Thomas Perry - Poison Flower

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*Poison Flower*, the seventh novel in Thomas Perry's celebrated Jane Whitefield series, opens as Jane spirits James Shelby, a man unjustly convicted of his wife's murder, out of the heavily guarded criminal court building in downtown Los Angeles. But the price of Shelby's freedom is high. Within minutes, men posing as police officers kidnap Jane and, when she tries to escape, shoot her.
Jane's captors are employees of the man who really killed Shelby's wife. He believes he won't be safe until Shelby is dead, and his men will do anything to force Jane to reveal Shelby's hiding place. But Jane endures their torment, and is willing to die rather than betray Shelby. Jane manages to escape but she is alone, wounded, thousands of miles from home with no money and no identification, hunted by the police as well as her captors. She must rejoin Shelby, reach his sister before the hunters do, and get them both to safety.
In this unrelenting, breathtaking cross-country battle, Jane survives by relying on the traditions of her Seneca ancestors. When at last Jane turns to fight, her enemies face a cunning and ferocious warrior who has one weapon that they don't.

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Jane waited. Gorman had retired to one of the offices along the side of the building, and he had been snoring for an hour. She knew she would move quietly but could not make herself perfectly silent. She had to let Maloney reach the stage of sleep that Gorman had already reached. If he heard a small noise now, his mind would try to remain asleep by incorporating the noise into his dream.

Just as Jane was about to move, Maloney stirred. He sat up, took off his coat, and tossed it onto the arm of the couch, then slipped off his pants and draped them over the coat, then lay down full length. He pulled the spare blanket that had been left on the couch over him and immediately went back to sleep. Jane waited for what seemed to her like an hour.

After a time Jane raised her head. Maloney was deep asleep now. She was so eager as her time approached that her breaths were becoming shallow and her thoughts were scattered, tumbling over one another. So many things had to be done before Wylie got back, and he could be stepping up to the door right now. She was badly hurt. Would she even be able to do those things She clenched her teeth and thought. First she had to get out of the bed.

She slowly, carefully removed her single Velcro restraint, trying to muffle the skritch sound by pressing the pillow over it. Then she pushed herself up so she was on two hands and her left knee. She eased to her right, then lowered her tender right leg to the floor. It would have to hold her weight for a few seconds. If it collapsed, she would fall and wake Maloney. She shifted her weight to the right leg while her left was lowered to the floor beside it. The leg held. Then she was kneeling on the floor beside the bed.

Maloney had taken off his coat and pants to sleep. She touched the pants pockets for the gun, then searched the coat pockets. Where was his gun The gun must be here where he could reach it. She reached out and slowly, gently slid her hand into the small space beneath the cushion he was using as a pillow and the couch. It wasn't there.

Jane began to crawl. Crawling was quieter and easier right now than putting all her weight on her legs. She crawled to the table where Maloney had been drawing. She lifted his paper slightly, and caught sight of a black, chunky object. She reached under the paper, encountered the cool steel and then the knurled handgrips of the Beretta M9F, and felt her face forming itself into a smile.

She had Maloney's gun in her hand. The gun was a huge step. She had accomplished a wonder. At the worst, Jane wasn't going to have to lie in bed helpless until the time came to let the next set of captors torture her to death. She could take at least a couple of the tormenters with her, and then end her own life. Her heart was pounding with exhilaration.

Jane crawled toward the door of the office where Gorman slept. When she was nearly there, she came to a steel support pole rising from the floor and used it to pull herself up to a standing position. She took a step with her injured right leg and realized it was much stronger than she had expected. The twinge she felt was bearable; and, even better, the leg held her weight.

She stepped to the steel door of the room and tested the knob. It turned smoothly. She held it. There was a raised circular dead bolt at eye level, with a key slot. She stared at it as she prepared herself to open the door. In a moment she would have to spot Gorman in the darkened room. She might have to fire and kill him before he found his gun and aimed it. She stood slightly to the side, held the gun in her right hand at chest level, and turned the knob the rest of the way until it stopped. She pushed the door inward and saw Gorman.

