Donald Westlake - Smoke

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Smoke: краткое содержание, описание и аннотация

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Due to a foiled burglary in a high-tech lab doing research for cigarette manufacturers, Freddie Noon, the thief, is now invisible. This condition has clear-cut advantages for a man in Freddie's profession, but now everybody wants a glimpse of Freddie. But Freddie doesn't dare show his face, his shadow, anything. Because Freddie Noon has gotten a taste of invisibility--and he can't quit now.
From Publishers Weekly
Yet another variation on the invisible-man notion doesn't sound like a promising prospect, but if any author can wring some fresh fun out of it, Westlake's the one. He doesn't fail. Freddie Noon is a sharp, likable burglar whose mistake is to break into the offices of two doctors doing so-called research for the Tobacco Institute. Catching him, they make him a human guinea pig for one of their formulas, and -- meet disappearing Freddie. Naturally, his life as a burglar gets much easier, but his girlfriend, Peg, isn't too comfortable with an invisible lover. In no time, Freddie is on the run: the Institute wants him for its nefarious purposes, the doctors want to study him further and a corrupt cop has his own reasons for pursuit. How Freddie and Peg run rings around the opposition, in New York and at an upstate hideaway, is the stuff of glorious Westlake comedy, in which Freddie's invisibility is merely one element in a caper full of hilarious characters, crackpot conversations and narrative sleight-of-hand. 

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"Computer models," David answered.

"Also, I'm afraid, empirically," Peter said, and looked mournful. "On the phone just now, Freddie asked me when the invisibility would fade off and he'd get to be visible again."

David made a low moaning sound. "Lunch," said the canapй waiter.

Martin got to his feet. "We have an hour and a half, at the very least, before this fellow gets here. We'll have our lunch, and then we'll decide what to do."

"I know what to do, Peter said, also standing. "Once we've got our hands on Freddie, I want to keep him. Not lose him stupidly, the way we did last time."

"And not," David added, "turn him over to those awful tobacco people."

"Nor," Peter said, "that even worse policeman."

"Oh!" David cried, at the very memory of Barney Beuler. "Certainly not!"

"We'll capture him," Robert decided. "Thirteen of us, one of him. I don't care how invisible he is, or how clever, we can surround him and capture him and tie him to a piece of furniture if we have to."

"A large piece of furniture," Peter advised.

"First," Martin said, "lunch."

The car that squealed to a stop in the middle of the road was full of drunken teenage boys. It came down Route 14 from the north, weaving back and forth in the road ahead of Freddie, polluting the air with terrible rap noises, and then it stopped so suddenly its front bumper kissed the blacktop, and five teenagers piled out of it, leaving the doors open and the rap snarling as they ran with drunken intensity straight at Freddie. That is, at the bicycle rolling along all by itself at the edge of the road.

Damn, damn, double damn. By Freddie's calculations, Quarantine Road would be just a little beyond that next curve up there; he was almost to it. But these drunken clowns were too close and coming too fast for Freddie to take any evasive action, even if he'd had a friendly cornfield beside him instead of these hilly, rocky, underbrush-clogged woods. No time to swing around and head the other way, and no profit in it, either, since they could always catch up with him in their car, and probably run him down with it, too.

Freddie jumped off the bike and gave it a shove toward the woods. It was still rolling, though with a distinct wobble, when the first of the drunken louts reached it, and launched himself through the air and tackled it, which must have hurt.

Freddie was already through them, running toward their car, the blacktop hot beneath his bare feet. The car was an old Ford LTD that had apparently been used as a stable for several years. The driver had not only left the rap crap blasting and the key in its ignition, he'd left the engine running as well, merely shifting into "park" before he'd leaped out in pursuit of the bike. Sliding behind the fuzzy-cloth-covered wheel with its eight-ball speed-turner mounted on it, feeling his body immediately stick to the vinyl fake-zebra seat cover, Freddie grabbed the eight-ball-topped gearshift with one hand while slamming the driver's door with the other, shifted into "drive," and drove.

