Thomas Perry - Dance for the Dead

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Native American guide Jane Whitefield takes on two clients--Timmy, the young heir to a fortune, whose adoptive family is murdered, and Mary Perkins, accused of stealing millions from S&L banks--whose cases become strangely intertwined.

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She was hidden from the street by thick bushes, and from the freeway by a low metal barrier along the shoulder. The barrier was supposed to keep a runaway car on the eastbound side of the Ventura Freeway from careening down the hill into the front of somebody's house, and judging by the depth of some of the dents and scrapes, it probably had. She trained the directional microphone carefully across the freeway on a spot twenty feet from call box number 177, then adjusted the breadth of its field until it picked up very little street noise. She threw a stone at the spot and watched the reels of the two tape recorders turn when it hit, then stop again. She set the video camera on automatic focus and aimed it at the same spot. She switched everything off, carefully covered all of the equipment with leaves and branches, then went down the hill, over the fence, and back to her car.

Jane and Mary stayed at the motel for two more days. They rehearsed, memorized, and analyzed until it began to seem as though everything Jane was planning had already happened and they were weeks past it already, trying to recall the details.

"How long do you stay?" asked Jane.

"Ten seconds. Fifteen at the most. Just long enough to pop out the tapes."

"What happens if he pulls out a gun?" Jane asked.

"I leave."

"What if he puts it to my head?"

"I ignore it. There's nothing I can do to stop him, so I leave."

Early each morning they drove along the Ventura Freeway past call box 177, studying the flow of the traffic for ten miles in both directions. They memorized the fastest lanes, practiced making an exit just beyond the junction with another freeway and then coming up a side street to emerge on the new freeway going in another direction.

"Can't you just call him up and record what he says on the phone?" asked Mary.

"No," said Jane. "He's the regional head of a big security company. His phone will have sweepers and bug detectors that even the police can't buy yet. Besides, he won't say anything that will put him away unless he sees you."

On the third day at four in the afternoon Jane White-field went to a pay telephone in Barstow and made the call. "I want to speak with Mr. Barraclough," she said. "Tell him it's Colleen Mahoney from the courthouse. I have something he wants to talk about."

"Can you hold?" said the secretary.

"No," said Jane. "I'll call back in two minutes. Tell him if he's not the one who answers, he's lost it." She waited four minutes, then dialed the number again.

This time a man's voice answered. It was deep, as though it came from a big body, but it was smooth, clear, and untroubled. "Yes?" he said.

"Is this Mr. Barraclough?"

"Yes, it is." He held the last word so it was almost singsong.

"This is - "

"I know who it is, Jane," he said. "I heard that's what you like to be called. What can I do for you?"

Her mind stumbled, then raced to catch up. He was far ahead of the place where she had thought he would be. "I have Mary Perkins," she said.

"Who's Mary Perkins?"

"I'm not recording this," she said. "Your phone isn't tapped."

"I know it isn't."

"Then do you want her?"

"If you have her, why do you need me? You like me all of a sudden?"

"If you weren't tracing this call, why would you ask so many stupid questions?" Jane asked. "I'll call this number at five a.m. tomorrow. If you meet me alone and unarmed, you'll get a peek." She hung up, picked up Mary, and drove to Los Angeles, where they rented two identical white cars, then left the gray Toyota at the Burbank Airport. They spent the night in a motel in Woodland Hills.

At four a.m. Jane parked her rented car on the street she had chosen below the freeway, climbed the fence to turn on her camera, microphone, and recorders. Then she drove west to the big coffee shop in Agoura and at exactly five a.m. used the pay telephone outside the door.

"Yes?" said Barraclough.

"It's me," she said. "In twenty minutes I'll be at the lot on the corner of Woodley Avenue and Burbank Boulevard in the Sepulveda Dam Recreation Area. If you're not there I'll keep going."

"Wait," he said. "I didn't get those streets."

"Then rewind the tape and play it back," she said, and hung up.

Twenty minutes was an enormous stretch of time for a man like Barraclough. Jane thought about all of the preparations he would have made already. He would have all of the trainees on the special payroll of Enterprise Development already awake and standing by. He would have some pretext for using Intercontinental Security's facilities and equipment too. Now he would be frantically ordering all of them into positions around the Sepulveda Recreation Area. No, not frantically: coldly, methodically.

She had selected the meeting place carefully. It was the sort of spot a person might choose who had some fear of ambush but no understanding of how such things happened. It was free of people in the hours before dawn, a flat open lawn that had been built as a flood basin with a vast empty sod farm on one side, a golf course on the other, and nothing much but picnic tables and a baseball diamond in between. The place gave the illusion of safety because she could see a second car coming from half a mile off. So could he, but all he had to do was block two spots on Burbank Boulevard and one end of Woodley and she was trapped.

Jane left the Ventura Freeway and continued eastward on Burbank Boulevard. It would still be another hour before the sun came up. At exactly 5:20 she was driving beside the golf course, and as she came around the long curve, she saw his car. It was a new, dark gray Chevrolet parked beside the road on the small gravel plateau above the empty reservoir. She could see the little stream of exhaust from the tailpipe that showed her the car was running. She took her foot off the gas pedal as she approached, and coasted to a speed of under ten miles an hour. She made a left turn onto the lot, then pulled up ten feet away from his car and stared into the side window.

It was difficult to tell how tall he was when he was seated in the car, but he gave her the impression of being big. His hands on the wheel were thick and square-knuckled, and his shoulders were much wider than the steering wheel. The white pinstriped shirt he had on seemed a little tight on his upper arms, the way cops wore theirs. He was obviously wearing it without a coat to make her believe he had actually come unarmed.

She looked directly into his face. The corners of his mouth were turned up in a wry half smile. She reminded herself that she had known he would try to rattle her with some intimidating expression, maybe the poker player's look when he raised his bet: my money's on the table, so let's see yours. But his face set off a little burst of heat in her chest that rose up her throat into her jaw muscles. She could not turn away from the eyes. They were light, almost gray, squinting a little because of the false smile, and watching her with a disconcerting intensity. They took in her fear and discomfort, added his savoring of it, and reflected it back to her. His mind was focused utterly on her, on what she was feeling and thinking. His eyes revealed that he felt nothing except some vicarious glow from the anxiety he could inspire in her.

It was time to lose whoever he had brought with him. Jane stamped her foot on the gas pedal and the car's back wheels spun, kicking up gravel. It fishtailed a little as one wheel caught before the other and then it squealed out of the lot onto Burbank Boulevard. She drove to the east, took the ramp onto the San Diego Freeway at forty, and sailed into the right lane at sixty-five. She checked her rearview mirror to be sure he was coming, and saw the gray Chevrolet skid around the curve and shoot off the ramp toward her. She kept adding increments of speed while she held the car steady in the center lane.

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