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Walter Mosley: Fear Itself

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Walter Mosley Fear Itself

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“So you went to Mauritia’s?” I asked, trying to urge him on.

“Maynard said that early one morning a week before, Kit had three boxes and that he had Maynard help him drop them off at Mauritia’s front door. So I went over there to see maybe if he worked for them part-time or somethin’ like that.”

Fearless sat up, took his coffee cup from the floor, and brought it to his lips. He made a loud smacking sound and grunted his approval.

“It’s after three, Fearless. What did they say at Mauritia’s?”

“They said that they remembered a man looked like Kit come over to their place a couple’a times but that’s all they knew. He was just droppin’ off for the man usually bring ’em their Madame Ethel’s supplies. A guy name of Henry T. Orkan.”

My eyes were sore. I had been up until midnight reading To the Finland Station by Edmund Wilson. I had just gotten to the end of the section on Fourier and Owen when I fell asleep.

“Orkan lives out past Compton at the end of a lane that didn’t have no other houses on it. I called up a cabbie I knew and had him drive me out over there for a favor yesterday.”

“You mean Sunday,” I said.

“Yeah. Orkan is a crazy old guy. He come outta his house with a shotgun cradled in his arm, askin’ me what I wanted on his property. It was nutty, Paris, like he was some kinda moonshiner in the back country instead of a man livin’ in the middle of a big city.”

I knew that Fearless hadn’t been afraid of that man sporting a shotgun. Fearless had never been afraid of anything.

“Did he tell you where Kit was?”

“At first he was all cagey, but when we got to talkin’ he warmed up. He told me that Kit just showed up one day with a receipt for the boxes of beauty supplies. He dropped by after that pretty regular for two weeks, and then he didn’t come anymore. But he had got a number for Kit, though.”

“So this Orkan is a beauty product distributor?” I asked.

“I guess he is. That place’a his looked like a shanty down at the Galveston shore. No paint on it and all lopsided and messy.” Fearless shrugged. “I called the number Orkan gave me. A woman name of Moore answered. I asked her about Kit and she said that she wouldn’t talk on the phone but that I could come by if I wanted to.”

“Why didn’t she want to talk on the phone?”

“Superstitious I guess. You know country people’s scared’a all these machines they got today.”

“So you went there?”

“It was a big old ramblin’ house. Must’a had a dozen tenants or more. They told me that Kit had taken a room on the top floor, but that he hadn’t been back there since the first day he didn’t come in to work.”

“Wait a minute, Fearless,” I said. “If Kit got a room on the top floor of a rooming house, then how could he walk out on his wife and child?”

“That’s what I went to know from Leora,” he said. “I went over to her apartment and asked why didn’t she know that Kit had another place. But she said all she knew was that Kit had been away at his watermelon farm. So I told her where he had been stayin’.” Fearless hesitated again.

“What?” I asked.

“The funny thing was, all she had was a room and a half. And Son wasn’t there with her. She said that she left the boy with her mama, but you know, Paris, there wasn’t even one toy or buildin’ block on the floor. It wasn’t like a child had ever been in that house.”

“Did you say somethin’ about that?”

“No. I didn’t even think about it really. Later on I did but right then I was just doin’ what I promised I would. After that I went down to Marmott’s on Central and listened to Lips McGee and Billy Herford until almost midnight. Then I went home. I didn’t think about Leora again until my landlady Mrs. Hughes told me about the cops.”

“Cops? What cops?”

“They was askin’ about me and if anybody around there had ever heard of Kit Mitchell. They told her not to tell me they were there, but Mrs. Hughes likes me so she was waitin’ by her door for me to get in.”

“What do the cops want, Fearless?” I asked, sounding more like a doubting parent than a friend.

“I don’t know, Paris. But it don’t sound good. I mean, she said that they were in suits, not uniforms, and they called themselves detectives.”

My mind slipped into gear then.

“Why’ont you go upstairs and take my bed, man? I’ll sleep down here.”

“No, Paris. I don’t wanna put you out your bed.”

“Just do what I say, okay? Go on upstairs. I’m going to want to talk to you more about this thing with the Watermelon Man, but we should wait until we’re both sharp. You get a good night’s sleep and we’ll get into it again in the morning.”

3

WITHIN TEN MINUTES I COULD HEAR my friend snoring. He had spent three years on the front lines in Africa and Europe during the war, but he claimed that he slept like a baby every chance he got.

“Me worryin’ about them big shells and bombs wasn’t gonna help nuthin’,” he’d said one drunken night. “But a good night’s rest meant that I was sharp when I had to be.”

Many a day I had curled up on the front sofa and slept for hours, but not that early morning. Fearless didn’t know what those cops wanted, but that didn’t matter to him. All he needed was a corner to sleep in, and if in the morning he had to pull up stakes and leave California he’d do that, looking forward to a new life in Seattle or Memphis or Mexico City.

Fearless was sleeping the sleep of an innocent man but I couldn’t get that chill out of my chest. I wasn’t guilty of any crime, but just being in the house with a man wanted by the police put me in a state of high anxiety.

At four I turned on the lights, pulled out the dictionary, and looked up random words. Leaf lard was the first one I lit on. That meant lard rendered from the leaf fat of a hog. Leaf fat, I read, was fat that formed in the folds of the kidneys of some animals, especially the pig.

I liked looking up words in the dictionary. It calmed me, because there was no tension in the definitions. Definitions were neutral: facts, not fury.

When the sun came up I went down to the corner to buy the L.A. Times from the blind man, Cedric Jarman, who sold papers near the bus stop. I knew that Fearless would sleep late because of the time he got to bed, so I sat on the front porch and read the dreary news.

Ike was still declaring victory in Korea two years after the war was over. We had halted communism in its tracks, but A-bomb testing continued just in case we had to have a real war with somebody like Russia or Red China. A white woman’s body had been found by a hobo in Griffith Park. She had a German-sounding name. There was some flap over a Miss L.A. beauty contestant, something about a Negro heritage that she didn’t declare with the pageant officials. The president, a Mr. Ben Trestier, said that they weren’t disqualifying her because she was Negro but because she lied. “It is the lie, not the race, that shows she isn’t our kind of queen,” Trestier was quoted.

“But if she told the truth you wouldn’t have let her compete in the first place,” I said aloud. Then I laughed.

That’s what we did back in 1955, we laughed when we pierced the skin of lies that tried to disguise racism. I’d be down at the barbershop playing cards in a few days, and we’d discuss the fate of Lana Tandy, the light-haired, fair-skinned Negro who tried to be the beauty queen of L.A. We’d laugh at the pageant and we’d laugh at her for thinking she could make it that far. Mr. Underwood, the retired porter, would get angry then and tell us that we shouldn’t be laughing but protesting like they were doing down south. We’d say, “You’re right, George. You’re right.” And he’d curse and call us fools.

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