Peter Lovesey - Abracadaver

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“Here’s another of those delightful Victorian mysteries, featuring Sergeant Cribb and Constable Thackeray of the Yard. This one deals with peculiar accidents in various music halls, mishaps of a kind that would ruin a performer’s career; and then there’s murder. . . . Fine picture of period vice, good mystery plotting, and fun.”— A sadistic practical joker is haunting the popular music halls of London, interfering with the actors and interrupting their acts by orchestrating humiliating disasters that take place in view of the audience. A trapeze artist misses her timing when the trapeze ropes are shortened. A comedian who invites the audience to sing along with him finds the words of his song “shamefully” altered. Mustard has been applied to a sword swallower’s blade. A singer’s costume has been rigged. The girl in a magician’s box is trapped. Then the mischief escalates to murder. Or was murder intended all along? That indomitable detective team, Sergeant Cribb and Constable Thackeray of Scotland Yard, must track down the elusive criminal.
Peter Lovesey

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With the last remark fresh in his mind, Thackeray supported the strong man as he descended. Cribb paid the cabman and tossed a halfpenny to the nearest urchin.

‘Can you climb the stairs with your arm over Thackeray’s shoulder or would you like him to carry you pick-a-back style?’ asked the sergeant when they were inside, ready, as always, to volunteer his constable’s services. Albert accepted the first suggestion. Thackeray was no small man himself, and the addition of Albert’s considerable breadth as he supported him made for a laborious ascent up the narrow, uncarpeted staircase. Cribb followed, straightening the pictures knocked aslant by his assistant’s shoulder. On the landing Albert pushed open the first door.

‘Matches?’ asked Cribb.

‘On the tallboy to your right.’

The gaslight revealed a room of modest size, dominated by a suite of grotesque lacquered bedroom furniture, obviously designed half a century earlier for a room three times as large. How it had got up the stairs was a mystery.

Thackeray guided Albert towards the bed, thankfully deposited him there and began brushing the mildew from his cape at the points where it had touched the wall on the way up. ‘You’re a good weight, sir,’ he said breathlessly. ‘You haven’t got a dumb-bell in your pocket, have you?’

Albert grinned. ‘I’m wondering whether my landlady saw anything. She’ll be suspicious, I can tell you. She’s very particular on temperance.’

‘Don’t worry about that,’ Cribb grandly assured him. ‘I’ll tell her who we are.’

‘I’d rather you didn’t, Sergeant. Coming home with two policemen is even more certain to get me a week’s notice than an evening at the pub.’

Thackeray concealed his smile from Cribb by finding a sudden interest in a Landseer canine study on the wall behind him. Albert identified it. ‘-“Dignity and Impudence.” The landlady’s as partial to dogs as my mother, but only in the pictorial form. You can turn it over.’

Thackeray did so. The hooks supporting the frame were screwed into the top so that it was reversible. Pasted on the back was a photo-engraving of a young woman with a narrow length of muslin over one shoulder, standing beside a Greek column.

‘Now I’m at home, you see,’ said Albert with a laugh. ‘That’s my single contribution to the decorations. Sit down, gentlemen, if you can find a chair. You won’t object to my reclining on the bed, I trust.’

Thackeray settled into a wicker chair by the window and regarded Albert’s impressive physique, now constricted by the inadequate brass bedstead. This strong man was a queer sort of cove, with his public school accent and his waxed moustache. How did a man of that class fit into a shabby lodging-house like this, pasting doubtful figure-studies on the backs of Landseers and living in fear of a Lambeth landlady?

‘We won’t detain you long,’ said Cribb, ‘but I’ll thank you for a few moments of your time. You probably gathered from the conversation at the Grampian that your injury tonight was one of a series in recent weeks suffered by music hall artistes. I want to discover if yours has anything in common with the others. You’ll forgive me, I hope, if I put some questions to you that may seem unduly personal.’

‘You can ask whatever you like,’ said Albert.

‘I’m obliged to you.’ The sergeant moved an upright chair to the bedside, its back facing the bed. Then he swung his leg across it to sit astride, with arms folded along the back, and chin resting on them a yard from Albert’s face. ‘Now it’s crystal-clear, ain’t it, that someone went to a deal of trouble to arrange what happened on the stage tonight? Stray bulldogs aren’t six a penny on the streets of London, as any bobby who’s done dog-pound duty will tell you. Nor is it easy to exchange two dogs in the wings of a music hall when the show’s in progress. Ah, I know all about your traditions of practical joking—silk hats coated with soot, and the like—but this was in a different class, wasn’t it? Whoever arranged it knew very well that he was putting you out of work for a week or more.’

