Hampton Sides - Hellhound on His Trail - The Stalking of Martin Luther King, Jr. And the International Hunt for His Assassin

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NATIONAL BESTSELLER
,
,
,
,
,
Edgar Award Nominee
One of the Best Books of the Year:
From the acclaimed bestselling author of
and
, a taut, intense narrative about the assassination of Martin Luther King, Jr., and the largest manhunt in American history. On April 23, 1967, Prisoner #416J, an inmate at the notorious Missouri State Penitentiary, escaped in a breadbox. Fashioning himself Eric Galt, this nondescript thief and con man—whose real name was James Earl Ray—drifted through the South, into Mexico, and then Los Angeles, where he was galvanized by George Wallace’s racist presidential campaign. On February 1, 1968, two Memphis garbage men were crushed to death in their hydraulic truck, provoking the exclusively African American workforce to go on strike. Hoping to resuscitate his faltering crusade, King joined the sanitation workers’ cause, but their march down Beale Street, the historic avenue of the blues, turned violent. Humiliated, King fatefully vowed to return to Memphis in April. With relentless storytelling drive, Sides follows Galt and King as they crisscross the country, one stalking the other, until the crushing moment at the Lorraine Motel when the drifter catches up with his prey. Against the backdrop of the resulting nationwide riots and the pathos of King’s funeral, Sides gives us a riveting cross-cut narrative of the assassin’s flight and the sixty-five-day search that led investigators to Canada, Portugal, and England—a massive manhunt ironically led by Hoover’s FBI. Magnificent in scope, drawing on a wealth of previously unpublished material, this nonfiction thriller illuminates one of the darkest hours in American life—an example of how history is so often a matter of the petty bringing down the great. Amazon.com Review Amazon Best Books of the Month, April 2010
Hellhound on His Trail
Hellhound on His Trail
--Lynette Mong David Grann Reviews *Hellhound on His Trail
David Grann is most recently the author of
as well as the #1
bestseller
. Read his review of
:
Hampton Sides has long been one of the great narrative nonfiction writers of our time, excavating essential pieces of American history--from the daring rescue of POWs during World War II to the settling of the West--and bringing them vividly to life. Now in his new book,
, he applies his enormous gifts to one of the most important and heart-wrenching chapters in U.S. history: the stalking and assassination of Martin Luther King, Jr., by James Earl Ray. The book chronicles the terrifying collision of these two figures. In 1967, King was struggling to complete his monumental Civil Rights crusade and to maintain, amid the rise of more militant factions, the movement’s nonviolent nobility. While King increasingly intuits his own death, Ray has begun to track him down. Through Sides’ prodigious research, Ray emerges as one of the eeriest characters, a prison escapee and racist who wears alligator shoes and is constantly transforming himself, changing names and physical appearances. He is determined to become somebody, to insert himself into the national consciousness, through a single unthinkable act of violence. Sides illuminates not only the forces that culminated in King’s assassination; he also reveals the largely forgotten story of how his death led to the largest manhunt in American history. Almost unfathomably, it is J. Edgar Hoover, the person who had long hoped for King’s destruction and had even spied on him, who ultimately brings King’s killer to justice. Hellhound on His Trail

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Burrhead--that was one of his many names 62for King, the man on whom he had fixed a nearly pathological hatred ever since the civil rights leader first emerged on the national scene in 1955. Hoover's FBI had been waging a protracted yet so far unsuccessful campaign designed (as various FBI memos colorfully put it) to "see this scoundrel exposed," to "take him off his pedestal," and to "neutralize him" as a force in American life. In a private communication earlier in 1967, Hoover told President Johnson: "Based on King's recent activities 63and public utterances, it is clear that he is an instrument in the hands of subversive forces seeking to undermine our nation."

Although J. Edgar Hoover was still utterly in control of the FBI, he was in his waning years, a liver-spotted and somewhat fusty caricature of himself. He had developed a paunch, his eyes were baggy, and his chin had become an odd-looking knob of ruddy flesh. He suffered from hypertension and other ailments. He still dressed as dandily as ever, in sharp pin-striped suits with color-coordinated handkerchiefs and ties, but he had lost some of his boldness of step. He had developed weird phobias 64about germs, about flies, about the slightest breach in the yolk of his morning poached egg. His speech seemed curiously dated now; he peppered his tirades with Depression-era phrases that gave some of his younger agents pause, phrases like "criminal scum" and "moral rats" and "alien filth." He was fond of saying that his enemies were afflicted with "mental halitosis." 65

By the late 1960s, Hoover was a living anachronism, dwelling in a rigid world of his own making. Art Buchwald joked that he was "a mythical person 66first thought up by the Reader's Digest." As always, Hoover wielded his blue pen with grumpy exactitude. As always, he composed his Rabble-Rouser Index and other lists of dangerous radicals, real or imagined. He still took his regular "non-vacations" (the press was told that even when he was away from Washington, the director never stopped working) to shuffleboard palaces in Miami Beach or to hotels of faded glory near the horse tracks at Del Mar or Saratoga Springs, where he always booked adjoining suites with his lifelong friend and second-in-command, Clyde Tolson. Hoover's confirmed bachelorhood, combined with his curiously matrimonial relationship with Tolson, had led to widespread speculation. And to endless jokes, like this one from Truman Capote: "Are you familiar 67with the term 'killer fruit'? It's a certain kind of queer who has Freon refrigerating his bloodstream. Like Hadrian, or J. Edgar Hoover."

