Linda Castillo - Sworn to Silence

“Absolutely.”

I look down at the pink slips and decide to put her enthusiasm to good use. “Call these people back. Tell them the Painters Mill PD is investigating the crime aggressively, and I’ll have a statement in the next edition of the Advocate .” The Advocate is Painters Mill’s weekly newspaper, circulation four thousand. “If you get any media inquiries, tell them you’ll fax a press release this afternoon. Everything else is ‘no comment,’ you got that?”

She hangs on to every word, looking a little too excited, a little too intense. “I got it, Chief. No comment. Anything else?”

“I could use some coffee.”

“I got just the thing.”

I envision one of her soy-espresso-chocolate concoctions and shudder. “Just coffee, Mona. And some aspirin if you have it.” I start toward the sanctuary of my office.

“Oh. Sure. Milk. No sugar. Is Tylenol okay?”

A question occurs to me just as I reach my office. I stop and turn to her. “Has anyone filed a missing person report for a young female in the last few days?”

“I haven’t seen anything come across the wire.”

But it’s still early. I know the call will come. “Check with the State Highway Patrol and the Holmes County sheriff’s office, will you? Female. Caucasian. Blue. Dark blonde. Fifteen to thirty years of age.”

“I’m on it.”

I walk into my office, close the door behind me and resist the urge to lock it. It’s a small room crowded with a beat-up metal desk, an antique file cabinet speckled with rust, and a desktop computer that grinds like a coffee mill. A single window offers a not-so-stunning view of the pickup trucks and cars parked along Main Street.

Working off my coat, I drape it over the back of my chair, hit the power button on the computer and head directly to the file cabinet. While the computer boots, I unlock the cabinet, tug out the bottom drawer and page through several case files. Domestic disputes. Simple assault. Vandalism. The kinds of crimes you expect in a town like Painters Mill. The file I’m looking for is at the back. My fingers pause before touching it. I’ve been the chief of police for two years, but I’ve never been able to bring myself to look at the file. This morning, I don’t have a choice.

The folder is fat and brown with frayed edges and metal clasps that are broken from use. The peeling label reads: Slaughterhouse Murders, Holmes County, January 1992 . I take the file to my desk and open it.

My predecessor, Delbert McCoy, was a stickler for detail and it shows in his record-keeping. A typed police report with dates, times and locations stares up at me. I see witness names replete with contact information and background checks. It appears every facet of the investigation was carefully documented. Except for one incident that was never reported to the police . . .

I page through the file, taking in the highlights. Sixteen years ago a killer stalked the quiet streets and back roads of Painters Mill. Over a two-year period he murdered four women with indiscriminate savagery. Because of the killer’s MO, exsanguination, which is similar to the “bleeding” of livestock during slaughter, some headline-grabbing reporter dubbed him “The Slaughterhouse Killer” and the name stuck.

The first victim, seventeen-year-old Patty Lynn Thorpe, was raped and tortured, her throat slashed. Her body was dumped on Shady Grove Road—just two miles from where T.J. discovered the body this morning. A chill hovers at the base of my spine as I read the autopsy report.

ANATOMICAL SUMMARY:

I. Incised wound of neck: Transection of left common carotid artery.

I skim the Notes and Procedures, External Examination and other details until I find what I’m looking for.

DESCRIPTION OF INCISED NECK WOUND:

The incised wound of the neck measures eight centimeters in length. Said wound is transversely oriented from the midline and upwardly angulated toward the left earlobe. The left common carotid artery is transected with hemorrhage in the surrounding carotid sheath. Fresh hemorrhage and bruising is present along the entire wound path.

OPINION:

This is a fatal incised wound or sharp force injury associated with the transection of the left carotid artery with exsanguinating hemorrhage.

It is strikingly similar to the wound on the body discovered this morning. I continue reading.

DESCRIPTION OF SECONDARY STAB WOUND:

A secondary abdominal wound located above the navel is noteworthy. The wound is irregular in shape, measuring 5 centimeters by 4 centimeters in height and width, respectively, with minimal depth of penetration at 1.5 centimeters. Fresh hemorrhage is noted along the wound path, which goes through the skin and subcutaneous tissue, though the penetration did not breach muscle. The wound was ante mortem.

OPINION:

This is a superficial cutting wound and is found to be non-life-threatening.

Again, very similar to the wound carved into the abdomen of the victim found this morning.

I turn to the police report where Chief McCoy scribbled a footnote.

The abdominal wound appears to be the capital letters V and I or perhaps the Roman numeral VI. The laceration on the victim’s neck was not the wild slash of a crazed killer, but the calculated incision of someone who knew what he was doing and wanted a specific end result. The perpetrator used a knife with a nonserrated blade. The carving on the victim’s abdomen was not made public .

Below, the report notes that the victim sustained vaginal and rectal trauma, but smears sent to the lab didn’t return foreign DNA.

I flip through several more pages, stopping at Chief McCoy’s handwritten notes.

No fingerprints. No DNA. No witnesses. Not much to go on. We continue to work the case and follow up on every lead. But I believe the murder was an isolated incident. A drifter passing through on the railroad.

His words would come back to haunt him.

Four months later sixteen-year-old Loretta Barnett’s body was discovered by fishermen on the muddy bank of Painters Creek. She’d been accosted in her home, sexually assaulted, taken to an unknown location where her throat was cut. It was later ascertained that her body had been thrown from a covered bridge west of town.

At that point, McCoy called the FBI to assist. Forensics suggested the killer used a stun gun to subdue his victims. Both victims sustained genital trauma, but no DNA was found, which, according to Special Agent Frederick Milkowski, indicated the killer had had either worn a condom or resorted to foreign object rape. The killer may have shaved his body hair.

Bruising at the victim’s ankles indicated she had been hung upside down by some type of chain until she bled out. Most disturbing was the discovery of the Roman numeral VII carved into the flesh of her abdomen.

At that point it became evident the police had a serial murderer on their hands. Because the victims were murdered via exsanguination, a practice associated with many slaughterhouses, McCoy and Milkowski turned to the local slaughterhouse for clues.

I read McCoy’s investigative notes:

In an informal interview, J.R. Purdue of Honey Cut–Purdue Enterprises, the corporate entity that owns and operates the Honey Cut Meat Packing plant, states, “The wounds are consistent with the type of incision used to bleed livestock, but on a smaller scale . . .”

Every person who’d ever worked for the Honey Cut Meat Packing plant was questioned and fingerprinted. Male employees were asked to give DNA samples. Nothing ever came to fruition. And the killing continued . . .

By the end of the following year, four women were dead. Each died via exsanguination. Each suffered unspeakable torture. And each had a successive Roman numeral carved into her abdomen, as if the killer were keeping some twisted tally of his carnage.