Thomas Perry - Sleeping Dogs

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Sleeping Dogs: краткое содержание, описание и аннотация

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He came to England to rest. He calls himself Michael Shaeffer, says he's a retired American businessman. He goes to the races, dates a kinky aristocrat, and sleeps with dozens of weapons. Ten years ago it was different. Then, he was the Butcher's Boy, the highly skilled mob hit man who pulled a slaughter job on some double-crossing clients and started a mob war. Ever since, there's been a price on his head. Now, after a decade, they've found him. The Butcher's Boy escapes back to the States with more reasons to kill. Until the odds turn terrifyingly against him . . . until the Mafia, the cops, the FBI, and the damn Justice Department want his hide . . . until he's locked into a cross-country odyssey of fear and death that could tear his world to pieces . . .
"Exciting . . . Suspenseful . . . A thriller's job is to make you turn the pages until the story's done and your eyes hurt and the clock says 3 a.m. . . . I wouldn't try to grab this one away from somebody only half-way through. No telling what might happen." --

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“That’s right. I met them on the way to your house. They saw me on the street and told me when they’d pick us up.”

He assessed the damage as they walked across the platform toward the gigantic enclosure of the station. It wasn’t so bad, really. If the police were lazy or stupid it was nothing at all. Their professional habit of seizing upon the most easily comprehensible explanation would make them overlook things that didn’t fit. They would assume a gang of thieves had murdered two wealthy citizens, then quarreled over whatever they had found on the bodies or in the Bentley. There would be no telling what that was, because somebody in the gang must have lived, and he would have carried it away with him. That part was inevitable: no matter how much they wanted to, the police would not be able to convince themselves that three men who had died of a broken skull, a knife up under the ribs and a bullet fired from five yards out had not required the services of at least one person who hadn’t been found on the scene. But even that much would take them a few more hours, because before they could commit themselves, they would have to go over everything with tape measures and cameras and sketch pads. And they would bring with them the assumptions that would make their efforts a waste of time. Because all the time they would be preparing to look for the missing man among the local street thieves, not among the acquaintances of the two wealthy victims in the Bentley.

Just as he had at Brighton, he made Meg stay in the ladies’ restroom while he bought the tickets. He had to get her out of here without letting more than a few people see them together. He waited at the most crowded ticket window, then all he said was, “Bath. Two,” to hide his accent, and took the tickets without looking at the man inside.

They met again and stood a few yards apart on the platform just before the train was to leave, and boarded separately as though they were unaware of each other. Later, if anyone remembered seeing a pretty young woman in a yellow dress, they wouldn’t remember seeing her with a man. As Margaret had walked across the huge nineteenth-century station, he had watched her. She came out of the ladies’ room with several other young women in bright, stylish dresses, and stayed within a few steps of them all the way to the platform. An observer might have said she was one of them, five girls who each merited a second glance, but who all drifted across the crowded place at once, a single vision of colors, stockinged legs, clashing scents, smooth white complexions, hair up, hair hanging long. Which one was blond and which dark? Who would remember? And the women themselves were laughing and talking with animation, too interested in themselves to pay attention to each other, let alone to someone who was simply walking in the same direction. He didn’t know if she had done this instinctively to fade into the herd of people who could hide her best, or had merely let the fear guide her, the terror of being alone attracting her to people as much like her friends as possible. It didn’t matter; they were going to get through this.

On the train he found her again, but when he sat down beside her, he realized that she’d had time to think. “We’ll stop at your place and close the house,” she said. “Then you’ll stay with me.”

When she conducted him into the library, he was envious. She had grown up here, in huge rooms with twenty-foot walls in two tiers, all of them lined with paintings and books. It didn’t matter what the books were about or who had written them. To him they were a symbol of privilege: the more ancient and eccentric they were, the greater the advantage. The room represented how many generations of people who had titles and money and manners and tutors and parents—ten?

“Do you have to go? You could stay here and call for help. Or we could drive up to Yorkshire. Even if they’d been watching you, nobody could know about that, and lots of people must have been hidden there over the years. My forebears in the time of Henry the Eighth didn’t feel comfortable with the forced conversion and may have hidden a monk or two—lots of people did. I do know somebody hid from Cromwell there three generations after that. We were exactly the sort of people he was born to rid the world of—still are, to the degree we can manage it. It’s a huge, rambling place with lots of rooms, but the village is small enough so nobody could come after you without being spotted.”

It entered Schaeffer’s mind that her ancestors really weren’t from the same planet he was. Time meant nothing to her, or to any of them, really. If he chose to stay at the family estate, she would feed him and bring him the daily newspapers until one of them died, and then he would be part of the story too. He opened his suitcase and pulled out his two passports. He looked at one of them and handed it to Meg. “I’ve got to go to the United States. When I’m ready to come back, I may call you and ask you to mail this to me.”

She looked at it, then plucked the other one from his hand and read the name aloud. “Charles Frederick Ackerman. It hadn’t occurred to me that you might have another name,” she said, her voice a little hollow.

“Michael Schaeffer is the real one.” He put his arm around her waist. The name already sounded strange to him, like the name of someone long dead.

“What I’ve been trying to say is, are you going because you have to, or because you think being with me puts me in danger? Because I really don’t mind.” It struck her as an odd thing to have said, so she added, “Really.”

“I have to find the mole.” He studied her face. There was no possibility of an argument; of course he had to find the mole. Whose job was it if not his? She had read all the spy novels, then given them to him to read. He wished he had paid more attention to them, but he hadn’t. Her questions might grow more astute and penetrating, so he needed to think more carefully about what he said. But he also needed to think about reality, and time was passing.

The Satterthwaites would stay on at his house indefinitely, keeping it open and clean and inhabited, and they would feed his cat. Mrs. Satterthwaite had understood that he sometimes traveled, and she would continue to pay the bills out of the household account. He had always been like a ghost in his own house, coming and going quietly without having any discernible effect on the daily business of the place. The Satterthwaites were the real occupants, living high among the rafters upstairs and showing little curiosity about anything he did. If he never came back, the will he had filed in the solicitor’s office a few blocks away would be revealed to them. Mr. Satterthwaite would paint a neat, hand-lettered sign that said BED AND BREAKFAST, and they would continue to care for the place and serve the food; the only difference would be that he would be replaced by other ghosts who came and went quietly.

He closed his suitcase. “I have to get back to London tonight for the plane.”

“I’ll get the keys to the Jag.” She moved to pull open the library door.

He watched her go. He knew that someday, if he lived to be old and alone, he would look back on this moment and grind his teeth with anguish and remorse, straining his memory for the exact color of The Honourable Meg’s hair and the way her yellow dress swayed as she tugged open the big oak door.

Sleeping Dogs - изображение 7

Charles Frederick Ackerman walked down the long accordion tunnel past the smiling flight attendants, all poised to dart out and block the narrow aisles and offer assistance. The travelers were barely able to negotiate the cramped space with their burdens of carry-on luggage, let alone balance dwarf pillows or chemical-smelling blankets. They paid no more attention to him than to any of the others. If they’d had to describe him to a policeman, one of them might have been perceptive enough to have judged that his coat was a good piece of English tailoring but not new, and that he was no longer in his twenties but wasn’t yet wearing the strangely driven look that men acquire on their fiftieth birthdays. He was, at this stop on the crew’s route, invisible through protective coloration: eyes and hair a dull brown; maybe English, maybe American, maybe German, not thin enough to be French or elegant enough to be Italian. They looked at him only long enough to assure themselves that he wasn’t disabled and probably spoke enough English to do what he was supposed to without exaggerated gestures on their part.

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