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HOOVER'S FBI HAD become a curiously self-reinforcing enterprise. The six thousand agents spread across the country were expected to ape the director's views, mimic his style, and anticipate his needs. "You must understand," 68one special agent in charge wrote to a colleague, "that you're working for a crazy maniac and that our duty is to find out what he wants and to create the world that he believes in." Once, when Hoover broke out his blue pen and scrawled angrily over a memo, "Watch the borders," 69agents scurried to the Mexican and Canadian borders to ascertain what Hoover meant--only to learn that the boss was merely concerned with the width of that particular memo's margins.

Hoover's FBI office was a reliquary of former times. There was John Dillinger's death mask on the wall. There was the cozy arrangement of feminine-looking overstuffed chairs, the dainty teacups and other pieces of china handed down from his dear departed mother, his trophy sailfish displayed over the door. There was his steadfast secretary, Helen Gandy, 70working away in the adjoining room. She took his calls, paid his bills, checked in his laundry, arranged for the gardener to visit his house, and handled every imaginable piece of minutiae, just as she had done for forty-nine uninterrupted years.

If Hoover was a throwback, he still had a powerful political currency--and a job security perhaps unmatched in Washington. He had become director of what was then the Bureau of Investigation in 1924, when he was twenty-nine years old. As the FBI's first and only director, he sat at the center of a world he had practically invented. The nomenclature, the clerical voice, the dress code, the penchant for acronyms and quasi-military structures--it was all his. At every inauguration since that of Calvin Coolidge, Hoover had been there, unbudging and apparently unfireable. He was a man who possessed a "terrible patience," it was said. The veteran Washington hand Hugh Sidey, writing in Life , noted the countless times he'd attended inaugural parades or funeral corteges or moments of national celebration, only to look up and see Hoover standing on his office balcony, "high and distant and quiet, 71watching with his misty kingdom behind him, going on from President to President, and decade to decade."

Through all those years, Hoover brought an air of professionalism and scientific rigor to police work. He had overseen the adoption of every imaginable advance in the craft of criminology--from centralized fingerprinting and a state-of-the-art ballistics-firing facility to a systematized method of bureau reporting and note taking. The FBI Crime Lab, the Public Enemies list, America's Most Wanted, the widespread use of fiber and handwriting analysis--all of it came about during Hoover's long tenure. With good reason, the journalist Jack Anderson wrote that Hoover had "transformed the FBI 72from a collection of hacks, misfits, and courthouse hangers-on into one of the world's most effective and formidable law enforcement organizations."

Late in the second decade of the twentieth century, the young Hoover had made himself Washington's first expert on the perils of anarchism and Communism, and since then every subversive, or alleged subversive, had passed within his sights. He'd led the notorious Palmer Raids on suspected radicals. He'd hounded Marcus Garvey. He'd arrested and deported Emma Goldman. During the Depression, the bureau became virtually synonymous with solving high-profile crimes. Hoover's agents had caught Machine Gun Kelly, had caught and killed John Dillinger, had caught the Lindbergh baby murder suspect, Bruno Hauptmann. In the Cold War, G-men had helped snag Alger Hiss and Ethel and Julius Rosenberg.

Over the years Hoover had developed files on countless public figures, collecting every morsel of compromising gossip and lore. Frank Sinatra, Harry Truman, Eleanor Roosevelt, Charles Lindbergh, Helen Keller--Hoover, it seemed, had kept his eyes on everyone. John F. Kennedy had tried to get rid of Hoover but feared, with good reason, that the resourceful director had too much dirt on him. The president's brother Robert, who as attorney general had nominally been Hoover's boss, called the director "dangerous and rather a psycho 73... I think he's senile and rather frightening."

After JFK was assassinated, Lyndon Johnson also briefly considered letting Hoover go, but then saw the light, reportedly saying: "I'd rather have him 74inside the tent pissing out than outside pissing in." On January 1, 1965, when Hoover reached the mandatory retirement age of seventy, Johnson waived the requirement and kept him on as director indefinitely. "J. Edgar Hoover," the president declared in a ceremony, "is a hero 75to millions of decent citizens, and an anathema to evil men. Under his guiding hand, the FBI has become the greatest investigative body in history."

Hoover, Johnson later rhapsodized, "is a pillar of strength 76in a city of weak men."

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HOOVER HAD BEEN obsessed with Martin Luther King Jr. for at least a decade. Throughout most of the 1960s, Hoover had been carrying on a semipublic feud with King and the SCLC. The FBI director openly called King "the most notorious liar 77in the country." When Time proclaimed King its "Man of the Year" of 1963, Hoover indignantly scrawled on a memo, "They had to dig deep 78in the garbage to come up with that one." In 1964, after the news broke that King had been awarded the Nobel Peace Prize--the youngest recipient in history--Hoover groused that the only award King deserved was the "top alley cat 79prize." When King visited with Pope Paul VI at Vatican City, Hoover was beside himself. "I am amazed," 80he scribbled over a news clip, "that the Pope gave an audience to such a degenerate."

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