Clive Cussler - Poseidon's Arrow

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“Dirk Pitt is oceanography’s answer to Indiana Jones,” praises the Associated Press. “Exotic locations, ruthless villains and many narrow escapes—Cussler’s fans come for swashbuckling [and] he delivers.”
And now the Cusslers bring us Pitt’s most dangerous adventure of all...
It is the greatest advance in American defense technology in decades—an attack submarine capable of incredible underwater speeds. Nothing else in any other nation’s naval arsenal even comes close. There is only one problem: A key element of the prototype is missing—and the man who developed it is dead.
At the same time, ships have started vanishing mid-ocean, usually never to be found again, but when they are, sometimes bodies are found aboard . . . burned to a crisp.What is going on? And what does it have to do with an Italian submarine that itself disappeared in 1943, lost at sea? Or was she?
It is up to NUMA director Dirk Pitt and his team, aided by a beautiful NCIS agent and by Pitt’s children, marine engineer Dirk and oceanographer Summer, to go on a desperate international chase to find the truth, from Washington to Mexico, Idaho to Panama. What they discover at the end of it is a much, much greater threat than even they imagined.
If they don’t succeed in their mission, the world as they know it might end up a very different place—and not a pleasant one.
Filled with breathtaking suspense and extraordinary imagination, Poseidon’s Arrow is further proof that when it comes to adventure writing, nobody beats Clive Cussler.

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He held his gaze ahead as the car passed, then tracked it in his mirror. The police car rapidly made a three-point turn on the narrow street, nearly flinging a boy off a motorbike.

“I think we’ve been made,” Pitt said.

Giordino rolled down his window. “Then let’s at least get something for our trouble.”

Pitt edged closer to the truck as lights erupted behind him.

The police car tried to fight its way across the intersection, but a semitrailer truck had turned in front of it, slowly navigating through a tight turn. Pitt looked ahead, waiting for a battered Isuzu to pass in the other lane before catching a gap in the oncoming traffic. Flooring the accelerator, he surged into the other lane and pulled alongside the truck. Giordino leaned out the side window and thrust his arms into the bed, grasping for the crate.

The pickup’s driver, alerted by the police lights in his mirror, saw Giordino lunge out of the van. He immediately tapped his brakes. Giordino just managed to duck back inside his window to avoid colliding with the truck’s cab. For an instant, the two vehicles traveled alongside.

“Almost got it,” he said to Pitt. “Give me one more try.”

Giordino sat nearly face-to-face with Juan, who was desperately lowering his window.

Pitt matched the truck’s braking, then looked ahead and saw a cement mixer rambling down the road directly in front of him. “Make it quick!” Pitt stepped harder on the brakes.

The pickup accelerated, and Pitt fought to match it before facing a head-on collision.

As the van again pulled alongside the pickup’s bed, Giordino was true to his word. Hanging half out the window, he snared a handle on one end of the box. With a hard pull, he yanked the box out of the bed, letting it dangle alongside the van. “Got it!”

Pitt had no room to accelerate past the truck, so he braked hard. But the truck also slowed, keeping him hemmed in the opposite lane with the cement mixer just yards away. A narrow side street appeared on his left, and Pitt stomped on the accelerator and turned the wheel hard over.

Inside the truck, Juan finally lowered his window. He climbed halfway out and aimed a Glock 22 at the van. He fired a wild volley of shots—until the pickup driver shouted, “Look out!”

Too late, Juan turned to see the front fender of the cement mixer a heartbeat before it clipped him just beneath his collar. His clothes caught on the fender and he was plucked out of the truck. Both legs were smashed as he was ripped backward.

Swerving left, Pitt barely escaped a collision of his own. As the van screeched across the cement mixer’s path, just missing its front bumper, a spray of bullet holes opened along the side panel and up the passenger door. Only the last bullet did any damage, splintering the crate and nicking Giordino’s hand. Nerve reflex caused him to release his grip, and the crate plunged to the pavement.

Panicked, the cement mixer’s driver slammed on the brakes. Briefly clutching the fender, Juan slid off and under the left front wheel. The opposite tire found the dropped crate, and the mixer bounced over both. The massive vehicle skidded to a halt, but only after flattening the remains of Juan and the crate under its dual rear wheels.