He was across the room lying on his side on a couch. Near him was a big wooden desk. He was still asleep, his mouth open and his jaw slack, breathing deeply. It would be easy to shoot him from here, but she would have to be positive he was dead, and that meant three or four shots, and then trying to make it back on her bad leg to a spot where she could shoot Maloney before he was awake, up, and dangerous. She had his gun, but she didn't know if there was another one in this building.

Jane took another step into the room, and then turned a bit to close the door behind her, but she stopped, staring at the inner side of the door. Right in front of her was the inner side of the dead bolt. It was a four-inch circle of brass exactly like the outer side. The dead bolt was the kind that had keyholes on both sides, and this side had the key in it.

She quietly extracted the key from the lock, backed out, and closed the door. She stuck the key in the lock and turned it to lock the dead bolt. Gorman was locked in. When he woke up he wouldn't be able to get out. She put the key in her shirt pocket and turned her eyes toward Maloney. He was still sleeping.

It took her a long time to walk to the couch, taking each step with care to be sure that it was silent and that it didn't strain her injured right leg. The time seemed to be passing too quickly. She must not waste her last chance by taking too much time. Wylie could be pulling into the parking lot at any second.

When she came near the couch she could see the items laid out on the table near her bed. There was the blowtorch they had used to heat the skewers; there were the bamboo sticks they had used to beat her, the skewers, a big pair of bolt cutters with two-foot handles, and a pair of big steel rings with screws attached so they could be embedded in a support beam and made to hang heavy objects. She saw a coil of rope and knew that the heavy object was to have been her. They must have planned to hang her up for the next torture session. There was a roll of duct tape, with a pair of scissors. She supposed they would have taped her mouth when the screams got too loud to tolerate. There was a set of handcuffs and a key.

Jane picked the handcuffs up and stepped to the spot between the couch and the bed. She touched the muzzle of the gun to Maloney's head and gave it a hard push. He flinched, and his eyes opened and focused on Jane.

She whispered, "If you move or make a sound, I'll kill you. Do you believe me"

He nodded.

"Get on the bed and lie on your stomach." She kept the gun aimed at him as he moved from the couch to the bed. She closed one handcuff on his right wrist and the other on the steel bed frame. Then she used one of the Velcro restraints to fasten his left wrist to the other side.

She limped to the table, took the duct tape and scissors, then returned and wrapped the tape around his head and across his mouth three times before she cut it.

She went to the couch where he'd been asleep, and put on his pants. They were too wide and too long, but she cinched the belt as tightly as she could. Then she found her flat black shoes under the bed, and stepped into them. She bent close to Maloney's ear. "I'm not going to harm you or Gorman. I'm just going to leave. But don't ever let me see you again."

Her anxiety was shifting into hope. She had the two men locked up. She had the gun, and now she was taking steps toward the steel door at the end of the building. And then she saw the chain. There was a thick, heavy chain running through a bolt hole in a vertical I beam, then across the door, around the nearest support pole, and back. It was fastened there by a big padlock. She lifted the padlock and looked beneath it. There was no key. It was obviously intended to keep someone from forcing the door from outside, so there was no reason for the key to be gone. Where was it She looked everywhere nearby-any sort of small ledge created by the structure of the building, or by the floors. She went into the bathroom and looked there, too.

For the first time, Jane's eyes began to water. She was so badly hurt, so weak and tired after the past few days. She had dared to feel some faint hope, and now this. No. No weakness. She blinked her eyes clear, gripped her pistol, and walked back to the table that held the tools they'd used to torment her. She put the gun in her belt and snatched up the pair of bolt cutters with the long handles. She brought them to the chain on the door and closed them on the shaft of the padlock. She squeezed the handles as hard as she could, but they made no impression on the lock.

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