The assembled meatheads looked up from dismembering the bicycle to see their former chariot execute a fast hard K-turn, its other doors slamming as the LTD shot forward, its wheels smoking as it reversed, and the whole car bouncing like something in a demolition derby when it slashed away, northbound.

How they yowled! Like hyenas disturbed over carrion. Freddie couldn't hear them, because he was leaving so fast and also because he couldn't figure out at first how to stop that strident yawp out of the LTD's oversize speakers. Then he was around the far curve, the throwbacks were out of sight, and he slowed down long enough to discover the racket didn't come from a radio station but a tape. He ejected the tape from the player, and then from the car.

Quarantine Road. Freddie made the turn, and on this narrow dirt road there was no other traffic at all. If he'd only made it this far on the bike, he'd have been absolutely safe.

On the other hand, this LTD was faster, if grubbier. Freddie drove along, and in no time at all he passed the archway with the double S' s. A blacktop road went in under it, but no structures could be seen from here in those woods.

Freddie kept going, and a quarter mile later he found a weedy dirt track that wandered away to the right. He drove in there, went far enough to be invisible from Quarantine Road, turned off into the scrubby woods, and kept going until the bottom was torn out by a rock. That seemed far enough.

Most people wanted to talk about the invisible man during lunch, but Martin would have none of it. "Our digestions come first," he said. "We can wait, and take our time, and have a nice lunch, and then, over coffee afterward, we can discuss exactly what to do about Peter and David's invisible man."

Of course Nurse Martin was, as usual, right. So everybody thought about the invisible man, but spoke, if they spoke at all, disjointedly about other things that didn't matter a bit.

At last lunch was finished, coffee was served, and the plates and staff were removed to the kitchen. Robert said, "Now, does anyone have anything they've been dying to say?"

A clamor of voices arose, but through them drove the Kissingeresque basso of Edmond, a corporate attorney in his other life, who said, "I would like to say a word about kidnapping."

That shut everybody up. They all stared at Edmond, a bearlike man famous in his group for having more hair on his shoulders than on his head. At last, William, an antiques dealer, said, "Edmond, this isn't kidnapping. This is an invisible man!"

Edmond spread his meaty hands. "Hath an invisible man no rights? Hath he not hands, organs, dimensions, senses, affections, passions, even if you can't see them? If you prick him, doth he not bleed?"

"Not so's you'd notice," said Peter.

Edmond said, "I just think you should consider the ramifications, from a legal point of view, before you proceed."

"Fine," David said. " Then we'll proceed."

"And it isn't kidnapping," Peter insisted. "We had an agreement with the man."

"Which he abrogated," Edmond said, "when he left your house."

"And which he reinstated," Peter said, "when he phoned me. He phoned me, Edmond, not—"

"Us," said David.

"Exactly," Peter said. "He phoned us, he asked for either of us, so he was returning to the original agreement, and in fact he said so on the phone, offered to go on with the observation pattern we'd agreed to in the first place."

"An interesting question," Edmond said. "Unlikely, I suppose, to go to court."

"Freddie is very likely to wind up in court," Peter said, "but hardly as the plaintiff."

Robert said, "I know we have an hour, or more than an hour, but let's figure out now what we're going to do when he gets here."

"How will we know when he's here?" asked Curtis, a set designer. "I mean, if we can't see him."

David said, "I suppose he must have some sort of car, to come all the way up from the city."

" That should be something to see," Daniel, an architect, said. "An empty car, speeding along the highway."

David said, "Maybe he has a friend who can drive him," and Peter said, "Or possibly he wraps his head in bandages like Claude Rains in that movie."

"That would be spooky," Curtis said.

Robert said, "All right, he gets here, we see his car or he rings the bell or whatever. Peter and David, you two discuss the situation with him, see if you can persuade him to cooperate, but if it becomes clear he isn't going to cooperate, we ought to have a plan."

Martin said, "Here's what we'll do. Peter, if you decide he's planning to give you the slip again, say, "Harvey,' as though that were somebody's name here—"

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