Linda Castillo - Pray for Silence

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The sound of a scream in the early morning dawn leads to a case that will change Kate Burkholder's life irrevocably ...
When the police arrive at the Amish farmstead in Painters Mill they can't imagine the horror that awaits them. An entire family slaughtered: the men shot, the young women tortured and killed. The Amish are peace-loving, gentle folk and the town is shocked by what appears to be a particularly brutal - and random killing. But is it random? Every family has its secrets. Kate knows that better than anyone. And as she and Agent John Tomasetti dig deeper into the victims' lives they discover a young woman who was living a lie. A girl who had to live in silence. With her own past resonating - Kate knows she has to maintain some distance. From the case, and from Tomasetti. She knows what could happen if she gets too close. But when she puts herself in the line of fire - she realizes that, this time, there may be no going back.

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“Why does Amos need you when he has two sons?”

Zimmerman looks perplexed by my question, but only for a moment. “He has twenty-two head of cattle and milks twice a day. I deliver the cans to Gordon Brehm in Coshocton County.”

His answer is consistent with the absence of a milking machine and generator in the barn. Without refrigeration, there’s no way to keep the milk cold, therefore it cannot be sold as grade A for drinking. Stored temporarily in old-fashioned milk cans, it can only be sold as grade B for cheese-making, which would require a buggy trip to the local cheese-maker in the next county.

I tilt my head and snag his gaze. “Reuben.” I say his name firmly, letting him know I want his undivided attention. “I need you to tell me everything you saw when you arrived this morning.”

He nods. “I arrived early, so I sat on the back stoop for a few minutes. Usually, there is lantern light inside. Amos and I have coffee. Sometimes Bonnie fries scrapple. This morning the house was dark.”

“So you went inside?”

“I knocked, but no one answered.” He gives a small smile. “I thought, Er hot sich wider verschlofe. ” He overslept again. “So I went inside.”

“How did you get in?”

“The back door was not locked.”

My brain files that away for later. Many Amish don’t lock their doors at night. It’s not that locks go against the Ordnung in any way; most simply don’t see the need. And it’s not just the Amish who are lax. I’d estimate half the folks in this county don’t lock up before going to bed. Having been a cop in a large, metropolitan city for six years, I don’t share the mind-set. I snap my dead bolts into place every night with the glee of a paranoid schizophrenic.

“Did you see anyone else inside the house?” I ask.

“Just Amos . . . and the two boys.”

“What about outside? In the yard? Or the barn?”

“I saw no one.”

“Any vehicles or buggies?”

“No.”

“Have you noticed any unusual behavior from Amos? Has he been under any pressure? Or talked to you about any problems?”

“Amos?” The Amish man shakes his head. “No.”

“Was there any disharmony within the household?”

“No.”

“Were there any problems between Amos and Bonnie? Or between Amos and the children? Problems with outside friends? Money problems, maybe?”

He shakes his head so vehemently, his beard flops from side to side. “Why do you ask these things, Katie?”

“I’m just trying to find out what happened.”

Zimmerman stares hard at me. “Amos lived his life in the spirit of Gelassenheit. He was a good Amish man. He was modest and yielded to God’s will. He worked hard. And he loved his family.”

“Did the Planks have any enemies?” I ask. “Were they involved in any kind of dispute?”

Another emphatic shake. “The Planks loved their Amish brethren. They were generous. If you needed something, Amos and Bonnie would give it to you and were happy to go without themselves.”

But I know that even decent, God-loving Amish families keep secrets.

For a moment, the only sound comes from the blast of the generator on the back porch and the chorus of crickets all around us. Then Zimmerman whispers, “Are Bonnie and the other children all right?”

I shake my head. “They’re gone, too.”

“Mein Gott.” Bowing his head, he sets his fingertips against his forehead and rubs so hard the skin turns white. “Who would commit this terrible sin?”

“I don’t know.”

“I do not understand God’s will,” Reuben says.

I don’t think murder is what God had in mind for the Plank family, but since my views aren’t popular among my former brethren, I remain silent. “I’m going to have one of my officers drive you to the station so we can take your fingerprints. Can you do that for me?”

“But what about the cows?” he asks. “They must be milked.”

Dealing with cattle is the least of my worries this morning. But having grown up on a farm much like this one, I know the animals must be dealt with. “I’ll have Bishop Troyer send some men over as soon as possible. They’ll take care of the milking.”

He nods. “It is the right thing to do.”

It’s no small sacrifice for Zimmerman to ride in an English police car; it’s against the Ordnung, the rules set forth by the local church district, but he nods. “I will help any way I can.”

I close the car door and cross to my Explorer. Opening the rear hatch, I pull out my crime scene kit. It’s not very high tech. Just a box of latex gloves, disposable shoe covers, a sketch pad and notebook, a stack of miniature fluorescent orange cones used for marking evidence, a roll of crime scene tape, a couple of inexpensive field test kits, and the new digital camera I recently had approved for purchase by the town council.

I find Glock on the back porch, marking the bloody handprint for the CSU, a work light in his hand. “Zimmerman any help?” he asks over the drone of the generator.

I shake my head. “He didn’t see anything.”

“You believe him?”

“For now.”

We enter the kitchen. After being outside in the fresh air, the reek of death is suffocating. Setting the kit on the table, I remove a small tube of Vicks and dab it beneath my nose.

I offer it to Glock, but he refuses with his usual, “Can’t stand the smell.”

It’s an ongoing joke that usually garners a laugh. We don’t laugh this time around.

Quickly, we don latex gloves and shoe covers. This kind of crime scene is every cop’s nightmare. It’s spread over a large area, some of which is outdoors, which makes the collection and preservation of evidence extremely difficult. Even though I’m not yet sure exactly what we’re dealing with—a mass murder or murder-suicide—I opt to err on the side of caution and preserve as much of the scene as possible.

I hand the camera to Glock. “Photograph everything before you touch it. You know the drill.”

Nodding, he takes the camera. Neither of us speaks as we cross through the kitchen to the living room. Stopping in the doorway, I shine my Maglite on Amos Plank.

“Bad fuckin’ scene,” Glock says.

“It’s worse in the barn.”

He casts a questioning look at me.

I tell him about the teenaged girls.

“Damn.” I see his cop’s eyes taking in Plank’s unbound hands. The proximity of the handgun to the body. The exit wound at the back of his head. Like any good cop, he’s making judgments based on what he sees. “You think he did this?”

“I don’t know.” It’s the most honest answer I can give. By all appearances, Plank went berserk, murdered his family, then put the gun in his mouth and blew his brains out. But the part of me that is Amish, that will always be Amish no matter how far I stray, can’t fathom an Amish man—an Amish father —inflicting these horrors upon his family. Granted, I didn’t know Amos Plank. But I do know the Amish culture. I know violence is not part of it.

While Glock snaps photos, I walk the living room, trying to envision what might have happened. I study the position of the bodies. The wounds. The proximity of the Beretta to Amos Plank.

“What did you do?” I whisper.

It’s a keenly unsettling feeling to share such a small space with so many dead, particularly those who’ve suffered a violent death. In the periphery of my consciousness, I’m aware of Glock moving around, snapping photos. I see the flash of the camera. I hear the click and whir of the shutter, the high-pitched whine of the battery charging between shots.

“Chief.”

I glance at Glock to see him kneeling, looking at something on the floor. I cross to him as he snaps the shot.

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