Rex Stout - Murder by the Book

"I've told you all I know. As I said, that's all."

"Where are you now?"

"At my home."

"You'll be there if we want you?"

"Yes."

"Okay." He hung up. So did Wolfe. So did I.

"So your memory's failing," I observed. "You forgot that he said he had mailed you a letter."

"I like to see my mail first, without interference. Where does Mr. Corrigan live?"

I got the Manhattan phone book, turned the pages, and found it. Then, to check, I went and unlocked the filing cabinet, got out the Wellman folder, and fingered through the papers. I announced, "Corrigan lives at one-forty-five East Thirty-sixth Street. Phelps lives at three-seventeen Central

Park West. Kustin lives at nine-sixty-six Park Avenue. Briggs lives at Larchmont. O'Malley lives at two-oh-two East Eighty-eighth."

I put the folder back and locked the cabinet. "Am I going to bed now?"

"No."

"I thought not. What, sit here and wait? Even if they find a corpse they might not get around to us until morning. It would take a taxi five minutes to go crosstown to Thirty-sixth and Lexington. The fare would be fifty cents including tip. If it's a blank I can walk home. Do I go?"

"Yes."

I went to the hall for my hat and coat, let myself out, and walked a block north. At Tenth Avenue I flagged a passing taxi, got in, and gave the driver the address.

A radio car was double-parked in front of 145 East Thirty-sixth, with no one in it. I entered the building. On the list of names on the wall of the vestibule, Corrigan was at the top, fifth. I went on in. It was an old private dwelling done over into apartments, with a self-service elevator. The elevator was there at that floor. From somewhere below came a faint sound of voices, but there was no one in sight. I opened the elevator door, entered, pushed the 5 button, and was lifted. When it stopped I emerged. There was only one door, at the right of the small hall, and standing at it was a cop.

"Who are you?" he asked, not sociably.

"Archie Goodwin. I work for Nero Wolfe."

"What do you want?"

"I want to go to bed. Before I can do so I have to find out if we got imposed on. We reported this. The guy that lives here, so he said, phoned us and told us to listen, and then a gun went off or a good imitation of one. He didn't hang up but he was gone, and we phoned Homicide. We don't know if the phone call was from here, and I came to see."

"Why Homicide?"

"This might be connected with a case they're on. We have friends there-sometimes friends, sometimes enemies, you know how it is. Is your colleague inside?"

"No. The door's locked. He went down for the superintendent. What did the guy say on the phone?"

"He just said we ought to hear something and told us to listen, and bang. May I put my ear to the door?"

"What for?"

'To listen to the radio."

"Yeah, I've heard of you. Full of gags. Should I laugh?"

"No gags tonight, I'm too sleepy. We heard the radio on the phone, and I thought I'd check. If you don't mind?"

"Don't touch the door or the knob."

"I won't."

He stepped aside, and I got my ear close to the angle of the door and the jamb. Ten seconds was enough. As I listened there was another sound in the hall, the elevator starting down.

I moved away. "Right. Bill Stern. WNBC."

"It was Bill Stern on the phone?"

"No, but it was WNBC. 'The Life of Riley.' Bill Stern goes on at ten-thirty."

"The Yankees look good, don't they?"

I'm a Giant fan, but I wanted to get inside and had to be tactful. So I said, "They sure do. I hope Mantle comes through."

He did too, but he was skeptical. He thought these wonder boys seldom live up to their billing. He thought various other things, and was telling about them when the elevator returned and its door opened, and we had company. One was his colleague and the other was a little runt with very few teeth and a limp, wearing an old overcoat for a dressing gown. The cop, surprised at sight of me, asked his brother, "Who's this, not precinct?"

"No. Nero Wolfe's Archie Goodwin."

"Oh, him. How come?"

"Save it. Hey, get away from that door! Gimme that key!"

The runt surrendered it and backed off. The cop in command inserted the key and turned it, used his handkerchief to turn the knob, which made me suppress a snicker, pushed the door, and entered, with his colleague at his heels. I was right behind. We were in a narrow hall with a door at either end and one in the middle. The one at the right was open, and the cop headed for that and on through. Two steps inside he stopped, so I just made the sill.

It was a fairly big living room, furnished comfortably by a man for a man. That was merely the verdict of one sweeping glance, for any real survey of the furniture, if required, would have to wait. On a table at the far side, between two windows, was the phone, with the receiver off, lying on the floor. Also on the floor, six inches from the receiver, was the head of James A. Corrigan, with the rest of him stretched out toward

a window. A third item on the floor, a couple of feet from Corrigan's hip, was a gun-from where I stood I would have said a Marley.32. The lights were on. Also on was a radio at the end of the table, with Bill Stern telling what he thought of the basketball stink. There was a big dark spot, nearly black at that distance, on Corrigan's right temple.

The cop crossed to him and squatted. In ten seconds, which wasn't long enough, he got upright and spoke. "DOA." There seemed to be a little shake in his voice, and he raised it. "We can't use this phone. Go down and call in. Don't break your neck."

The colleague went. The cop kept his voice up. "Can you see him from there, Goodwin? Come closer, but keep your hands off."

I approached. "That's him. The guy that phoned. James A. Corrigan."

"Then you heard him shoot himself."

"I guess I did," I put one hand on my belly and the other on my throat. "I didn't get any sleep last night and I'm feeling sick. I'm going to the bathroom."

"Don't touch anything."

"I won't."

I wouldn't have been able to get away with it if the radio hadn't been going. It was plenty loud enough to cover my toe steps through the outer door, which was standing open, and in the hall to the door to the stairs. Descending the four flights, I listened a moment behind the door to the ground-floor hall, heard nothing, opened it, and passed through. The runt was standing by the elevator door, looking scared. He said nothing, and neither did I, as I crossed to the entrance. Outside I turned right, walked the half a short block to Lexington Avenue and stopped a taxi, and in seven minutes was climbing out in front of Wolfe's house.

When I entered the office I had to grin. Wolfe's current book was lying on his desk, and he was fussing with the germination slips. It was comical. He had been reading the book, and, when the sound came of me opening the front door, he had hastily ditched the book and got busy with the germination slips, just to show me how difficult things were for him because I hadn't made the entries from the slips on the permanent record cards. It was so childish I couldn't help grinning.