Linda Castillo - Breaking Silence

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Breaking Silence: краткое содержание, описание и аннотация

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The 
bestselling series hailed as “gripping” (
magazine) and “compelling” (
) returns with Police Chief Kate Burkholder called to the scene of a horrific tragedy on a peaceful Amish farm.
The Slabaugh family are model Amish farmers, prosperous and hardworking, with four children and a happy extended family. When the parents and an uncle are found dead in their barn, it appears to be a gruesome accident: methane gas asphyxiation caused by a poorly ventilated cesspit. But in the course of a routine autopsy, the coroner discovers that one of the victims suffered a head wound before death—clearly, foul play was involved. But who would want to make orphans of the Slabaughs’ children? And is this murder somehow related to a recent string of shocking hate crimes against the Amish?
Having grown up Amish, Kate is determined to bring the killer to justice. Because the other series of attacks are designated hate crimes, the state sends in agent John Tomasetti, with whom Kate has a long and complex relationship. Together, they search for the link between the crimes—and uncover a dark secret at work beneath the placid surface of this idyllic Amish community.
Chock full of twists and chills and set against the unusual world of the Amish, this series “will delight fans of Chelsea Cain and Thomas Harris” (
).

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“Yesterday? Are you sure?”

“No.” But I am. The more I think about it, the more certain I become. I grab my parka. “Only one way to find out.”

Standing, he reaches for his own coat and sighs. “Cynicism outstrips faith in mankind once again.”

CHAPTER 11

Rain slashes down in sheets when we step out of the station. We hightail it to the Explorer, but we’re dripping by the time we buckle in.

“If you saw the rifle at the Slabaugh place yesterday, how the hell did it get to Coulter’s house?” Tomasetti asks.

I glance at him as I back out of my parking space. “Good question.”

“Are you sure it’s the same rifle?”

“I’m not one hundred percent certain. But it’s old, similar to one my dad used to own, so it caught my attention.” The tires spin on the wet pavement when I hit the gas. “It’s too similar not to check out.”

“Where did you see it?”

“The mudroom. Salome took me into the basement yesterday and I just happened to notice it.” I tell him about the mason jar and the missing cash.

Tomasetti mulls that over. “Any idea when the money was taken?”

“No idea. I sent the jar for latents.”

The windshield wipers wage a losing battle with the deluge as I turn into the Slabaughs’ lane. I park behind a buggy I don’t recognize, and I realize Bishop Troyer has probably asked another Amish family to stay with the children. I wonder if the social worker from Children Services has been in contact yet. I wonder how it went.…

Punching off the headlights, I twist the key and kill the engine. A few yards away, the house hulks, the windows utterly dark, and a strange thread of worry goes through me.

“Kind of early for bed, isn’t it?” Tomasetti asks.

“A lot of Amish farmers are up by four A.M. They go to bed early.” Still, I can’t deny the uneasiness slinking up my spine. The place looks deserted.

“I’d never make it as an Amish guy.”

“Yeah, you drink too much.”

“I cuss too much.”

We smile at each other, and I reach for the door handle. “Let’s go wake them up.”

We slosh down the walk to the back porch. Opening the screen door, I rap hard with my knuckles. Around me, the farm is dark and still, imparting a semblance of isolation, as if we’re the last living people on earth.

I’m in the process of knocking a second time when the door swings open. An Amish man with red hair and a full beard thrusts a lantern at me. “Hello?” He blinks owlishly. “Is there a problem?”

I show him my badge and identify myself. “I’m sorry to bother you so late.”

He squints at Tomasetti. “Is this about Solly and Rachael?”

I nod. “Bishop Troyer left you with the children?”

Ja.

“What’s your name, sir?”

“Nicholas Raber.”

“May we come in?”

“Of course.” Bowing slightly, he backs up a few steps.

I enter the mudroom. Vaguely, I’m aware of Tomasetti behind me, and of Raber shuffling toward the kitchen, probably to light another lantern. The potbellied stove is to my left. I slide a mini Maglite from my coat pocket and shine the beam toward the area where I last saw the rifle. A strand of uneasiness ripples through me when I realize it’s not there.

