Linda Castillo - Gone Missing (Kate Burkholder 4)

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Becca slogged through a deep drift and stumbled toward the front of the shanty. A padlock hung from the hasp, but it wasn't engaged. Shaking with cold, she shoved open the door. The interior was dark and hushed. The air smelled of kerosene and fish. Out of the wind, it was so quiet she could hear the ice creaking beneath her feet. Her breath puffing out in clouds of white vapour, she pulled out the candle and matches she'd brought from home and lit the wick. The light revealed a small interior with plywood walls and a shelf covered with fish blood and a smattering of silver scales. A lantern sat on the shelf. A coil of rope hung on the wall . . .'
Three teenagers have vanished from Ohio's Amish country. The only thing they have in common, other than their religion, is they are keen to leave the Plain Life. Chief of Police Kate Burkholder is called in to consult by Agent John Tomasetti as her Amish roots will be invaluable in an investigation involving this sectarian society. They travel to the small town of Monongahela Falls to investigate the latest disappearance – that of seventeen-year-old Annie King. The only evidence left behind is a satchel – and a pool of blood. The case moves closer to home for Kate when a young relative, Sadie Miller, vanishes. With her own past resonating, Kate delves into the lives of the missing teens. Soon, a sinister pattern emerges along with a vital clue that changes everything. While following up on a lead, Kate makes an appalling discovery and unearths a secret no one could have imagined—thrusting her into a fight to the death with a merciless killer.
Praise for Linda Castillo
'Think the movie Witness and add just a touch of the Coen brothers' Fargo and you have the feel for this brilliant, nail-biting thriller . . .' Daily Mail

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I start down the steps. The temperature drops as I descend. The odor of rotting wood and wet earth close around me like a dirty, wet blanket. Gray light oozes in from a single window at ground level, but it’s not enough to cut the shadows.

My boots are silent on the dirt floor as I cross to the hatch. Tomasetti walks beside me, shining his Maglite from side to side. I hear the deputy behind me. He’s breathing heavily, which tells me his adrenaline is flowing. The fact of the matter is, we don’t know what we’ll find down here. We don’t know if there are other people, if they’re armed, or if they mean us harm. We don’t know if the girls are alive or if Mast killed them before coming out and turning the gun on himself.

“They ran electricity to the tunnel,” I say as I take them to the hatch.

“So much for all those Amish rules,” Tomasetti mutters.

“I cut the extension cord.”

We reach the hatch. The sickle I used to lock Mast in lies on the floor, a few feet away. One of the double doors lies next to it; the other hangs at a precarious angle by a single hinge.

“He shot off the hinges,” says Marcus stating the obvious.

Tomasetti shines his light down the steps leading into the tunnel. “What the fuck is this?”

Marcus trains the beam of his flashlight on the steps. “House used to be part of the Underground Railroad.”

“No shit?” Tomasetti says.

“Newspaper did a story a few years ago.”

“Did you know about the tunnels?” Tomasetti asks.

“No one mentioned tunnels.”

“Now you know why,” I mutter.

The deputy sweeps his beam along the brick walls of the tunnel. “Creepy as hell, if you ask me.”

Dread scrapes a nail down my back as I stare into the darkness. My heart is a drum in my chest. The last thing I want to do is go back down there. Not because I’m afraid of some unseen threat, but because I don’t know what we’ll find. If Mast shot and killed his wife, chances are good he also killed the girls. . . .

“We need a generator and work lights.” Tomasetti glances my way, keeping his voice light. “You want to get that going, Chief?”

He’s giving me an out, I realize. As much as I appreciate the gesture, there’s no way I can stay behind.

“I need to go down there.”

“Let’s go.” Drawing his weapon, he starts down the steps.

Descending into the tunnel is like being swallowed alive by a wet black mouth. Even with two powerful flashlights, there’s not enough light.

No one says what they’re thinking. That we’re going to find the hostages dead. That Mast won this little war and we should chalk up another one for the bad guys. . . .

Our feet are nearly silent on the ancient brick and dirt floor. Tomasetti has to walk at a slight stoop because of his height.

“Where the hell does it go?” the deputy asks.

“The slaughter shed,” I tell him. “There was another turnoff, which might lead to the barn.”

