Galsworthy, 1867-1933 - Awakening

Awakening by John Galsworthy

eBooks@Adelaide

2010

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Last updated Sat Aug 28 15:09:02 2010.

eBooks@Adelaide

The University of Adelaide Library

University of Adelaide

South Australia 5005

Awakening

Through the massive skylight illuminating the hall at Robin Hill, the July sunlight at five o’clock fell just where the broad stairway turned; and in that radiant streak little Jon Forsyte stood, blue-linen-suited. His hair was shining, and his eyes, from beneath a frown, for he was considering how to go downstairs, this last of innumerable times, before the car brought his father and mother home. Four at a time, and five at the bottom? Stale! Down the banisters? But in which fashion? On his face, feet foremost? Very stale. On his stomach, sideways? Paltry! On his back, with his arms stretched down on both sides? Forbidden! Or on his face, head foremost, in a manner unknown as yet to any but himself? Such was the cause of the frown on the illuminated face of little Jon....

In that Summer of 1909 the simple souls who even then desired to simplify the English tongue, had, of course, no cognizance of little Jon, or they would have claimed him for a disciple. But one can be too simple in this life, for his real name was Jolyon, and his living father and dead half-brother had usurped of old the other shortenings, Jo and Jolly. As a fact little Jon had done his best to conform to convention and spell himself first Jhon, then John; not till his father had explained the sheer necessity, had he spelled his name Jon.

Up till now that father had possessed what was left of his heart by the groom, Bob, who played the concertina, and his nurse “Da,” who wore the violet dress on Sundays, and enjoyed the name of Spraggins in that private life lived at odd moments even by domestic servants. His mother had only appeared to him, as it were in dreams, smelling delicious, smoothing his forehead just before he fell asleep, and sometimes docking his hair, of a golden brown colour. When he cut his head open against the nursery fender she was there to be bled over; and when he had nightmare she would sit on his bed and cuddle his head against her neck. She was precious but remote, because “Da” was so near, and there is hardly room for more than one woman at a time in a man’s heart. With his father, too, of course, he had special bonds of union; for little Jon also meant to be a painter when he grew up — with the one small difference, that his father painted pictures, and little Jon intended to paint ceilings and walls, standing on a board between two step-ladders, in a dirty-white apron, and a lovely smell of whitewash. His father also took him riding in Richmond Park, on his pony, Mouse, so-called because it was so-coloured.

Little Jon had been born with a silver spoon in a mouth which was rather curly and large. He had never heard his father or his mother speak in an angry voice, either to each other, himself, or anybody else; the groom, Bob, Cook, Jane, Bella and the other servants, even “Da,” who alone restrained him in his courses, had special voices when they talked to him. He was therefore of opinion that the world was a place of perfect and perpetual gentility and freedom.

A child of 1901, he had come to consciousness when his country, just over that bad attack of scarlet fever, the Boer War, was preparing for the Liberal revival of 1906. Coercion was unpopular, parents had exalted notions of giving their offspring a good time. They spoiled their rods, spared their children, and anticipated the results with enthusiasm. In choosing, moreover, for his father an amiable man of fifty-two, who had already lost an only son, and for his mother a woman of thirty-eight, whose first and only child he was, little Jon had done well and wisely. What had saved him from becoming a cross between a lap dog and a little prig, had been his father’s adoration of his mother, for even little Jon could see that she was not merely just his mother, and that he played second fiddle to her in his father’s heart: What he played in his mother’s heart he knew not yet. As for “Auntie” June, his half-sister (but so old that she had grown out of the relationship) she loved him, of course, but was too sudden. His devoted “Da,” too, had a Spartan touch. His bath was cold and his knees were bare; he was not encouraged to be sorry for himself. As to the vexed question of his education, little Jon shared the theory of those who considered that children should not be forced. He rather liked the Mademoiselle who came for two hours every morning to teach him her language, together with history, geography and sums; nor were the piano lessons which his mother gave him disagreeable, for she had a way of luring him from tune to tune, never making him practise one which did not give him pleasure, so that he remained eager to convert ten thumbs into eight fingers. Under his father he learned to draw pleasure-pigs and other animals. He was not a highly educated little boy. Yet, on the whole, the silver spoon stayed in his mouth without spoiling it, though “Da” sometimes said that other children would do him a “world of good.”

It was a disillusionment, then, when at the age of nearly seven she held him down on his back, because he wanted to do something of which she did not approve. This first interference with the free individualism of a Forsyte drove him almost frantic. There was something appalling in the utter helplessness of that position, and the uncertainty as to whether it would ever come to an end. Suppose she never let him get up any more! He suffered torture at the top of his voice for fifty seconds. Worse than anything was his perception that “Da” had taken all that time to realise the agony of fear he was enduring. Thus, dreadfully, was revealed to him the lack of imagination in the human being.

When he was let up he remained convinced that “Da” had done a dreadful thing. Though he did not wish to bear witness against her, he had been compelled, by fear of repetition, to seek his mother and say: “Mum, don’t let ‘Da’ hold me down on my back again.”

His mother, her hands held up over her head, and in them two plaits of hair —“couleur de feuille morte,” as little Jon had not yet learned to call it — had looked at him with eyes like little bits of his brown velvet tunic, and answered:

“No, darling, I won’t.”

She, being in the nature of a goddess, little Jon was satisfied; especially when, from under the dining-table at breakfast, where he happened to be waiting for a mushroom, he had overheard her say to his father:

“Then, will you tell ‘Da,’ dear, or shall I? She’s so devoted to him”; and his father’s answer:

“Well, she mustn’t show it that way. I know exactly what it feels like to be held down on one’s back. No Forsyte can stand it for a minute.”

Conscious that they did not know him to be under the table, little Jon was visited by the quite new feeling of embarrassment, and stayed where he was, ravaged by desire for the mushroom.

Such had been his first dip into the dark abysses of existence. Nothing much had been revealed to him after that, till one day, having gone down to the cow-house for his drink of milk fresh from the cow, after Garratt had finished milking, he had seen Clover’s calf, dead. Inconsolable, and followed by an upset Garratt, he had sought “Da”; but suddenly aware that she was not the person he wanted, had rushed away to find his father, and had run into the arms of his mother.

“Clover’s calf’s dead! Oh! Oh! It looked so soft!”

His mother’s clasp, and her:

“Yes, darling, there, there!” had stayed his sobbing. But if Clover’s calf could die, anything could — not only bees, flies, beetles and chickens — and look soft like that! This was appalling — and soon forgotten!