“The rifle’s gone,” I whisper.

“You sure?”

I turn and frown at him. “There’s nothing wrong with my eyesight or my memory.”

He smiles, and I know he’s messing with me. Rolling my eyes, I glance toward the kitchen, where the yellow glow of lantern light spills into the mudroom. Raber stands in the doorway, watching us.

Looking at him, I motion toward the corner where I last saw the gun. “Did you see the rifle that was here earlier?”

He shakes his head. “No.”

Tomasetti comes up beside me and directs his attention to the Amish man. “How long have you been here?”

“Since five o’clock. We fixed the children dinner.” His expression becomes puzzled. “Why are you asking about the gun? Is there something wrong?”

“We’re not sure yet.” I step closer to him. “Is your wife here with you?”

Ja. She’s upstairs.”

“Can you check with her to see if she remembers seeing the rifle?”

He nods, his expression going from puzzled to concerned. “What’s happened?”

“I saw a rifle here earlier,” I say. “Now it’s gone. I need to know where it is.”

“I’ll wake Frannie.” He nods, keeps on nodding. “Frannie cleaned earlier. Maybe she moved it to another place.”

“Thank you.” I pull my cell from my belt and dial Bishop Troyer’s number. He’s one of the few Amish in the area who has a phone he keeps for emergencies. I figure this qualifies.

He answers on the tenth ring, and I remember the phone is in the kitchen. He had to get up and go downstairs to answer.

Ja, ” he says grumpily.

“Bishop Troyer, I’m sorry to wake you.”

“Yes, me, too,” he growls.

I tell him about the rifle. “I need to know if you moved it when you were here.”

“No,” he replies. “I didn’t even know it was there.”

“Did your wife move it?”

He’s quiet for a moment. “I’ll wake her and ask her.”

“If she did, will you call me right back?”

“Yes,” he says. “But I’m certain she didn’t move it.”

“Thank—”

He hangs up before I can finish. Smiling, I hit END and glance at Tomasetti.

“Any luck?” he asks.

I recap my conversation with the bishop.

“You sure you saw the rifle, Kate?”

“I’m sure.”

Raber comes back into the kitchen. “My wife did not see any gun,” he says.

I look at Tomasetti. I can tell from his expression that he’s thinking the same thing I am. Neither of us likes Ricky Coulter for the murders. Did someone know Coulter had worked for Slabaugh and plant the rifle in Coulter’s house for us to find?

I turn my attention back to the Amish man. “Have you had any visitors today?”

He looks confused for a moment, as if the thought had never occurred to him, then slowly shakes his head. “Frannie and I arrived here around five o’clock. We’ve been busy with the children and chores. Supper and prayer and baths. We’ve had no visitors.”

I nod. There’s been a lot of traffic in and out of the house in the last day or so. Almost anyone could have come in and taken it, unnoticed. “Are the children here?”

“Of course they are.”

“Could you go get Mose for me?”

His hesitation tells me he doesn’t want to do it. The Amish are extremely protective of their young, particularly when it comes to outsiders. “Please,” I say. “I wouldn’t ask you to wake him at this hour if it wasn’t important.”

Shaking his head in resignation, Raber turns and starts toward the living room. For a moment, neither of us speaks. Outside, rain pours off the gutters and slaps the ground. It’s so quiet inside, I can hear the hiss of the lantern.

“What the hell is going on?” I whisper.

Across the room, I see Tomasetti looking at the potbellied stove. “Who had access to the house?”

“Almost anyone. A visitor.”

“I sent the rifle to the lab for latents,” he tells me. “Results should—”

Raber bursts into the kitchen. “Mose is gone!”

“Gone?” Tomasetti and I exchange looks. “Where?”

“I don’t know.” The Amish man looks upset. “He’s not in his bed.”

“Any idea where he might be?” I ask.

Raber shakes his head. “I do not know.”

“Does he have transportation?” Tomasetti asks.

“The horses.” He crosses the room, yanks a heavy wool coat off a wooden dowel set into the wall. “I will check.”

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