Flashes of my blind run through this tunnel nudge the back of my consciousness. I remember feeling my way along the brick walls, stumbling over unseen obstacles, knowing an armed Perry Mast was closing in and bent on killing me. I suspect I’ll be making that run in my nightmares for some time to come. . . .

Twenty yards in, the unmistakable sound of footsteps reach us. Someone is running toward us.

“Shit.” Tomasetti raises his weapon and drops into a crouch. “Police!” he shouts. “Stop! Police!”

Beside me, the deputy drops to a shooter’s stance, raises his weapon. I pull the Glock from my waistband and do the same.

Both men shine their lights forward.

“The hostages were bound?” the deputy asks.

“Yes,” I tell him.

I see movement ahead. Out of the corner of my eye I see the deputy take aim. “Stop right there!” he shouts. “Sheriff’s office!”

On instinct, the three of us move closer to the wall, but there’s no cover. A figure appears out of the darkness. I see a tall, thin silhouette, a pale face and dark hair, dark clothes.

“Stop!” Tomasetti shouts. “Stop right fucking there!”

A young man dressed in tattered Amish garb stumbles to a halt a dozen feet away. His arms flap at his sides. His mouth is open. His eyes are wild. He screams something unintelligible and falls to his knees.

“Get your hands up!” Keeping his sidearm poised center mass, Tomasetti approaches the man. “Get them up! Now!”

“Get down on the ground!” the deputy screams.

The man stares at us, his expression terrified as he drops to his hands and knees and then onto his belly. He’s muttering words I don’t understand—an old Amish prayer I haven’t heard in years.

We rush forward as a unit. Tomasetti pounces on him, puts his knee in the man’s back. The deputy withdraws cuffs from his belt and secures the man’s hands behind his back. My hands shake as I pat him down for weapons. I pull the pockets of his trousers inside out. As I run my hands over his chest, I discern the sharp edges of ribs. He’s little more than skin and bones.

“He’s clean,” I say, trying to ignore the sick feeling in the pit of my stomach.

Tomasetti gets to his feet, brushes dust from his slacks, slants a look at me. “He one of the hostages?”

“The hostages were female.” I turn my attention to the young man. “What’s your name?”

The deputy helps the man to his feet. I guess him to be in his twenties. He’s breathing hard, his concave chest heaving with each breath. He looks at me as if he doesn’t understand.

I repeat my question in Pennsylvania Dutch. “ What’s your name?

“Noah,” he blurts. “Noah Mast.”

A shockwave goes through me with such power that I take a step back. I glance at Tomasetti. He’s not easily surprised. But I see shock in his eyes.

“You’re Noah Mast?” he asks.

Ja.

The deputy’s eyes widen. “Holy shit.”

“Are you the son of Irene and Perry Mast?” I ask.

The man nods. “They are my mamm and datt.

I’m so taken aback by the revelation, it takes me a moment to find my voice. “What are you doing down here?”

“This is where I live.”

“What do you mean?”

“I live here. This is where they keep me.”

“You mean here? On the property?” I ask. “With your parents?”

He looks at me as if I’m dense. “No. I live here. In the down below. Here.

If I wasn’t hearing this with my own ears, I wouldn’t believe it. My brain sorts through the information, but I still can’t get my mind around it.

“Where are the others?” I ask.

He looks at me. Even in the dim light from the flashlights, I can see he’s not healthy. His lips are dry and cracked. His face is so pale, I can see the veins through his skin. The hair at his crown is thin and dry-looking.

“They are here. I hear them scream sometimes.” He says the words as if living in a tunnel where people scream is a normal, everyday occurrence.

“Are they alive?” I ask.

“Some of them,” he says matter-of-factly. “The good ones.”

I glance at the deputy. “Can you take him topside?” I hear myself ask. “I’m going to get the hostages.”

“Sure thing.” He glances at Tomasetti, who nods, then at Mast. “Let’s go.”

The deputy and Mast start toward the hatch. Tomasetti and I watch them go. Mast turns his head and smiles. In that instant, he looks like a frightened teenager.

“What the hell was going on here?” Tomasetti mutters.

I look at him and shake my head. “I’m not sure I want to know.”

Shaking his head, he shines the beam down the tunnel. “Let’s go find those hostages.”

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