David Wilson - Hallowed Ground

The dwarf hung suspended in the air, his head to the earth and his feet to the air. In his hand, he held a paint brush. The Deacon stepped forward and saw that the tiny man's legs were tied to ropes and bound over the top of the wagon. A wire framework dangled over the roof the wagon, and the ropes were threaded through it, giving the tiny man a foot or so of clearance from his work.

The Deacon said nothing, but turned to the wagon. On the side, the image of a man had been painted. The man was upright, but the dwarf who painted him hung upside down. The man's leg was bent, toe to the ground and the sole of his shoe pressed against the opposite ankle. His hands were clasped behind his back, and he stood with his head dead-center on a wooden beam suspended between two tree trunks. The Hanged Man.

The Deacon concentrated and the words came to him. Release. It was Odin's card, the man hanged by his ankle, surrendering himself for knowledge. Then he frowned. The man should have been suspended by his ankle, and yet, here he was depicted upright. It was a symbol of blockage. Of being trapped in something or mired in the world.

But the dwarf was upside down, painting the card … letting go of it? Was the card an upside down depiction of the right side up image? The Deacon glanced down. On a small table against the wall of the wagon sat a Tarot deck. Leaning against the wagon was a single card. The Hanged Man. Reversed. The image spun and The Deacon stepped back. A wave of vertigo swept through him. He tried to concentrate. He tried to think, turning his mind to the dwarf's perspective, to the card being painted on the wagon, and could not pin it down.

He glanced to the dwarf, who spun halfway around and met his gaze. The little man winked, then spun lazily back to his work. The Deacon started forward, not sure if he meant to question the artist, or yank him off his damned scaffold and stomp his misshapen little body into the dust.

At that moment, a cry rose. It was plaintive, keening voice of a child. A very young child. The Deacon turned toward the sound. When he looked back, the dwarf was gone…and The Hanged Man met his gaze, unperturbed.

Over the ridge, the glow of the rising sun filtered up to the clouds as Wednesday faded. The Deacon turned and strode off toward his tent, and his bed. There was little time for rest, and he sensed he was going to need his wits and his strength for the trials to come. The crying of the child had ceased. When he reached the rear of his wagon he heard Colleen softly singing. The words were indistinct, but the tune was soothing, and he smiled. Then he stepped up into the wagon, and closed the door behind him.

Chapter Sixteen

Even though the clearing where the trappers had camped was still deserted, Creed hunkered down and watched if for a while before getting too close. He hadn't grown as old as he had by taking chances. He was as brave as the next man, braver than most, but something was wrong with that camp site – wrong enough that a woman had staggered out of it to die among strangers, and wrong enough that whoever she'd been travelling with had vanished.

Creed scouted the camp. He checked the trails in and out, and no matter how carefully he looked, he found no sign of anyone passing. Not in, and not out. The camp was there – there was no way around that. There were footprints near the stone-circled fire and the tents, and not all of the belonged to the girl. Only hers led out from the camp.

So he waited, and he watched. If he made a mistake, he somehow thought the next person to wander in and study the place might find another set of prints near the fire – and nothing else but wind and dust. He wasn't an ambitious man, but he had plans that included other times and places than this one. He intended to reach those times and places intact.

The tent flaps fluttered in the breeze. Creed thought of ghost towns he'd seen. There was a feel to a dead place, the sense of total abandonment, coupled with the uneasy sensation that no matter how long the former residents had been gone, if you touched or took something you'd feel the weight of their gaze at the nape of your neck. You'd hear their voices whispering to you softly, just out of range of your hearing. In the periphery of your vision, shadows would move, but when you turned, no one was there – but you'd still want to run.

So he waited until he figured it had reached the point of balance between time to do something and time to leave, stood slowly, and walked up to the fire. A tin coffee pot sat on a flat piece of stone. It was blackened and ruined. Forgotten. Creed poked at it with the toe of his boot and it crumbled.

He turned and surveyed the tents. There were three of them – one smaller than the other two. He figured that for the woman's tent. He started there. Somehow it was easier to go through her things. At least he'd seen her when she was alive.

The tent flap was open. He ducked inside and scanned the interior. A bedroll was spread on the ground. It was rumpled. Like the coffee pot, it had been abandoned, and forgotten. There was a black leather pack against one wall of the tent. Creed bent down and picked it up. It was heavy. He started to unfasten the clasps, then glanced around, and stopped. Whatever was inside, it could wait until he was safely out of this place and far away. He slung it over one shoulder. The rest of the tent was bare, so he stepped back into the clearing.

The other two tents were closed, their flaps carefully tied shut with rawhide straps. Dust blew against their canvas sides. Creed stepped up to the first tent. He pulled his knife and slashed the rawhide strap. He tore the flap aside and stepped inside, holding the blade out like a shield.

There was nothing inside. It wasn't like the smaller tent, which looked lived in, but abandoned in a hurry. It was absolutely empty. There were no boot prints in the dusty floor of the interior, though there were odd scratches, like hieroglyphics carved with something sharp.

Creed glanced up. The tent's roof was slashed. He should have seen it from outside, but he'd concentrated on the ground, and the fire. He saw the trees clearly through the ruined canvas, and he stared up through the leafy branches at the blue sky beyond. A sliver of icy fear drove into his spine, and he spun. He pushed his way back out so roughly he nearly dragged the tent's stakes from the hard ground. The clearing was as empty as before.

Steeling his nerves he stepped up to the second of the larger tents, slashed the rawhide straps as he had on the first, and pulled back the flap. This time he didn't step in. There was no need. It was as bare as the first. The canvas roof was shredded, flapping outward like the tendrils of some freakish vine. Creed let the flap drop back into place and turned away.

A wind had kicked up, and he lifted his gaze to the sky. Rain was an oddity in Rookwood, but not impossibility, and when it came, it was swift and dangerous. Flood waters were common. The town rested on a low rise, and the camp where The Deacon and his tents rested should be protected, at least for a while, by the gulch, but if it stormed, this campsite wasn't the place to ride it out.

The sky, which had been clear and blue, darkened to a dusty, slate gray. Clouds scudded across that surface, and the dry, twisted trees shifted and creaked. Something fluttered in the breeze, spinning and shifting through the air to land in the dust at his feet. Creed bent and snatched it before the wind could carry it out of reach.

It was a large, black feather. He started to release it in the breeze, and then stopped. For no earthly reason he could fathom, he tucked it into the pocket of his jacket. Then, without another glance at the camp, he took off at a run. He unbound his horse's reins from the tree where he'd left it, swung up into the saddle, and took off at a fast trot, ducking in and out of the trees and headed for Rookwood.