Andrew Vachss - Down in the Zero

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In his seventh outing, Burke, Vachss's flinty ex-con and relentless crusader for abused kids last featured in Sacrifice , is still reeling after having killed a kid in a previous case gone sour. Here, he leaves his underground detective network headquartered in Manhattan's Chinatown for a rarified Connecticut suburb shaken by a series of teen suicides. Burke is hired to protect Randy, a listless high school grad whose absent, jet-setting mother did a favor for Burke years ago when she was a cocktail waitress in London and he a clandestine government soldier en route to Biafra. Still haunted by his experience in the African jungle and his encounter there with the suicidal tug of the abyss--the eponymous "zero"--Burke plunges into his plush surroundings with the edgy vindictiveness of a cold-war mercenary, uncovering a ring of blackmail and surveillance, a sinister pattern of psychiatric experimentation based at a local hospital and a sadomasochistic club frequented by twin sisters named Charm and Fancy. Vachss's seething, macho tale of upper-crust corruption is somewhat contrived and takes a gratuitously nasty slant toward its female characters. 

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I found the sign for Calm's Corners, whatever the hell that was. Turned in, followed a two–lane blacktop ribbon. The house was there, like the bouncer said. Good–sized house, three stories. The driveway was one of those half–moons. From where I sat, I could see a couple of men in tuxedos standing at the front of the house, between two thick columns. Valet parking— that wouldn't work.

I drove on, looking for an opening. It took me three slow passes before I saw it— a side road that merged with the back parking lot. I nosed the Lexus in cautiously, but nobody was paying attention. The very back of the lot was just like Fancy had said. And empty. I backed the Lexus into the spot she said, checked my watch. 1:19.

I got out of the car, looked around. The parking lot had no fence— it ran right up against a forest in the back, following the tree line.

I returned to the car, dropped the driver's side window, watched. I saw cars being parked maybe fifty yards away. The guys in the tuxedos did it mostly, but once in a while somebody would do it themselves. Traffic all coming in…nobody leaving. No pattern to it: mostly male–female couples, but there were some singles too, and some same–sex combos.

The night was clear, but I couldn't hear anything. Either they ran a real quiet joint or it was soundproofed.

I waited there until twenty past two. No sign of Fancy. I drove the Lexus out the front way. Nobody paid me a glance.

I stashed the Lexus next to my Plymouth. The red Miata was gone. I went upstairs, changed my clothes. Almost four in the morning, a good time to have a quiet, leisurely look around the big house. The kid probably wouldn't come back until well past daylight. Whatever had sent him into a panic didn't seem to have much staying power.

I had just opened the back kitchen door when a pair of high beams flashed against the garage. I slipped away from the house as Fancy's black NSX spun into the driveway, scattering stones as she stood on the brakes, skidding to a stop, the headlights aimed across the back yard. The lights went out, I saw her jump out of the car and slam the door, a long black coat trailing behind her as she marched up the stairs to the apartment.

I moved out of the shadows behind her, crossing to the bottom of the stairs just as she unlocked the door and stepped inside. I followed, moving quiet.

I stood outside the door. Heard the sound of glass breaking inside. I stepped in, breathing shallow. The long black coat was thrown over the back of the sofa. The TV screen was cracked, pieces of a heavy glass ashtray scattered all around. From the bedroom, sounds of someone rooting through the drawers. Harsh, heavy breathing.

I went down the hall. Fancy's back was to me. She was poured into a black leather mini–dress over dark stockings, standing there in bright blue spike heels, wrecking the place.

"You having a good time?" I asked her.

She whirled without a word, the black riding crop in her hand, slashing. I spun away, let her momentum carry her past me when she missed, slammed my shoulder into her back and took her down to the carpet. She squirmed, snarling something I couldn't make out. I locked my arm around hers, pinning it close, letting my weight hold her.

Finally… "Let me up !"

"Let go of the stick first," I told her.

