Rex Stout - Triple Jeopardy

I pushed him into a chair, courteously, and gave him all we were ready to turn loose of. Naturally that wasn't enough; it never is. I let him fire questions up to a dozen or so, even answering one or two, and then made it clear that that was all for now and I had work to do. He admitted it was a bargain, stuck his notebook in his pocket, and got up and picked up his coat.

"If you're not in a hurry, Mr. Cohen," muttered Wolfe, who had left the interview to me.

Lon dropped the coat and sat down. "I have nineteen years, Mr. Wolfe. Before I retire."

"I won't detain you that long." Wolfe sighed. "I am no longer a detective, but I'm a primate and therefore curious. The function of a newspaperman is to satisfy curiosity. Who killed Mr. Getz?"

Lon's brows went up. "Archie Goodwin? It was his gun."

"Nonsense. I'm quite serious. Also I'm discreet. I am excluded from the customary sources of information by the jackassery of Mr. Cramer. I--"

"May I print that?"

"No. None of this. Nor shall I quote you. This is a private conversation. I would like to know what your colleagues are saying but not printing. Who killed Mr. Getz? Miss Lowell? If so, why?"

Lon pulled his lower lip down and let it up again. "You mean we're just talking."

"Yes."

"This might possibly lead to another talk that could be printed."

"It might. I make no commitment." Wolfe wasn't eager.

"You wouldn't. As for Miss Lowell, she has not been scratched. It is said that Getz learned she was chiseling on royalties from makers of Dazzle Dan products and intended to hang it on her. That could have been big money."

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"Any names or dates?"

"None that are repeatable. By me. Yet."

"Any evidence?"

"I haven't seen any."

Wolfe grunted. "Mr. Hildebrand. If so, why?"

"That's shorter and sadder. He has told friends about it. He has been with Koven for eight years and was told last week he could leave at the end of the month, and he blamed it on Getz. He might or might not get another job at his age."

Wolfe nodded. "Mr. Jordan?"

Lon hesitated. "This I don't like, but others are talking, so why not us? They say Jordan has painted some pictures, modern stuff, and twice he has tried to get a gallery to show them, two different galleries, and both times Getz has somehow kiboshed it. This has names and dates, but whether because Getz was born a louse or whether he wanted to keep Jordan�"

"I'll do my own speculating, thank you. Mr. Getz may not have liked the pictures. Mr. Koven?"

Lon turned a hand over. "Well? What better could you ask? Getz had him buffaloed, no doubt about it. Getz ruled the roost, plenty of evidence on that, and nobody knows why, so the only question is what he had on Koven. It must have been good, but what was it? You say this is a private conversation?"

"Yes."

"Then here's something we got started on just this afternoon. It has to be checked before we print it. That house on Seventy-sixth Street is in Getz's name."

"Indeed." Wolfe shut his eyes and opened them again. "And Mrs. Koven?"

Lon turned his other hand over. "Husband and wife are one, aren't they?"

"Yes. Man and wife make one fool."

Lon's chin jerked up. "I want to print that. Why not?"

"It was printed more than three hundred years ago. Ben Jonson wrote it." Wolfe sighed. "Confound it, what can I 160

do with only a few scraps?" He pointed at the carton. "You want that stuff back, I suppose?"

Lon said he did. He also said he would be glad to go on with the private conversation in the interest of justice and the public welfare, but apparently Wolfe had all the scraps he could use at the moment. After ushering Lon to the door I went up to my room to spend an hour attending to purely personal matters, a detail that had been too long postponed. I was out of the shower, selecting a shirt, when a call came from Saul Panzer in response to the message I had left. I gave him all the features of the picture that would help and told him to report to Parker's law office in the morning.

After dinner that evening we were all hard at it in the office. Fritz and Theodore were unfolding Gazettes, finding the right page and tearing it out, and carrying off the leavings. I was banging away at my machine, three pages an hour. Wolfe was at his desk, concentrating on a methodical and exhaustive study of three years of Dazzle Dan. It was well after midnight when he pushed back his chair, arose, stretched, rubbed his eyes, and told us, "It's bedtime. This morass of fatuity has given me indigestion. Good night."

Wednesday morning he tried to put one over. His routine was breakfast in his room, with the morning paper, at eight; then shaving and dressing; then, from nine to eleven, his morning shift up in the plant rooms. He never went to the office before eleven, and the detective business was never allowed to mingle with the orchids. But that Wednesday he fudged. While I was in the kitchen with Fritz, enjoying griddle cakes, Darst's sausage, honey, and plenty of coffee, and going through the morning papers, with two readings for the Gazette's account of Wolfe's enforced retirement, Wolfe sneaked downstairs into the office and made off with a stack of Dazzle Dan. The way I knew, before breakfast I had gone in there to straighten up a little, and I am trained to observe. Returning after breakfast, and glancing around before starting at my typewriter, I saw that half of a pile of Dan was gone. I don't think I had ever seen him quite so hot under the collar. I admit I fully approved. Not only did I not make

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an excuse for a trip up to the roof to catch him at it, but I even took the trouble to be out of the office when he came down at eleven o'clock, to give him a chance to get Dan back unseen.

My first job after breakfast had been to carry out some instructions Wolfe had given me the evening before. Manhattan office hours being what they are, I got no answer at the number of Levay Recorders, Inc., until 9:35. Then it took some talking to get a promise of immediate action, and if it hadn't been for the name of Nero Wolfe I wouldn't have made it. But I got both the promise and the action. A little after ten two men arrived with cartons of equipment and tool kits, and in less than an hour they were through and gone, and it was a neat and nifty job. It would have taken an expert search to reveal anything suspicious in the office, and the wire to the kitchen, running around the baseboard and on through, wouldn't be suspicious even if seen.

It was hard going at the typewriter on account of the phone ringing, chiefly reporters wanting to talk to Wolfe, or at least me, and finally I had to ask Fritz in to answer the damn thing and give everybody a brush-off. A call he switched to me was one from the DA's office. They had the nerve to ask me to come down there so they could ask me something. I told them I was busy answering Help Wanted ads and couldn't spare the time. Half an hour later Fritz switched another one to me. It was Sergeant Purley Stebbins. He was good and sore, beefing about Wolfe having no authority to break the news about losing his license, and it wasn't official yet, and where did I think it would get me refusing to cooperate with the DA on a murder when I had discovered the body, and I could have my choice of coming down quick or having a PD car come and get me. I let him use up his breath.

"Listen, brother," I told him, "I hadn't heard that the name of this city has been changed to Moscow. If Mr. Wolfe wants to publish it that he's out of business, hoping that someone will pass the hat or offer him a job as doorman, that's his affair. As for my cooperating, nuts. You have already got me sewed up on two charges, and on advice of 162

counsel and my doctor I am staying home, taking aspirin and gargling with prune juice and gin. If you come here, no matter who, you won't get in without a search warrant. If you come with another warrant for me, say for cruelty to animals because I opened that window, you can either wait on the stoop until I emerge or shoot the door down, whichever you prefer. 1 am now hanging up."