Peter James: Not Dead Enough

‘What is this about?’ Bishop asked.

‘We need to speak to you about your wife, sir. I’m afraid we have some rather bad news for you. I’d appreciate it if you could step into the clubhouse with us for a few minutes.’

‘My wife?’

The DS pointed towards the clubhouse. ‘We really need to speak in private, sir.’

8

Sophie Harrington did a quick mental count of the dead bodies. There were seven on this page. She flipped back. Eleven, four pages ago. Add those to four in a car bomb on page one, three blown away by a burst of Uzi fire on page nine, six on a private jet on page nineteen, fifty-two in a fire-bombed crack den in Willesden on page twenty-eight. And now these seven, drug runners on a hijacked yacht in the Caribbean. Eighty-three so far, and she was only on page forty-one of a 136-page screenplay.

Talk about a pile of poo!

Yet, according to the producer who had emailed it two days ago, Anthony Hopkins, Matt Damon and Laura Linney were attached, Keira Knightley was reading it, and the director Simon West, who had made Lara Croft , which she had thought was OK, and Con Air , which she had really liked, was, apparently, gagging to make it.

Yeah, sure.

The tube train was pulling into a station. The spaced Rastafarian opposite her, earphones plugged in, continued to knock his raggedly clad knees together in tune with his jigging head. Beside him sat an elderly, wispy-haired man, asleep, his mouth gaping open. And beside him a young, pretty Asian girl reading a magazine with intense concentration.

At the far end of the carriage, sitting beneath a swinging grab-handle and an advertisement for an employment agency, was a creepy-looking shell-suited jerk in a hoodie and dark glasses, long-haired with a beard, face buried in one of those free newspapers they give out in the rush hour at tube station entrances, occasionally sucking the back of his right hand.

It had been Sophie’s habit, for some time now, to check out all the passengers for what she imagined the profile of a suicide bomber to be. It had become one more of her survival checks and balances, like looking both ways before crossing a road, that were part of the automatic routine of her life. And at this moment her routine was in slight disarray.

She was late, because she’d had to run an errand before coming into town. It was ten thirty and ordinarily she would have been in the office an hour ago. She saw the words Green Park sliding past; the advertisements on the wall turn from a blur into images and clear print. The doors hissed open. She turned back to the script, the second of two which she had intended to finish reading last night before she had been interrupted – but wow, what an interruption! God – even just thinking about it was making her dangerously horny!

She flipped the page, trying to concentrate, in the hot, stuffy carriage, in the few minutes she had left before the next stop, Piccadilly, her destination. When she got to the office she would have to type a script report.

The story so far . . . Squillionaire daddy, distraught after beautiful twenty-year-old daughter – and only child – dies from a heroin overdose, hires former mercenary turned hit man. Hit man is given unlimited budget to track down and kill every person in the chain, from the man who planted the poppy seed to the dealer who sold the fatal fix to his daughter.

The logline: Death Wish meets Traffic .

And now they were pulling into Piccadilly. Sophie crammed the script, with its classy bright red cover, into her rucksack, between her laptop, a copy of the chick-lit book, Alphabet Weekends , which she was halfway through, and a copy of the August edition of Harpers & Queen . It wasn’t her kind of magazine, but her beloved – her fella , as she discreetly referred to him to everyone but her two closest friends – was some years older than her, and a lot more sophisticated, so she tried to keep up to speed with the latest in fashion, in food, in pretty well everything, so that she could be the smart, hip girl-about-town that suited his planet-sized ego.

A few minutes later she was striding in the clammy heat down the shady side of Wardour Street. Someone had once told her Wardour Street was the only street in the world that was shady on both sides – a reference to its being the home of both the music and the film industries. Not entirely untrue, she always felt.

Twenty-seven years old, long brown hair swinging around her neck and an attractive face with a pert snub nose, she wasn’t beautiful in any classic adman’s sense, but there was something very sexy about her. She was dressed in a lightweight khaki jacket over a cream T-shirt, baggy grungy jeans and trainers, and was looking forward, as always, to her day in the office. Although today she felt a pang of longing for her fella, not sure quite when she would see him next, and an even deeper pang of jealousy that tonight he would be at his home, sleeping in a bed with his wife.

She knew the relationship wasn’t going anywhere, just could not see him giving up all that he had for her – even though he had ended a previous marriage, one from which he had two children. But that did not stop her adoring him. She just couldn’t bloody help that.

She totally adored him. Every inch of him. Everything about him. Even the clandestine nature of their relationship. She loved the way he looked furtively around when they entered a restaurant, months before they had actually started sleeping together, in case he spotted someone who knew him. The texts. The emails. The way he smelled. His humour. The way he had started, recently, to arrive unexpectedly in the middle of the night. Like last night. Always coming to her little flat in Brighton, which she thought was strange as he had a flat in London, where he lived alone during the week.

Oh shit , she thought, reaching the door to the office. Oh shit, oh shit, oh shit .

She stopped and tapped out a text:

Missing you! Totally adore you! Feeling dangerously horny! XXXX

She unlocked the door and was halfway up the narrow staircase when there were two sharp beeps on her phone. She stopped and looked at the incoming text.

To her disappointment it was from her best friend, Holly:

RU free 4 party 2morrow nite?

No, she thought. I don’t want to go to a party tomorrow night. Nor any night. I just want—

What the hell do I want?

On the door in front of her was a logo: a symbol of lightning made in the image of celluloid. Beneath it the words, in shadowed letters, Blinding Light Productions.

Then she entered the small, hip office suite. It was all Perspex furniture – Ghost chairs and tables, aquamarine carpets, and posters on the walls of movies the partners in the company had at some time been involved with. The Merchant of Venice , with the faces of Al Pacino and Jeremy Irons. An early Charlize Theron movie that had gone straight to video. A vampire movie with Dougray Scott and Saffron Burrows.

There was a small reception area with her desk and an orange sofa, leading through to an open-plan office where sat Adam, Head of Business and Legal Affairs, shaven-headed, freckled, hunched in front of his computer, dressed in one of the most horrible shirts she had ever seen – at least since the one he wore yesterday – and Cristian, the Finance Director, staring at a coloured graph on his screen in deep concentration. He was dressed in one of his seemingly bottomless collection of fabulously expensive-looking silk shirts, this one in cream, and rather snazzy suede loafers. The black frame of his collapsed fold-up bike sat next to him.

‘Morning, guys!’ she said.

For a response, she received a brief wave of the hand from each.