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Thomas Perry: Dance for the Dead

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Thomas Perry Dance for the Dead

Dance for the Dead: краткое содержание, описание и аннотация

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Native American guide Jane Whitefield takes on two clients--Timmy, the young heir to a fortune, whose adoptive family is murdered, and Mary Perkins, accused of stealing millions from S&L banks--whose cases become strangely intertwined.

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"She put me to sleep on the couch, but I could hear them talking in the kitchen."

"What did they say?"

"She told him about my parents. She said it looked like an abuttar."

Abattoir, the judge translated. No wonder Nina Coffey was all over Ambrose. This kid had looked in his own window and seen his parents - or the ones he knew as parents - lying on the floor butchered, and Ambrose was asking him about spankings and dental hygiene. The man was a dangerous idiot.

"What did he say?"

"He said she did the right thing to call the police, and the wrong thing to leave. Then she said a lot of things. She said it looked as though whoever came in wasn't even looking for them. They were looking for me."

"What made her say that?"

"They broke into my room at a time when I was usually home and my parents weren't. She said it looked like they tried to make my parents tell them something. And then the only things they took were my stuff, and all the pictures."

"What pictures were those?"

"My father used to take a lot of pictures. Like when we were at the beach..." Here it comes, thought the judge. The sob forced its way out, and there was a squealing sound, and then the tears came in volume.

"Come on, Timmy," said Nina Coffey. "Let's go take a break."

Amid the sounds of chairs scraping and feet hitting the floor, Ambrose said redundantly, "Let the record show that we recessed at this point."

There was another click, and the recording began again. "We will continue now. It is six minutes after eleven," said the stenographer.

Ambrose said, "Timmy, I'm sorry to ask so many sad questions."

"It's okay," said the little voice. There was no conviction behind it.

"You were at the lawyer's house. They didn't agree, right?"

"He told her to go to the police. Mona said they would just make me stay in a place where I wouldn't be safe. They talked for a long time, and I fell asleep."

"What happened when you woke up?"

"The lawyer - Dennis - he was talking on the telephone. I couldn't hear what he was saying. When he hung up, he and Mona talked some more. He gave her some money. He had a lot of money inside of books on the bookshelf, and some in his pocket. He gave her that too."

"Then what?"

"The phone rang and Dennis answered it, and talked to somebody else. Then we all got in the car and Dennis drove. This time we drove all night and all the next day, almost. Then we got to Jane's house."

"What is Jane's full name?"

"I don't know."

"Where does she live?"

"I don't know."

"Tell me about her."

"We went to her house. She put us in a room upstairs, and we went to sleep. When I woke up, she made us breakfast. Mona was already awake."

"I mean about Jane. What was she like?"

"I was afraid of her at first."

"Why?"

"She was tall and skinny and had long black hair, and she seemed to listen to people with her eyes."

Ambrose paused. "I see. What did she do?"

"She and Mona talked for a long time. Then I heard her say she would make us disappear."

"Is that why you thought she was scary?"

"No... maybe."

"How long did you stay with Jane?"

"A long time. I think Mona said it was three weeks, but it seemed like a year. Then we all got in Jane's car and she drove us to Chicago."

"What did she do then?"

"She stayed for a day or two, and then one morning I woke up and she was gone."

"Was Mona surprised?"

"No. Mona acted like it was normal, and didn't talk about her again. Mona and I lived in Chicago after that. Mona was Diana Johnson, and I was her son. She wanted me to be Andrew, but I didn't like it, so I got to stay Tim."

"How did you live?"

"Like people do."

"I mean, did Mona have a job - did she go to work?"

"Yes. While I was in school."

"They called you Tim Johnson at school?"

"Yes."

"When did you start - what grade?"

"Kindergarten. I had already been in kindergarten, so it was the second time."

"And you're in the second grade now?"

"Yes."

"Were you afraid in Chicago?"

"At first I was. It was different. I was afraid the bad people would get Mona, and then I would be all alone. But after a while I made some friends, and got used to it, and I didn't think about that part much anymore. I was sad sometimes."

"And Mona pretended to be your mother for over two years?"

"I guess so."

"What else did she do? Did she still see anybody you knew from Washington?"

"No. She used to talk on the phone a lot."

"To whom? Jane?"

"No. Dennis."

"Did you ever hear what she said?"

"Once in a while, but it wasn't really okay. She would go in her bedroom and talk to him. Sometimes she would tell me what she said."

"Then a little over a week ago something changed, didn't it?"

"Yes. Everything."

"You found out who you were, didn't you?"

"Yes."

"Excuse me, Mr. Ambrose." It was Schoenfeld's resonant voice again. "Maybe we should let Timmy tell us exactly what happened in his own words from here on. I believe you've done an admirable job in laying the groundwork, but now we're in new territory, and I have no objection to letting Mr. Phillips speak freely and tell us whatever he can that will aid in the possible prosecutions." Of course not, thought the judge. Schoenfeld could be magnanimous. He had already established that Timmy was Mr. Phillips, and nothing else that anyone said or did from there on was of any consequence for Schoenfeld.

"Thank you," said Ambrose. "Timmy, tell us what happened."

"I came home from school, and Mona was there, and so was Dennis the lawyer, and so was Jane. Dennis said he had spent two years trying to figure out why anyone would want to hurt my parents and me, and now he knew."

"This was in Chicago?"

"Yeah," said Timmy. "He told me that when my mother died they had special doctors look at her, and that she had never been to the hospital to have a baby. He said he got to look at a copy of the birth certificate they had at my school, and it wasn't real. He said I wasn't adopted. They just drew a picture of a birth certificate and said it was mine. He said that the reason they did that was because they loved me very much and had always wanted a little boy."

Judge Kramer stopped the tape and backed it up to listen to the last exchange again. It was a hell of a way to explain a kidnapping. In spite of everything, he had to admire Dennis Morgan. After what he had seen, this little boy was going to be an annuity for the psychiatrists for the next fifty years. There was no reason to make it worse.

The tape kept running. "Then he told you about your other parents?"

"Yes. Mr. and Mrs. Phillips. They died when I was one."

"And your grandma?"

"I knew about her already, but I didn't know she had died like all my parents. She had been dead for three years."

"Did Mr. Morgan tell you that she had left you some money?"

"Yeah. He said that when Mr. and Mrs. Phillips died she put all the family money in a big pot and said it could only go to me. And when I was gone she hired a company to take care of the money and keep looking for me forever."

"Did she say what they were called?"

"Trusty."

Judge Kramer prayed that Ambrose wasn't about to drag an eight-year-old on a field trip through a morass of legal terminology. What could the child possibly know about trustees and executors?

"What happened last week to change that? Did he tell you?"

"He said that the Trusty had gotten tired of looking and waiting, and they were going to say I wasn't alive anymore. So he called Jane again."

"I'm very curious about this Jane. I understand about Mona. She was your nanny, and she loved you. The lawyer, Mr. Morgan, was a very close friend of Mona's, right?"

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