Thomas Perry - Vanishing Act

"She hit him in the jaw?" The judge could sense Ambrose’s raised eyebrow again.

"No. In the neck. Then we were on the fifth floor, and we ran down this long hallway. When we got to the comer I could see ’TWENTY TO THIRTY’ painted on the wall with an arrow pointing to the left, but the door we had used to get there opened up again and three big men were running after us. Jane jerked me around the comer and said, ’Run to the room that says twenty-two. Don’t stop for anybody until you’re right in the front where the judge sits, and yell, "I’m Timothy Phillips."’ I tried to say something, but she said, ’Don’t talk, just run.’"

Judge Kramer pushed the STOP button and sat in his dark office. He had been on the bench when the little boy had burst through the doors and run up the aisle screaming. The bailiff had made a reasonably competent attempt to head him off, but he had actually touched the bench and yelled, "I’m Tim Phillips." What had happened in the hallway Judge Kramer had heard from one of the policemen who had piled out of the adjoining courtrooms to quell the disturbance.

Judge Kramer pressed the intercom button on his telephone.

"Yes, Judge?" came his assistant’s voice.

"Where are they holding this ’Jane’ woman?"

"I think they took her for medical treatment to County-USC. I’ll find out if she’s in the jail ward and let you know."

"No," Kramer said. "Just call the precinct and tell them I want to see her."

"Would you like a conference room at the jail?"

"Have them bring her here."

The male police officer was tall and rangy, and the female was short and blond with her hair drawn up in the back and cinched in that way they all knew how to do. The department never had all-male teams transport a female prisoner anymore, so the judge should have been used to it, but the pairs still seemed to him like married couples from a planet where people wore uniforms. They ushered the prisoner into his chambers. When her face came into the light he felt his breath suck in. He had never gotten used to seeing a young woman’s face with bruises and cuts and blackened eyes. He tried to see past them.

She was not quite what he had heard described on the tape. She was tall, as tall as he was if he stood up, and this realization made him intuit that it was better not to, so he stayed down behind his big desk. Her hair was black and hung loose to a place below her shoulder blades, but that probably wasn’t the way she wore it; they had combed it out because they always searched women’s hair. He could see that Timmy’s description was not wrong, just uninformed. This woman had the strange, angular beauty he associated with fashion models: it was striking, but geometric and cold. The judge’s taste ran more to women like his late wife and the little policewoman, who looked round and soft and warm. The woman’s hands were cuffed in front of her instead of behind, which meant they weren’t taking all the precautions, but the police officers were wary: the policewoman kept a hand at her left elbow, and the man was a step behind and to her right, leaving just enough room to swing his club.

Judge Kramer said, "Thank you very much, officers. We’ve got some coffee in the outer office, and I keep soft drinks in the little refrigerator under the water cooler. I’ll be finished with the prisoner in about fifteen minutes."

The policewoman said, "Your Honor, we should mention—"

He interrupted, "I know. I spoke with the arresting officer. Has she hurt anyone since she’s been in custody?"

"No."

"Then I’ll chance it."

The prisoner held out her hands, and the male officer unlocked the cuffs, took them off, and said to no one in particular, "We’ll be right outside."

When they had closed the door, Judge Kramer said to her, "Sit down, please."

The woman sat in the chair in front of the desk.

Judge Kramer probed for a way to break the silence. "I hear you’re one of those people who could kill me with a pencil."

She said simply, "If I am, then I wouldn’t need a pencil." She looked at the tape recorder on his desk. "Is that running?"

He said, "I want to assure you that no record will be made of this conversation. I just listened to a deposition of Timothy Phillips, and I decided that the only person left who can answer the questions I have is you. Mona Turley and Dennis Morgan are dead."

She nodded silently and watched him.

"What do you know about the child’s situation?"

"Who are you? Why are you the one who has questions?"

His eyes widened involuntarily, as though someone had thrown a glass of water in his face. "I’m sorry," he said. "When you’ve been a judge for a few years, you’re used to being the only one in the room everyone takes at face value. My name is John Kramer. I’m the judge who was presiding in Courtroom 22. We hadn’t gotten to the petition to declare Timothy Phillips legally dead when he ran in and disrupted my court. For the moment, the matter is still undecided, and I’ve left it that way."

"Why?"

"First I had to recess while the officers took you away. Then I had to adjourn for a few days to give time to the authorities who can verify Timothy’s claim. In a day or so, oddly enough, I have to set a date to give the petitioners the opportunity to refute the claim— fingerprints, blood tests, and all. Then I have to rule on it."

"Will you be the one who decides what happens to him after that?"

He shook his head. "Not directly. At the moment he’s in the care of a very protective woman from Children’s Services named Nina Coffey. After a time there will be criminal cases—probably several of them. There will be a family court case to decide who is granted guardianship of Timmy. There will be some sort of civil action to settle the disposition of the trust. I can influence the direction some of those cases take if I find out the truth and get it on the record so it can’t be ignored. I’m asking what you know because I don’t have much time and I need to know where to begin. Once I rule on the petition that’s before me, it’s out of my hands."

"Is any of this legal?"

"What I’m doing is so contrary to legal procedure that it has no name."

She sat erect in the chair and met his gaze steadily while she decided. "He was a ward of his grandmother because his parents were killed in a car crash. She was old at the time—about eighty. Whoever she hired to watch him didn’t. Along came Raymond and Emily Decker, and he disappeared. I have no way of knowing what was going on in their minds at the time. They may have been kidnappers who stalked him from birth, or they may have been one of those half-crazy couples who create their own little world that doesn’t need to incorporate all of the facts in front of their eyes. If you read the old newspaper reports, it sounds as though maybe they just found him wandering around alone in a remote area of a county park, picked him up, and then convinced themselves that he was better off with them than with anybody who let a two-year-old get that lost. I’ve tried to find out, and so did Mona and Dennis, but what we learned was full of contradictions."

"What sorts of contradictions?"

"Timmy says they sent pictures of him to his grandmother, sometimes holding a newspaper, sometimes with his fingerprints. He doesn’t know what the letters said. If the Deckers knew where to send the letters, then they knew who he was. But I can’t tell whether it was a straight ransom demand or they were trying to keep him officially alive so he could claim his inheritance when he grew up, or whether they were just being kind to an old lady by letting her know her grandson was okay."

"What do you know about the grandmother?"

"From what Dennis Morgan said, the police stopped looking. That means they never saw the letters. Grandma kept looking, so maybe she got them. She must have believed he would turn up eventually, because she tied up all the family money in a living trust for him and made a business-management firm named Hoffen-Bayne the trustee. She died a few years ago."