Ed Lacy - The Big Fix

The woman whispered, “I'm busy.”

“Don't I know it? This is important.”

She cracked the door and Arno pushed it open, knocking a tall naked girl against the wall. She held her white belly where the doorknob had hit her. Jake was stretched out on the bed, also nude. Arno smiled at him, thinking, How dumb can a joker get? With a body like that he keeps paying for it.

The girl shut the door and, still holding one hand over her stomach, the other making a futile if modest attempt at covering her bouncing breasts, she asked, “What is this?”

“Don't worry about it, honey, I'm with him,” Arno said, sitting on the bed and watching Jake. The veins in his nose seemed very dark red in contrast to Arno's pasty face. He called over his shoulder, “Put a robe on and take a walk, hon. Or get in the can and stay there for a few minutes. I know you've been paid and the dough is yours.” Arno examined his nails for a second and suddenly a slim but vicious-looking switchblade appeared in his right hand. The blade, in the shape of a dagger, was razor sharp. He delicately cleaned his nails with the knife. When the girl closed the bathroom door, Arno said, “Jake, get dressed.”

“What's wrong with me having a broad?”

“You're in training.”

“Aw, stop it. A gal relaxes...”

“Stupid bastard, get dressed!” Arno said, keeping his voice low and steady. “You know I let you have all the trim you want, when I'm around to supervise things. But not when you're in training for...”

“But that might not be for weeks, months! You think I'm a monk or...?”

“I think it took me a long time to find our man. I don't intend chancing the deal being queered by you getting sick. Get dressed—fast!”

Jake got out of bed slowly, began dressing. Arno grinned at him. “Although you have the mind of a ten-year-old, don't glare at me like a kid, Jake. I know exactly what you're thinking, and forget it. I haven't muscles and I braise easily.” Arno waved the knife in the air as if it were a baton. “It's a funny world—there's you, one hundred forty-eight pounds of fighting muscle. And this knife can't weigh more than a few ounces, yet... Did I ever tell you about a slob I knew who found his wife two-timing him? Jake, all he did was make one fast motion over the back of her legs, sliced the muscles. She never walked again. One slash and those big muscles in your arms might be severed, never lift your arms again. The docs don't know how to sew nerves together— yet. Or a...”

“Okay, okay,” Jake said, quickly buttoning his shirt. “I'm out twenty bucks. I'll ask her...”

“Nope, we don't want a stink. I came as fast as I could,” Arno said, suddenly chuckling. “You see the way she caught the door? Like an old burlesque skit I once saw. Come on, lover, let's get some sleep.”

“But twenty bucks? I...”

“So you dropped two bills. That's better than being out fifty grand.”

RUTH STEINER

Hanging up, Ruth sat in the phone booth and leisurely lit a cigarette. They were in some sort of coffee shop, a restaurant which had a juke box full of progressive jazz records. Trust Burgie to know a place like this. She could see his bald head now as he sat at their table, sipping wine. Of course you could also trust Burgie to over-do things, like ordering wine by the year, as if he really knew the difference.

Ruth was a trifle puzzled and upset. She knew why, and that upset her more. Walt had sounded almost abrupt over the phone. Usually when she said she wasn't coming home he would argue, plead, whine; at least ask if he should wait supper for her. Tonight? “I suppose I do get some sort of enjoyment when he crawls,” Ruth told herself. “Perhaps because he's so strong, so damn sure of himself. Oh Lord, I'm thinking like a neurotic bitch, wanting him to crawl. Plenty of women would love to touch his muscles, be in my... Did Walt have somebody in the apartment? He would never do that—I think.” For a second she was tempted to call back, but the whole idea was silly, so instead she left the phone booth, glanced at herself in a wall mirror as she walked toward their table.

Ruth had a number of problems, and a very real one was her weight. She was a big woman, a half inch short of six feet tall (in flat shoes) and a solid one hundred sixty-eight pounds. Actually, it was well-distributed and the mirror showed a tall, shapely woman. But most of the other girls she knew seemed to weigh less than one hundred fifteen pounds and forgetting her height Ruth was in constant tenor of becoming a “two-ton slob” as she called it. Calorie-watching was one of the many things nicking her mind.

Burges Flynn didn't make any effort to rise when Ruth sat, and she would have been astonished if he had. He was a short, wiry, little man with an almost completely bald head fringed with thin blonde hair, a big-featured face so homely it was attractive, and nervous eyes. He was wearing shaggy tweeds, a plaid wool shirt, and a pointed yellow beard which he believed gave him a “devilish” look. Burges was a free-lance photographer who made a point of being friendly with female editors. Watching Ruth cross toward the table Burges had thought, My, but she's a big one. It should be most interesting; I ought to wear a jockey outfit for the occasion. Tiny me, I trust I won't need a compass. He said, “I've ordered. The wine is quite good. Did you make the proper lies and excuses to your husband?”

“Aren't we just too cynical tonight, or at least trying too hard?” Ruth said, sipping the chilled, very dry wine. (She loved sweet wine but was ashamed, for some reason, to order any with Burges.)

“I hardly think I'm trying to be cynical,” Burges said. He had a practiced way of talking as if each word was a great effort he was happy to let go of. “Having once seen that ox you're married to, I sincerely hope your excuses were proper—and believable. Mr. Steiner looked quite capable of beating me to a pulp. Or at the very least, slapping me out of shape with his blackjack. Say, does he let you handle his gun?”

“Please, let's not talk about him. I liked your pictures for the perfume article.”

Burges held up his palm and scratched his little beard on it. “I don't know if that's a compliment or an insult. Pose a doll-faced model against a white screen, without having to consider composition, or getting any character into the shot—for the model has the intellect of a backward moron. Really, Ruth, a child with a Brownie could do as well. Still, to be trite...”

“I know, it's a living,” Ruth cut in as the waiter brought the food. They were both hungry and for a few minutes ate in silence, Ruth forcing herself to stay with only one bread-stick. Over coffee, she lit two cigarettes, handed Burges one. “Are we going to take in the Steichen exhibit at the Modem Arts tonight?”

“I've seen enough photographs for one day.”

“Jose Limon is dancing at...”

“Honey, the ballet bores me. I have something else in mind for us this evening.”

“What?”

“Well, I've actually cleaned up my studio for the occasion. I think it's about time we went to bed,” Burges said, enjoying the slight, quick shock on her face.

Ruth's reaction was a combination thrill and slight feeling of fear. Although she had been expecting this from Burgie, even a bit disappointed he hadn't propositioned her sooner, she wasn't certain what her answer would be. Outside of one bungled attempt at sex in college, prompted mostly by curiosity, Ruth hadn't slept with any man except Walt. But she'd given it much thought, sometime wondering if sleeping around might mature her as a writer. It was like the time someone suggested she smoke a stick of “tea” for kicks. Ruth had wanted to but was afraid.