight him. Best of all, there was a puppet, just one puppet, a grinning monkey. I wish I had him still.

G. K. Chesterton had a toy theater, doubtless with a princess, Saint George, and a dragon. Back then they were a penny plain and tuppence colored, but if you got the plain sort you had the pleasure of coloring everything to suit yourself. You might have a princess with fiery red hair, if you liked, and a flaxen dragon. Years after my monkey had returned to the jungle (or wherever), I read about Chesterton’s theater with pleasure. By then I already knew of certain sad toys possessed by adult men.

And long years after I had finished this story and sold it, and almost forgotten it, I set out to write a circus story to be called “On a Vacant Face a Bruise.” Chesterton had never really forgotten his toy theater, and I soon learned that I had never really forgotten mine.

THE FIFTH HEAD OF CERBERUS

When the ivy-tod is heavy with snow,

And the owlet whoops to the wolf below,

That eats the she-wolf’s young.

—SAMUEL TAYLOR COLERIDGE,

“The Rime of the Ancient Mariner”

W

hen I was a boy my brother David and I had to go to bed early whether we were sleepy or not. In summer particularly, bedtime often came before sunset; and because our dormitory was in the east wing of the house, with a broad window facing the central courtyard and thus looking west, the hard, pinkish light sometimes streamed in for hours while we lay staring out at my father’s crippled monkey perched on a flaking parapet, or telling stories, one bed to another, with soundless gestures.

Our dormitory was on the uppermost floor of the house, and our window had a shutter of twisted iron which we were forbidden to open. I suppose the theory was that a burglar might, on some rainy morning (this being the only time he could hope to find the roof, which was fitted out as a sort of pleasure garden, deserted), let down a rope and so enter our room unless the shutter was closed.

The object of this hypothetical and very courageous thief would not, of course, be merely to steal us. Children, whether boys or girls, were extraordinarily cheap in Port-Mimizon; and indeed I was once told that my father, who had formerly traded in them, no longer did so because of the poor market. Whether or not this was true, everyone—or nearly everyone—knew of some professional who would furnish what was wanted, within reason, at a low price. These men made the children of the poor and the careless their study, and should you want, say, a brown-skinned, red-haired little girl or one who was plump or who lisped, a blond boy like David or a pale, brown-haired, brown-eyed boy such as I, they could provide one in a few hours.