The Theatre - Kellerman, Jonathan

"Blame the messenger," said Wilmur. "I've heard it before."

"I'm sure you have. My research reveals you have a history of inventing the news. Mardi Gras ritual murders that turn out to be suicides, exposes that end up exposing nothing."

Wilbur fought to stay cool. "We have nothing to talk about."

"But that's old mischief," said Sharavi. "My primary concern is how far your current inventing went. Could you have been hungry enough for a juicy crime story to supply crime?"

Wilbur shot out of his chair. "What the hell are you saying!"

Sharavi closed his attache case, placed it on his lap, and smiled. •

"Learning by doing, Mr. Wilbur. It ensures realism."

"This conversation is over." Wilbur's heart was pounding, his hands shaking. He forced a cool tone: "Nothing more without my lawyer."

Sharavi waited a long time before speaking. Let the silence sink in.

"Where were you three Thursdays ago, Mr. Wilbur?"

"I don't know-but I was in Greece when the first one was killed! Across the goddamned Mediterranean!"

"Sit down," said Shmeitzer.

"Bullshit," said Wilbur. "Pure and total bullshit harassment."

Sharavi waved Shmeitzer away and said, "Remain on your feet if you like." The gold eyes remained steady. "Tell me, Mr. Wilbur, what sharp-bladed instruments do you own besides the Sabatier cutlery in your kitchen and the Swiss Army knife in your desk?"

"Absurd," said Wilbur. His damned heart wouldn't quiet.

"Do you rent another flat besides the one on Rehov Alharizi?"

"I want a lawyer."

"You've quoted Samir El Said, extensively. What's the nature of your relationship with him?"

Wilbur didn't answer.

"Talk, shmuck," said Dry Voice.

"I have nothing to say. This whole thing is a crock."

"Are you engaged in a homosexual relationship with Professor El Said?"

That took Wilbur by surprise. He tried to maintain a poker face but, from Sharavi's smile, knew he'd been unsuccessful.

"I thought not," said the little bastard. "You are a little old for him."

"I'm not homosexual," said Wilbur, thinking: Why the hell am I defending myself?

"You like women?"

"Do you?"

"I don't like cutting them up."

"Oh, Christ."

"Shmuck's religious," said Dry Voice.

"I have nothing to say," said Wilbur.

"Look," said Sharavi, "we have plenty of time. When it gets dark, we'll use flashlights to chase away the rats."

"Suit yourself," said Wilbur.

But the stonewall didn't work.

Sharavi proceeded to question him for another hour and a half about the murders. Times, places, where he bought his linens, what kind of soap he used, how many kilometers a day he drove. Were his eyes healthy, what drugs he took, did he shower or take baths. What were his views on personal hygiene. Seeming irrelevancies. Picayune details that he'd never thought about. Asking the same questions over and over, but changing the phrasing ever so slightly. Then coming out of left field with something that sounded totally irrelevant and ended up being somehow tied in with something else.

Trying to confuse him.

Treating him like a goddamned murderer.

He was determined to resist, give the little bastard nothing. But eventually he found himself relenting-worn down by the smiles and the repetition, Sharavi's unflappable manner, the way he ignored Wilbur's outbursts, refused to take "umbrage at Wilbur's insults.

By the time the reporter realized he was losing, he'd already lost, answering questions with numbed docility. His feet tired from standing, but refusing to sit for fear of underscoring his submission.

As the interrogation wore on, he rationalized it away by telling the little bastard was giving in too. Acting nicer.

Treating him like an adviser, not a suspect.

Believing him.

After ninety minutes, Sharavi stopped the questions, chatted with him about trivia. Wilbur felt himself loosen with relief. Sat down, finally, and crossed his legs.

Twenty minutes later, the chatting ceased. The basement cavity had grown darker, colder. Nightfall.

Sharavi said something to Slant-Eye, who came over and offered Wilbur a cigarette. He refused. Finally, Shavari clicked the attache case shut, smiled, and said, "That's it."

"Great," said Wilbur. "Drop me back at Beit Agron?"

"Oh, no," said Sharavi, as if the request had taken him by surprise.

Slant-Eye put a hand on Wilbur's shoulder. Handsome walked over, put handcuffs on him.

"This is Subinspector Lee," said Sharavi, looking at the

Oriental. "And this is Detective Cohen. They'll be taking back to Jerusalem. To the Russian Compound, where you'll be booked for obstructing a criminal investigation and withholding evidence."

A flood of words rose in Wilbur's gullet. He lacked the will to expel them and they stagnated.

Sharavi dusted off his trousers.

"Good afternoon, Mark. If there's anything else you wish to tell me, I'll be happy to listen."

When the BMW had driven off, Daniel asked Shmeltzer, "What do you think?"

"Only thing I got from his eyes is alcoholism-you should have seen the bottles in his flat. As far as the grin goes, we didn't give him much chance to smile, did we, Dani? Nothing we've turned up in the flat or the office implicates him, and the Greek thing checks out as an alibi for Fatma's murder-though if he's got pals, that's meaningless. What did Ben David tell you about the letter?"

"That the Bible quotes could mean a real fanatic or someone wanting to sound like one. One thing's for certain: Whoever wrote it is no true scholar-the passages from Leviticus are out of sequence and out of context. The one about washing the legs refers to a male animal. It smells deceptive-someone trying to distract us."

"Someone trying to pin it on the Jews" said Shmeltzer. "Exactly this Wilbur shmuck's style." He spat into the dirt. "Ben David have anything to say about the printing used for the address?"

"The block letters were written very slowly and deliberately by someone familiar with writing English. Along with the fact that English was used for the address instead of Hebrew, that could support our foreigner angle, except that the Bible quotes were in Hebrew. But Meir Steinfeld came by just before I picked you guys up, told me about the prints and the serum and shed some light on the Hebrew. The text matched that of a gift edition Hebrew-English Bible-common tourist item, printed locally. Mass-market-no use checking bookstores. He showed me a copy, Nahum. The text is printed correspondingly. Anyone could read the English, then cut out the matching Hebrew verse. Addressing the envelope would be a different matter."

"Some fucking anti-Semite," said Shmeltzer. "Fucking blood libel."

"The alternative, of course, is that whoever sent the letter knows Hebrew and English and used both languages to play games with us, show off how clever he is. That kind of posturing is consistent with serial killers."

"If the letter-writer's the killer."

"If," agreed Daniel. "It could be pure mischief. But there's the washing reference."

"Press leak," said Shmeltzer."

"If it was, someone in the press would have used it. Even Wilbur made no mention of it specifically, just talked in general terms about sacrifices. And Ben David thought it looked promising from a handwriting perspective, said the slowness and the pressure of the writing indicated calculation and suppressed anger-lots of anger. The tearing of the paper shows that the anger is threatening to break through the suppression."

"Meaning?"

"If the writer's our killer, we're probably in for another murder. Maybe soon-today is Thursday."

"Not if Wilbur's our guy and we keep him locked up," said Shmeltzer.

"Not necessarily. You're the one who likes the group theory."

"I like this guy, Dani. Wouldn't mind cooling his ass at the compound for a while, see what a little tenderizing does to his memory for detail. At the very least we can tie him up for a while on the obstruction thing, fucking bastard."