Stunned by the sight in his rearview mirror, the pickup’s driver lost rein of his own vehicle. He drifted right and barreled into a Chevy Cobalt parked at the curb. The four-door pickup rode up onto the little car’s trunk before grinding to a halt. A bang filled the air as the pickup’s front tire cut into the car’s shredded body and burst.

Across the street, the utility van went from careening past the cement mixer to nearly rear-ending an SUV. The side street was clogged with traffic, and Pitt locked the brakes to slide to a halt. Crowds of people filled the sidewalks and street, blocking the traffic ahead. Pitt noticed flashing lights reflecting off the storefront windows; the police car was approaching the scene.

“I think,” Pitt said, “this would be a good time to kiss our utility van good-bye.”

Giordino shook his head. “And I was just getting rather attached to her.” He found a roll of electrical tape and began wrapping his bleeding hand.

“You okay?” Pitt asked, just realizing his friend had been injured.

“I may have to give up two-fisted drinking for a spell, but I’ll live.”

They jumped out of the van and blended into the crowd that began to surround the cement mixer. Ignoring Juan’s flattened body, they moved to examine the smashed box.

There was little to see. A mangled assortment of wires, circuit boards, and metal casings were spread under the truck like a disemboweled robot. Whatever the box had contained, it was well beyond any attempt to resurrect.

They slid away from the mixer as two police officers approached with their sidearms drawn. Pitt and Giordino worked their way toward the pickup truck, using the mass of onlookers to avoid detection. The crowds were thicker on the sidewalk, so they joined the throng moving alongside the mangled sedan and truck. With a sense of dread, Pitt stepped forward and peered inside the pickup.

Both right doors were flung open, but Ann and the other occupants were nowhere to be seen.

19 PABLO HAD WATCHED THE DESTRUCTION OF THE crate with disbelief The death of - фото 31

19

PABLO HAD WATCHED THE DESTRUCTION OF THE crate with disbelief. The death of his fellow gunman registered as little more than a nuisance, but losing the box made his face turn crimson. He vented his rage on Ann.

“What do you know of the device?” He jabbed his pistol against her.

Ann gritted her teeth and said nothing.

“Pablo . . . the police are approaching.” The driver’s face was pale, and his fingers shook atop the steering wheel.

Pablo glared at Ann. “You will talk later. Do as I say or I will kill you here. Now, get out of the car.”

Ann followed him out the passenger-side door as the driver grabbed a light jacket and draped it over her bound hands. She glanced back toward the utility van but failed to see Pitt or Giordino. She had been as shocked as Pablo to see them appear alongside the truck, and she wondered how they had been able to track her.

As they stepped onto the sidewalk, a young man in a black silk shirt accosted the driver.

“That’s my car,” he said, pointing to the smashed Chevy. “Look what you did.”

Pablo stepped over to him and discretely mashed his pistol into the man’s stomach. “Be quiet or die,” he said in a low voice.

The man stumbled backward, nodding profusely. His eyes wide, he turned and fled down the street.

Pablo stepped back and grabbed Ann by the arm, then glanced over his shoulder. He saw the police officers exit their car, and then he studied the crowd. He quickly spotted two Americans in work clothes looking under the cement mixer’s right rear wheels. He had recognized them when their van had pulled alongside as the men who piloted the Drake ’s submersible.

He turned and nudged Ann forward. “Move.”

“What about Juan?” The driver gazed toward the cement mixer with a look of shock.

Pablo said nothing, ignoring the body of his dead partner as he guided Ann into the center of the busy sidewalk.

Arriving at the pickup a minute later, Pitt and Giordino scanned the crowds for Ann. A small girl sat on the curb, selling fresh-cut flowers out of a cardboard box. She caught Pitt’s eye and held out a clump of daisies. Pitt paid for the flowers, then handed them back to the girl with a smile. Blushing, she sniffed the daisies, then raised a hand and pointed down the street.

Pitt winked at the girl and took off in the same direction. “This way, Al.”

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