Thomas Perry - The Face-Changers

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Jane Whitefield, legendary half-Indian shadow guide who spirits hunted people away from certain death, has never had a client like Dr. Richard Dahlman. A famous plastic surgeon who has dedicated his life to healing, the good doctor hasn't a clue why stalkers are out for his blood. But he knows Jane Whitefield's name--and that she is his only hope. Once again Jane performs her magic, leading Dahlman in a nightmare flight across America, only a heartbeat ahead of pursuers whose leader is a dead ringer for Jane: a raven-haired beauty who has stolen her name, reputation, and techniques--not to save lives, but to destroy them. . . .
From the Paperback edition.

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Memories of Quinn were not so easy for Jane to exorcise. During the long minutes while she had been walking Dahlman to Sid’s house, Quinn had been the one she had been thinking about. Christie had made her uncomfortable, but Quinn had frightened her. Quinn had been a changeling—not a fugitive, but a person who had experienced some voluntary midlife transformation. He had been something else once—she had heard lawyer, she had heard insurance investigator, she had heard detective.

Sid had told Jane that one day Quinn had simply stumbled on a truth that Sid considered obvious: that if he never again let anything interfere with his inclinations, he would, inevitably, have everything he wanted. The discovery had been exhilarating, and it had liberated his imagination. He had thought of a great many things that he wanted. But now he had undergone a second transformation. Quinn’s change from alive to dead had been an immense step up.

It was two A.M. when Jane reached the outskirts of Waterloo, Iowa. She turned off the main highway and spent twenty minutes driving up and down the streets, studying the little city. When she was satisfied, she found a motel and checked in. Then she woke Dahlman and hurried him into the room before anyone else was awake.

As she opened the suitcases, she asked, “Are you up to having the bandages changed?”

“Yes.”

Jane undid the bandages on his back and chest, then said, “I can’t tell how you’re doing as well as you can. Take a look in the mirror.”

Dahlman squinted at the bathroom mirror, turned on all the lights, poked the wounds, turned this way and that. “I’d say considering the age of the patient, he’s doing pretty well.”

“That’s what I thought,” she said. “Let me wrap you up again, and then we can get some sleep.”

It was evening when Dahlman awoke to find Jane sitting on the other bed watching him. He saw that she had repacked the suitcases, and that clean clothes were laid out on the bed for him.

“Are we leaving?” he asked.

“We’re not going far,” she answered. “I’ve rented an apartment.”

She drove Dahlman to a one-story building across the town, and pulled the car into a space under a carport that had eight other cars in it. She helped him into the back entrance of the building, hurried him down the hall and into a door marked 3, then went back to the car to unload.

Dahlman looked around him. The apartment was furnished with cheap furniture that seemed clean and sturdy. There was a small kitchen that was separated from the living room by a low counter, and on the opposite side, a bedroom that seemed to be situated so that little light or noise was likely to reach it in the daytime. He heard Jane come back and heard her unlatching a suitcase.

Dahlman opened a cupboard and saw a sparse collection of china and glasses. He peered into the refrigerator and was surprised to see that it was already packed with food. “It looks like an awful lot of food,” he said.

“I wanted you to have enough,” said Jane.

He turned to look into her eyes. “You’re leaving?” He had assumed she was unpacking her suitcase, but she had been unpacking his. Hers must still be in the car.

“I wasn’t lying to Sid when I told him I had to leave you for a little while.”

“How long?”

“I may be back tomorrow, and it may not be for two weeks. How long depends on what’s out there.”

“But what’s your plan?” He seemed frightened.

Jane stepped away from the doorway into the kitchen. “It’s not much of a plan. You said before that you’re healing okay, and there are no complications, right?”

“Right.”

“So now we use up some time. If you’re not traveling or making noise or even going outdoors, nobody sees you and you’ll heal. And the longer we keep you safe, the more likely it is that something big will happen.”

“I’m supposed to sit here waiting for something big to happen to me?”

Jane smiled and sat down at the kitchen table. “Not to you. We’ve got problems because your story is peculiar, and that makes it newsworthy. There are a lot of murders in this country—maybe a hundred a day. But for two days, the face on television and in newspapers has been yours. It’s very much in our interest to have the newspeople stop putting it in front of everybody’s eyes. And they will, as soon as there’s something bigger, or odder, or more compelling to replace it. If the stock market crashes or an airplane blows up or the chief justice is caught soliciting an undercover cop, your picture will disappear and people will forget about you.”

“I wonder how long that will take.”

“We can’t know that. Of course, there are people who know it’s in their interest to prolong your notoriety as long as they can. The F.B.I. will probably try to release intriguing tidbits each day. Even if they know a lot, they’ll feed it to the reporters a pinch at a time. One day it’ll be places where somebody may have seen you, and the next day, inside details of your previous life. They’ll get people you operated on to say you did a great job but were not very friendly—”

“How do you know what people will say?”

“I don’t,” she said. “I’m guessing.”

“I’m extremely friendly,” he protested.

Jane shrugged. “I suppose I’m not seeing you at your best. It doesn’t matter. News articles aren’t statements of fact. They’re some writer’s attempt to flesh out very small bits of information into a full, coherent story. Lots of things about you will be twisted to fit a pattern of behavior, like a profile. If we’re lucky, they’ll concentrate on the things that aren’t true; those won’t help anybody recognize you.”

“But what about the trial? Any potential jury will have heard all this nonsense.”

Jane frowned at him. “No matter what we do, a jury would hear it from the prosecution. Let’s see what we can do to keep from having a trial.”

Dahlman stared at her. “I remember you said that it wouldn’t be wise to go to the authorities before I have a way of defending myself. But at some point, after they’ve studied the evidence and found it isn’t as neat and perfect as it sounded, why shouldn’t I?”

Jane could feel a headache developing behind her forehead. She closed her eyes for a second, then opened them and said, “I want this to end the same way you do. I thought at the beginning that we could slip you away for a short time, let the police catch the killer, and bring you home. But it hasn’t happened yet. I think we have to start thinking about the possibility that it isn’t going to happen soon.”

“I don’t think the situation has changed. What’s different?”

“What has changed is what we know. The killer isn’t some amateur, and it isn’t some psychopath. It isn’t even one person. There are some people making a good living doing what I used to do. They helped somebody disappear—this ‘Hardiston’ guy—and now he’s just about home-free. He has a new name, he’s in a new place. But there’s still one living person who saw the way he used to look and saw the way he looks now. Just one.”

Dahlman stared at her.

Jane waited. Then she asked, “Enough said?”

“Yes.” He began walking around the apartment again, looking closely at each piece of furniture, then at the four walls.

“I’ll only be gone for a week or two.”

He gave a reassuring little smile that vanished after he was sure she had seen it. “I’m not uncomfortable alone. I’ve lived alone for a long time. I was just thinking how much this reminds me of the place where the two policemen put me—only they weren’t policemen. I don’t mean it’s the same physically. There’s just something about spaces that have been closed up for a while …”

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