John Wright - Titans of Chaos
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- Название:Titans of Chaos
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... Come, my friends. 'Tis not too late to seek a newer world. Push off, and sitting well in order smite The sounding furrows: for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die.
We all clapped for him, and I clapped loudest of all. (Gee. Sometimes I could almost like Colin, you know? If he weren't such a jackass.)
One night it was Victor's turn.
Victor said, "I remember the name of my teacher: It was Ormenus.
"I remember walking on an island barren of all life. All around me were yellow clouds: poison gas or molecular dissembler engines, Styx-water mixed with sulfur. It was war: The Olympians were driving us out of our homes, and we were leaving nothing alive behind.
"Almost nothing. There were only two, an old woman and a young, of our race we left. Maleco and Dexithea were their names. The Olympians favored them, as they were the first to erect statues to the gods. We walked away across the dead soil, without any word of farewell, regret, or blame. They stood and watched us depart as we walked into the sea.
"My people are stoic and dispassionate; they act without anger but kill without mercy. They do not regard life as a sacred thing, since it is merely a complex mechanism made of atoms in motion. But we do have duties, and one of the duties, the one my teacher placed within my long-term memory, was that the strong protect the weak. Otherwise, we would be destroyed by creatures stronger than we, our creators. Any living machinery we create, we also must encode this same thought-mechanism into them, so that the thought is passed though the generations like a virus.
"Another thought-chain Amelia found and stimulated in me is this: I remember a necklace I helped forge for someone named Harmonia. It was shaped like an amphisbaena, a two-headed snake, and the two mouths clasped ornaments of jasper and moonstone. Each gem, each molecule, even each atom, contained parts of the code of prior ages of the Earth, earlier evolutionary stages of the cosmos, reflected in miniature.
"Built into the scales and patterns of the necklace were energy-bundles related to earlier strata of evolution, including the primal atom-shapes adapted to the conditions of the early universe. The necklace was a history: but a cyclic history, for one head eats and consumes the other, without ending and without beginning.
"The cosmos undergoes periodic universal conflagrations, a concentration of matter that compresses, builds up heat, and destroys sun, moon, stars, void, earth, ocean- everything. This is the meaning of the jasper stone, which is ruddy. After the conflagration consumes all, the universe is empty again. This is the meaning of the moonstone, which is clear.
"The ashes consist of atoms falling in straight lines through the void. Some atoms contain a swerve or variation which causes them to collide. The collisions, happening with increasing frequency as immense time passes, sort the atoms (who are attracted and repelled from each other in different ways) into their various elements and molecules. Certain molecules are more complex, and form self-replicating chains of elements, and they make more like themselves out of the falling atoms. Complex enough self-replicating mechanisms seem to be self-aware, because the actions of internal mechanism, their nervous systems, retain shapes or impressions of previous events. I can show you the math if anyone is interested.
"As befits a mechanical cosmos, the early creatures were mechanisms of survival, like insects, without emotion. Those that had maladaptive survival behaviors did not survive and did not pass on the molecular programming of their behaviors to their next generation.
"I remember being taught that Saturn was one of us. But the swerve, the unexpected motion of certain of his brain atoms, broke his programming. He is a mutant. He used his cryptognosis to find a new method of controlling created life-mechanisms. He gave them illusions, passions, and emotions. He divorced their internal reality from strict empirical reality. They were no longer insects or living robots, but birds, mammals, man. Our form of life was superceded. There was war. We were driven into the void. Saturn invented false thoughts, lies, false hopes. This gave his creatures some extra incentives to survive that we did not possess."
Victor stood in the darkness, frowning at the fire. "Maybe he invented love. You can see why I am not so certain that our people are the good guys.
"We must have independent confirmation before we proceed. To be independent, we must be free of interference. To be free, we must gain strength. This time on the island is nothing but a brief respite between battles. A breather."
And I said, "A holiday."
He smiled at me, one of his rare smiles. "A holiday, if you like."
"Have a papaya chunk. I burned it just for you."
He came, and lay down beside me, where I was sitting cross-legged by the fire, and he put his head in my lap and ate the "marshmallow" out of my hands. "Ah, such a good cook you are, Amelia. You'll make someone a fine wife someday."
I cannot tell you how many times I replayed that scene in my mind, wondering if he meant what I think he meant.
If we fell into enemy hands again, they would take that memory from me, the firelight, Victor, his golden hair on my bare leg, his green eyes filled, for once, with warmth and humor. A man of duty, and a man of honor: a man without fear.
One night not long after that, while I was asleep, I saw Colin walking toward me in the moonlight.
He was dressed in black, and he wore a coronet, and his face was the face of a many-antlered stag and not that of a man. In that odd way that dreams have, it did not seem abnormal.
He drew a colored light out from his pouch. "My father gave me presents. Look what I found for you, Amelia. It was yours once, and I found it. A lost dream."
I never quite saw the thing in his hand. Perhaps it was like a wafer, and I ate it; or perhaps it was like a syrup, and I drank it; but most likely it was like a goblet of perfumed vapor, and I dipped my head to the rim of the cup and breathed the dream into me.
I saw Myriagon.
It was my home. I saw the thousand-sided towers reaching through the myriad dimensions, golden with the layers of time-energy, windows shining with reflected thought-progressions like many-faceted crystals. I saw the highways made of nine directions of contemplation and four modes of existence, reaching down-up past folds in space to the Uttermost Singularity, that mysterious source of all-ness, brighter than a sun, whose infinitely recurving rays shone from the gravity-spires and polished mind-forms and hypersphere domes of Myriagon, glittering on memory-images, or glancing trails of fire across the ten thousand layered sides of many-dimensional oceans held in tiny grails and falling teardrops.
The symphony fountains bubbled with fractal spaces and fractional dimensions, and strolling figures would pause, gemlike subuniverses in their hands, and draw the living waters into their vest-pocket dimensions, where each person kept spare bodies folded, useful laws of nature like colored webs of string. I saw grandees leaning on staffs made out of micro-time, to allow them to walk sideways across probabilities, and poets fingering instruments made of macro-time, to allow them to play the years, and send months and seasons like flowers over the heads of smiling demoiselles.
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