Brian Keene - Urban Gothic

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Urban Gothic: краткое содержание, описание и аннотация

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No one gets out alive! 
When their car broke down in a dangerous inner-city neighborhood, Kerri and her friends thought they would find shelter inside an old, dark row home. They thought it was abandoned. They thought they would be safe there until help arrived. They were wrong. 
The residents who live down in the cellar and the tunnels beneath the city are far more dangerous than the streets outside, and they have a very special way of dealing with trespassers. Trapped in a world of darkness, populated by obscene abominations, they will have to fight back if they ever want to see the sun again. Every city has its secrets and urban legends. But nothing can prepare them for when they find out the truth about this horrible house. Urban Gothic is Brian Keene's blood and body fluid splattered tribute to horror icon Edward Lee. 
"Raw, gritty, and often brilliant . . . Urban Gothic is a tour de force in shock horror."

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Time seemed to halt. The sorrowful, enraged cries continued. Something slammed into the wall, hard. Then it struck the wall again. Kerri realized that Noigel was lashing out. By the sound, he was punching holes through the walls. She heard crumbling plaster and falling dirt and debris. Then the thing below them paused and fell silent. Kerri crossed her fingers, willing him to go away. Instead, Noigel sneezed three times—great, wet explosions that sounded like rifle shots. It followed this with a series of guttural snorts. Then the footsteps began to plod away, while the creature softly cooed to itself. The revolting stench dissipated.

It found the corpse, Kerri thought. Noigel found the midget’s corpse and he’s upset. Not that he wasn’t unreasonable to begin with, but now we’re doubly fucked. I killed his friend.

Brett slowly let go of Kerri’s ankles as the thunderous footsteps faded. She turned around and gave him a reassuring smile. He returned the gesture, but his expression was weak and his face had grown paler. Kerri turned back to the others in time to see Heather tap Javier on the foot. He held up his hand, palm outward, indicating for them to stay still and silent.

The waiting was worse than Kerri would have thought possible. Even with Heather, Brett, and Javier right there with her for moral support, all she could do while they crouched in the darkness and waited, was listen to the sounds of the house settling around them. She jumped at every creak and groan, no matter how slight, convinced that each sound was a sign of the killer returning. She knew it hadn’t been long, but it seemed like hours. Her mind swam, overwhelmed with disjointed thoughts and conflicting emotions. She was scared. Angry. Worried about Brett. Distraught over Tyler and Steph. She wanted to scream aloud until the killer found them, if only so he would put her out of her misery. She wanted to run, pushing past her friends, abandoning them if she had to, all in a desperate ploy to live. She wanted to hide—to find a dark nook somewhere in this house of horrors and just stay there until help arrived. Most of all, Kerri wanted to cry.

So she did.

Hot tears rolled down her face and dripped from her chin onto the crawlspace floor. Her shoulders and head shook, but she made no noise, weeping in terrified silence. Brett squeezed her ankle again. Eventually, the tears ceased. Kerri took a deep breath and let her body sag. Her eyes burned from the crying jag, and her face felt hot and tight. Somewhere in the back of her mind, the sight of Tyler dying reared up again. She pushed it away once more, afraid that if she began weeping again, she’d be unable to keep silent. But the image was still there, like an endless echo of things best forgotten.

They waited a few minutes longer. Finally, Brett spoke.

“What now?” he whispered.

Without a word, Javier motioned them forward. They crawled even slower than before, moving cautiously, afraid to make even the slightest sound. The area below them remained quiet. No footsteps or garbled cries or slamming doors. Rats scratched and scampered deep inside the walls, and at one point, Kerri’s palm came down in a pile of tiny, hard mouse droppings. She warned Brett so that he wouldn’t get them in his wounds. There was no telling how many diseases the feces was crawling with.

Eventually, Javier stopped and the others halted behind him. They listened, but the house remained still.

“Dead end ahead,” Javier whispered. “There’s another trapdoor here. I’m gonna open it.”

Kerri heard the creaking of hinges. Then, the shaft was suddenly filled with light. She flinched, shielding her eyes with one hand. Spots danced in her vision.

“We’re on the other side of the barrier,” Javier reported.

“They’ve got the hallway lights turned back on. You guys stay here. I’m going to check it out.”

Squinting against the light, Heather grabbed his ankle. “Don’t.”

“I have to, Heather. If there’s anyone down there, maybe I can get them before they know we made it out of the trap. Or maybe I can lead them away from the rest of you.”

“That’s crazy.”

“No, crazy is a rundown Victorian-style home in the middle of the hood with a bunch of sick fucks inside trapping and killing innocent people. Now stay here and be quiet.”

The light in the crawlspace dimmed again as Javier squeezed through the trapdoor. After he’d dropped down to the floor, it got even brighter in the cramped space. The dazzling brilliance gave Kerri a headache.

“Javier,” Heather whispered. “Do you see anything?”

His response was an angry hiss. Heather fell silent. Kerri listened to Javier creep down the hall. She could tell by his tread that he was trying to be stealthy, but she could still hear him. She wondered if anything else could, as well. Eventually, they heard his footsteps returning.

“I think the coast is clear,” he called in hushed tones. “No sign of Noigel or anyone else. We’re in a different part of the house, but near where we went into the last hallway. Come on down, but keep quiet.”

Heather went first, followed by Kerri. Javier helped both of them out of the crawlspace. Then the three of them aided Brett’s descent. Kerri was taken aback by his appearance. Under the fluorescent lights, he seemed more dead than alive. He swayed on his feet, smiling slightly.

Then Kerri realized that it wasn’t a smile, but a grimace. His complexion was pale, and there were dark circles under his eyes. His ruined hand was swollen and bruised, and his entire arm was soaked with blood, except where the sweat had washed it away. Despite their crawl through the shaft overhead, he was the only one sweating. Kerri wondered if that was a symptom of shock, and if so, what they could do about it, other than getting him some medical attention soon. She had applied the tourniquet competently enough, especially under pressure, but most of her medical knowledge came from watching House .

She realized that she wasn’t the only one staring at Brett with concern. They all were. Brett must have noticed, too, because he shook his head ruefully.

“Jesus, guys,” he murmured. “I’m not dead yet. Don’t look at me like that.”

Javier placed a hand on Brett’s shoulder and squeezed.

“Don’t worry, dude. We’re gonna get you out of here.”

“I know you will.”

“Listen,” Javier continued, “what I said earlier about this being your fault and everything—I’m sorry about that. I didn’t mean it. You’re smart. Always looking at things logically. I’m glad you’re with us right now, because we might need that brain of yours to get out of this place. So again, I’m sorry.”

Brett winced in pain. “It’s okay, man. Seriously. You were scared and upset. We all are. I know you didn’t mean it.”

“So we’re all right?”

“Everything is copacetic.”

Nodding, Javier turned to the girls. “Let’s go, before Noigel or his friends come back. Kerri, you bring up the rear. Watch behind us. Keep an ear out in case they try to sneak up behind us. Brett, you stay between us, okay?”

Kerri took a deep breath and gripped her club tighter. The dwarf’s congealing blood glinted on the nail sticking out of the wood. She glanced around the room. Like the others, it was devoid of furnishings. There was a single door, splattered with what looked like old blood and rat holes in the walls and baseboards. Black mold climbed the corners, spreading from the floor to the ceiling in grotesque spiral patterns. Dead flies and rat feces carpeted the bare floor. She’d had hopes that there might be a chair or even a table lying around, something they could have used for another weapon, something better than the belt, but there was nothing. She supposed that it was possible they could peel some wainscoting from the gouged, water-stained walls, but even that wouldn’t make much of a weapon.

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