Albert shook his head. ‘Longer than that, I fear. Who is going to hire me in a London music hall as a serious artiste after tonight’s absurd exhibition? You’ll see a report of the incident in next week’s Era and that’ll be the last notice I get as a strong man.’

Cribb nodded gravely. ‘Who would have done such a thing, then—another strong man, perhaps?’

‘Absolutely not. There aren’t more than two dozen of us who lift weights professionally in London, and there are over a hundred halls, you know. We’re not in competition with each other.’

‘You don’t have any enemies among the other acts at the Grampian?’

‘Not really, Sergeant. People don’t stay long enough to become jealous of each other. You might get a booking for three weeks and then you move on—unless you’re Champagne Charlie or The Vital Spark and you’re hired for a three-month engagement.’

‘Let’s look outside the music halls then,’ said Cribb. ‘Who do you meet in your spare time? Is there some acquaintance who might have turned sour on you?’

Albert laughed. ‘Spare time? But there isn’t any! From Monday morning’s band-call to Sunday night’s training with the bells my life is wholly given over to the music hall. Why, even my mother and my donah are part of it.’

‘Miss Blake?’

‘Ellen. She’s a real beauty, you must admit. When her singing is in the same class as her face and figure she’ll be the rage of the halls.’

‘I don’t doubt it.’ Miss Blake’s voice required a miracle, but Cribb spoke with conviction. ‘She has other admirers, I expect.’

‘Scores, I’m sure. Every night there are bunches of flowers and chocolate boxes delivered to her dressing-room.’ Albert seemed naively proud of it.

‘Then you have rivals.’

‘Ah, but she gives them no encouragement. She doesn’t even eat the chocolates. The other girls share them out after Ellen has gone home. She is entirely loyal to me, Sergeant . . . Yes, smile to yourself if you like, but I know Ellen. She is singularly strong-willed. I shouldn’t want to be the masher who tried forcing his attentions on her.’

‘Perhaps just such a gent arranged your downfall tonight,’ suggested Cribb.

‘I’m doubtful of that. Whoever took Beaconsfield out of his basket knows a rare amount about my act. Anyone knowing so much must also know that making overtures to Ellen is a waste of time.’

Cribb paused in his questioning, scratching speculatively at his side-whiskers. Thackeray, who disliked silences, lowered his eyes and slowly rotated the brim of the silk hat in his lap. He had a strong intuition that Cribb was about to move into a sensitive area of questioning.

‘Then we seem to have eliminated everyone but your mother, Albert. I can’t believe she would play a trick like this.’

There was a guffaw from the bed. ‘Mama? There’s not much she hasn’t stooped to in her time, Sergeant, believe me! But I can’t think why she would want to ruin the act. Besides, she wouldn’t do anything to upset Beaconsfield. She dotes on that animal.’

‘Has she always been a part of your act? I wouldn’t think her contribution is indispensable.’

Albert laughed again. ‘She’s left four or five times to get her hooks into some unfortunate fellow with tin to spare, but she always comes back. I’m too soft-hearted to turn her away. It’s the blood-tie, I suppose. She was once quite a celebrated figure in the halls—you won’t believe this—as a coryphee in the ballet. That was how Papa met her. He was the chairman at Moy’s Music Hall in Pimlico, right back in the fifties before it became the Royal Standard. He gave dramatic monologues on occasions, too. Oh, the hours he devoted to teaching me the vowel sounds—perhaps he knew I might need to follow in his footsteps some day. Well, about fifteen years ago he told Mama she ought to give up her dancing because she was already overweight and past forty. She took offence, there was a terrible argument, Papa walked out of our lives and Mama bought Beaconsfield. Oddly enough, she gave up ballet and took to singing, with me in a sailor-suit and Beaconsfield walking on to distract the audience a bit. She isn’t a bad singer, you know. I tried to persuade her to pass on some hints to Ellen, but she wouldn’t. Unless you’ve got bow legs and a wet, black nose, Mama isn’t interested in the way you do anything.’

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