Her fist unclenched, the riding crop slipped from her fingers. I shifted my weight from her hips, still keeping her shoulders pinned. Her dress was around her waist. I saw a flash of dark nylon over bronze skin. There was only a slash of black silk between the cheeks of her butt, some kind of thong.

"Nice, huh?" she whispered over her shoulder, calm now.

I rolled away from her, letting go my hold. She got to her feet, tugging down the dress, breathing hard.

"What's all this about?" I asked her.

"What?"

"Breaking in here, busting up the place, tearing through my things."

"I didn't break in here— I have a key."

"Who gave you…? Ah, never mind. What about the other stuff?"

"I was angry. You stood me up. People don't do that."

"I was there. At two, like you said. You never showed."

"Why didn't you wait?"

"For what?"

"People do what I tell them," she said, bending over and picking up the riding crop. She tossed it on the bed, turned to me. "They love to do what I tell them. You think you're something? You're nothing, Mr. Caretaker. I know your secrets."

"Okay."

"Okay? That's it? Okay? I know why you're here. I know what you want."

"Sure."

"Don't be slick— you don't have the looks for it. I could save you a lot of time, point you straight. That's not your secret— that's mine. You want it?"

"Maybe."

"People wait for me, I told you. You can wait too. You know how it works— you want something, you have to pay, yes?"

"How much?"

"A lot. Not money. I don't need money. You want to pay, you have to play. Play with me, get it?"

"No."

She walked over to the bureau, rummaged around, like she knew what would be in there. Came up with a fat white hurricane candle. She held it out to me.

"Light this," she said, her voice rough–edged, insistent.

I cracked a wooden match, held it to the wick. Her hand was steady. When the candle flickered into life, she went back to the bureau, held it in one hand over her head as she swept everything onto the floor with the other. She planted the candle, stepped back, watched the flame in the mirror over the bureau, adjusted it until she was satisfied.

"Go turn out the lights," she said, still giving orders. "Do it now.

I stepped back, hit the switch, still watching her.

The black dress had a wide zipper all the way down the front, anchored with a silver pull–ring the size of a half–dollar between her breasts. It made a metal–singing sound as she pulled it down. She shrugged her shoulders and the dress fell away. Then she stood facing me, hands on hips. Her breasts were bare. A humming sound came off her, not from her mouth. She hooked her thumbs in the waistband to the thong, pulled it slowly over her hips. When she had it worked down to just above her knees, she wiggled her legs and it dropped to her ankles. She stepped out of the little piece of black silk, hooked the toe of a blue spike heel into the pile and kicked the thong over in my direction. I felt it brush against my feet but I never dropped my eyes from her face.

She turned her back to me. Put one knee on the bed, looked over her shoulder. Climbed the rest of the way onto the bed, on her hands and knees, facing away from me.

"You want to play now?" she whispered.

I took out a cigarette. Walked over to the candle, got a light. I took a deep drag, put the cigarette on the dresser top. Her butt looked like a piece of white marble, the dark stockings setting it off like a centerpiece. The spikes of her heels were pointed back at me.

I took off my clothes, watching, breathing through my nose, something telling me I needed to keep a control card in my deck.

I hung my clothes over the back of a straight chair. Stepped to her. I put one hand on her hip, touched her deep with the other. She was wet. I entered her slowly. She snapped her hips to the side, throwing me out.

"Kiss first," she said, not turning around.

I put my hands on her shoulders to pull her around. She locked her arms rigid, resisting.

"Kiss my ass," she ordered. "Kiss it good."

I stepped back. "Not this year," I told her. Calm, not arguing.

"Make you mad?" she challenged. "Here!" handing me the riding crop, still not turning around.

I tossed it onto the floor, still watching her. The marble glistened in the candlelight.

I went back over to the bureau. Took another drag from my cigarette. She didn't move.

A piece of time passed. I walked back to her, put one hand on each of her cheeks, stroked with my thumbs.

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