Thomas Perry - Poison Flower

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*Poison Flower*, the seventh novel in Thomas Perry's celebrated Jane Whitefield series, opens as Jane spirits James Shelby, a man unjustly convicted of his wife's murder, out of the heavily guarded criminal court building in downtown Los Angeles. But the price of Shelby's freedom is high. Within minutes, men posing as police officers kidnap Jane and, when she tries to escape, shoot her.
Jane's captors are employees of the man who really killed Shelby's wife. He believes he won't be safe until Shelby is dead, and his men will do anything to force Jane to reveal Shelby's hiding place. But Jane endures their torment, and is willing to die rather than betray Shelby. Jane manages to escape but she is alone, wounded, thousands of miles from home with no money and no identification, hunted by the police as well as her captors. She must rejoin Shelby, reach his sister before the hunters do, and get them both to safety.
In this unrelenting, breathtaking cross-country battle, Jane survives by relying on the traditions of her Seneca ancestors. When at last Jane turns to fight, her enemies face a cunning and ferocious warrior who has one weapon that they don't.

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"Steve-that's my ex-husband's name-seemed to think he had a right to hurt me."

"People who like to hurt you can always tell you why it's your fault."

Jane drove along Interstate 15, trying to put as much road as possible behind them. It was nerve-racking to be on such a major highway, the most obvious way out of Las Vegas. If the police listened to Iris's ex-husband and thought they needed to hunt for the woman who had really fired the shot, they would be on Interstate 15, too. They already were on Interstate 15, all day every day, all night every night, because Interstate 15 wasn't just a river of money coming into town. It was the route of an invading army of troublemakers and screwups. Jane couldn't afford to be pulled over by a cop for some minor infraction tonight. The authorities in Los Angeles had already had three days to take frame grabs from the security cameras in the courthouse and distribute them to cops along the obvious escape routes, and Las Vegas was the most obvious escape route of all.

As Jane drove, she tried to decipher and untangle her predicament. She was hurt. She had promised Jim Shelby she would meet him at the hotel in Salt Lake City, and she was already three days late. Crouching in the seat beside her was a young woman whose will seemed to have been beaten out of her.

Jane said, "I think we should talk."

"Okay. What about"

"I wasn't planning to take you with me. When you came running out, I thought something else had happened, and then you were in the car and we had to leave. For a lot of reasons you don't know yet, that might not have been your best move."

"I had to get away."

"Getting away from a man like that is a good idea, but that's not the point. The point is that everything you'd seen about me was an indication that I had a few problems that existed before I met you, and might put you in worse danger."

"I know," said Iris. "I saw your back after your bath. And I saw the bandage on your leg. And the giant bruise around it."

"You saw that"

"I wanted to meet you, so I went into our room, and I saw you weren't there. I went toward the bathroom, and you had finished your bath and opened the door a crack to get rid of the steam. When you reached up to clean the steam off the mirror with your towel, I slipped aside so you wouldn't see me in the mirror and think I was spying on you. But I saw."

"Seeing the marks shouldn't have made you want to risk going with me. I couldn't even protect myself."

"I could see you were someone who understood what it's like. Your burns are from metal that was heated up. You can see that on my back, too. When Steve did that to me he used a bunch of big nails. He heated them in a frying pan and dumped them out on my back. And I could see where somebody hit you with a switch, too. In some ways that was the worst for me, even though it hurt less than the burns or the punches. It was humiliating, like a child being whipped for doing something bad. I'm sure you know."

Jane said, "I'm not much like the person I've been pretending to be. Let's try to figure out what you can do, and where I can take you."

"I'm not the way I seem, either. I'm a normal person. I never even knew people like Steve. I met him at a club in LA. He carried himself like a bad boy, and I thought that was dark and mysterious and sexy. He was very male, always in charge. And there was an edge to him, sort of a repressed anger that I took for toughness. I fell for him-or for the man I had invented. That's the right term-fell for him, like you fall for a hoax or a fraud. I married him. A few months after that, he started to work on me. I was young and naive, and to him that was the same as being stupid. I wasn't a poor kid, brought up in the backwoods somewhere, and I hadn't raised myself on the streets, so I was weak. I liked pretty clothes and things, so I was spoiled. After a while I was sad. It was hard to live with his contempt and be happy. I told him I didn't like being treated that way, so I was a nasty bitch. After a while he was watching everything I did, but without ever looking at me when he spoke to me. I was an enemy, and the minute he got up in the morning he started noticing things about me that weren't right. The day after the hitting started I left. I slipped out and went to my parents' house in Sherman Oaks. I filed for divorce from there. My father was a doctor, and we had a nice house with my old room and everything, but he told me the best thing for me was to go to another city until the divorce was final. I should get a job and meet nice people my age and do some thinking about the future I wanted."

"That sounds smart. That's exactly what I'm trying to get you to do now."

"I went to Boston. I only came home for the final decree, then went back. And then my father died. It was the last thing in the world I expected. He was always very fit and healthy, and he seemed so young that I always forgot his age. He had a massive heart attack and died, and then I realized I hadn't actually been seeing him. I'd been looking at him and seeing him as he'd been fifteen years younger. When he died, my mother was all alone."

"So you came home to be with her."

"Yes. She was alone, after being married for over forty years. He was the sort of person who just quietly took care of everything. She never seemed worried about anything, because he was this big, reassuring presence. Now she was lost. So I moved in. I don't know how he found out, but Steve knew immediately that I was living there. He showed up at the door a few days after the funeral and said he wanted me back."

"Did you fall for it"

"No. I told him there was nothing at all left between us, and that he should go away and never come within a mile of me again. He, of course, wanted to stay and argue about it."

"But you didn't give in"

"Not then, and not the next fifty times. He called at all hours, showed up when I went to work and stood in front of my car, sent presents I didn't want and apologies. He said he hadn't ever wanted to be mean to me, but I had forced him. Surely I understood that."

"Iris, honey. I've heard this story before. I don't blame you for any of it. But you need to think about tomorrow and the next day. We need to make a plan for how you're going to spend the next month or two."

"Please," Iris said. "I've got to tell you, so you'll understand."

"All right."

"I got a restraining order. He violated it about three times before the cops or the judge or someone persuaded him he couldn't prevent me from going to work or wake me up in the middle of the night. A few months after my father died, my mother got sick. It was a heart problem, too. And then she died. I heard afterward from a lot of people that this kind of thing happens quite often with couples who have been close. The one who was left didn't take long to follow the one who died."

"What did you do then"

"I was alone, and I saw the world a little more clearly. The house that had been the symbol for me of safety and security since I was a baby had changed. Without my parents, it was just an empty, sad building. There was no help or advice or companionship, or even safety there anymore. There was a sadistic, crazy man out there somewhere, and the house suddenly seemed so fragile and insubstantial that he could walk in through the walls to get me. I mean, it was a one-story, sprawling ranch-style house with big glass windows everywhere. All he'd need was a rock. I went to a realtor and told him to estimate what the house was worth, price it twenty thousand cheaper, and sell it fast. The house sold, I deposited the check, packed up, and moved out in a hurry. I put my parents' furniture in storage, rented a one-bedroom apartment in a duplex, and moved in. Steve waited until one day when the people in the other half of the duplex had gone to work, and came and got me."

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