Patterson, James - Alex Cross 5 - Pop Goes the Weasel
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- Название:Alex Cross 5 - Pop Goes the Weasel
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The girls climbed in, and Bayer couldn't resist checking them out in the mirror. The foxy one in the microskirt caught him looking. He felt like a schoolboy, found it intoxicating, didn't avert his eyes from hers.
She casually flipped him the finger. He didn't stop looking. Couldn't. So this was how it felt to Shafer. This was the game of games.
He couldn't take his eyes off the girls. His heart was pounding. Microskirt wore a tightly fitted ribbed tank top. Her long fingernails were airbrushed in kiwi and mango colors. She had a pager on her belt. Probably a gun in her handbag.
The other girl smiled shyly in his direction. She seemed more innocent. Was she? A necklace that read: BABY GIRL dangled between her young breasts.
If they were going to Petworth, they had to be hooking. They were certainly young and foxy; sixteen, seventeen years old. Bayer could see himself having sex with the girls, and the image was beginning to overpower his imagination. He knew he ought to be careful. This could get completely out of hand. He was playing Shafer's game, wasn't he? And he liked it very much.
'I have a proposition for you.' he said to microskirt.
'All right, darlin.' she said. 'Be one hundred for the half. Plus our ride to Petworth. That's my proposition for you.'
Alex Cross 5 - Pop Goes the Weasel
CHAPTER Twenty-Six
Shafer liked to know when any of the other players traveled, especially if they came to Washington. He had gone through a lot of trouble to hack his way into their computers to keep track of them. Famine had recently bought plane tickets and now he was here in DC. Why?
It wasn't hard to follow George Bayer, once he got to town. Shafer was still reasonably good at it. He'd had plenty of practice at tracking and surveillance, during his years in the Service.
He was disappointed that Famine had decided to 'intersect' with his fantasy. Intersection happened occasionally in the game, but it was rare. Both players were supposed to agree beforehand. Famine was clearly breaking the rules. What did he know, or think he knew?
Then Bayer genuinely surprised him. Not only did he visit Shafer's hideaway but he actually took the taxi for a ride. What the hell was he doing?
At a little past two in the morning, Shafer watched the gypsy cab pick up the two young girls in Shaw. Was Bayer copycatting? Was he setting some kind of trap for Sharer? Or was it something else altogether?
Bayer took the girls to S Street, which wasn't far from the pick-up point. He followed the girls up the darkened stairs of an aging brownstone and then they all disappeared inside.
He had a blue anorak thrown over his right arm and Shafer suspected a pistol was under the coat. Christ! He'd taken two of them. He could have been seen by anyone on the street. The cab could have been spotted.
Shafer parked on the street. He waited and watched. He didn't like being in this part of Shaw, especially without his disguise, and driving the Jaguar. There were some old crumbling brownstones, and a couple of boarded-up, graffiti-covered shacks on the street. No one was outside.
He saw a light blink on the top floor, and figured that was where Bayer had taken the two girls. Probably their flat.
He watched the brownstone from two until close to four. He couldn't take his eyes away. While he waited he imagined dozens of scenarios that might have brought Famine here. He wondered if the others were in Washington, too. Or was Famine acting alone? Was he playing The Four Horsemen right now?
Shafer waited and waited for Bayer to come out of the brownstone. But he didn't come down, and Shafer grew more impatient and worried and angry. He fidgeted. His breathing became labored. He had lurid, paranoid fantasies about what Bayer might have done up there. Had he killed the two girls? Taken their identification? Was this a trap? He thought so. What else could it be?
Still no George Bayer.
Shafer couldn't stand it any longer. He climbed out of the Jaguar. He stood on the street and stared up at the windows of the flat. He wondered if he, too, were being watched. He sensed a trap, wondered if he should flee.
Christ, where the hell was Bayer? What game was Famine playing? Was there a back way out of the building? If so, why had he left the taxi as evidence? Evidence! Damn him!
But then he saw Bayer finally leave the building. He quickly crossed S Street, got into the cab, and drove away.
Shafer decided to go upstairs. He jogged over to the building and found the wooden front door unlocked. He hurried up the steep, winding stairs. He had a flashlight in one hand, turned it on. His semiautomatic was in the other.
Shafer made his way to the fourth floor. He immediately knew which of the two flats was the right one. A poster for Mary J. Blige's What's the 411 album was on the splintered and scarred door to his right. The girls lived here.
He turned the handle and carefully pushed the door open. He pointed his gun inside, ready.
One of the young girls came out of the bathroom wearing a fluffy black towel on her head, nothing else. She was a hot number with pert little titties. Christ, Famine must have paid for it. What a fool! What a wanker!
'Who the hell are you? What are you doing in here?' the girl shouted angrily.
'I'm Death.' he grinned, and announced, 'I'm here for you and your pretty friend.'
Alex Cross 5 - Pop Goes the Weasel
CHAPTER Twenty-Seven
I had gotten home from the John Doe murder scene at a little past three in the morning. I went to bed, but set my alarm for six thirty. I managed to get myself up before the kids went off to school.
'Somebody was out very, very, very late last night.' Jannie started her teasing before I had made it all the way downstairs and into the kitchen. I continued down and found she and Damon in the breakfast nook with Nana.
'Somebody sure looks like they had a late night.' Nana said from her customary cat-bird seat.
'Somebody's cruising for a bruising,' I said to quiet them. 'Now, there's something important I need to tell you before you head out to school.'
'Watch our manners. Always pay attention in class, even if the teacher's boring. Lead with our left if it ever comes to a fight in the school yard.' Jannie offered with a wink.
I rolled my eyes. 'What I was going to say,' 1 said, 'is that you should be especially nice to Ms. Johnson today. You see, last night, Christine said that she'd marry me. I guess that means she's marrying all of us.'
At that point, everything became hugging and loud celebrating in the kitchen. The kids got chocolate milk and bacon grease all over me. I'd never seen Nana happier. And I felt exactly the same. Probably even better than they did.
I eventually made it to work that morning. I had made some progress on the John Doe homicide, and early on Tuesday morning I learned that the man whose body had been dumped on Alabama Avenue was a thirty-four-year-old research analyst named Franklin Odenkirk. He worked at the Library of Congress for the Congressional Research Service.
We didn't release the news to the press, but I did inform Chief Pittman's office as soon as I knew. Pittman would find out anyway.
Once I had a name for the victim, information came quickly and, as it usually is, it was sad. Odenkirk was married and had three small children. He had taken a late flight back from New York that evening, where he'd given a talk at the Rockefeller Institute. The plane landed on time and he deboarded at National around ten. What happened to him after that was a mystery.
For the remainder of Thursday and Friday, I was busy with the murder case. I visited the Library of Congress, and went to the newest structure, the James Madison Building, on Independence Avenue. I talked to nearly a dozen of Frank Odenkirk's coworkers.
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