Bentley Little - The House

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The House: краткое содержание, описание и аннотация

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Five complete strangers from across America are about to come together and open the door to a place of evil that they all call home. Inexplicably, four men and one woman are having heart-stopping nightmares revolving around the dark and forbidding houses where each of them were born. When recent terrifying events occur, they are each drawn to their identical childhood homes, only to confront a sinister supernatural presence which has pursued them all their lives, and is now closer than ever to capturing their souls....
Amazon.com Review
If you haven't had the pleasure of meeting Mr. Bentley Little, then 
 will give you the perfect opportunity to get to know this fine sorcerer of horror. Haunted houses are an endless source of fascination for writers of the macabre--Shirley Jackson's 
 and Henry James's classic 
 are excellent examples. But Bentley Little still manages to add something new to this well-trodden territory--and 
 will scare your socks off.
Five strangers simultaneously experience terrifying nightmares and strange hallucinations. These unnerving events reacquaint each of the individuals with a childhood they would rather forget and memories long repressed. It soon becomes apparent that each of these four men and one woman once lived in identical houses--right down to the arrangement of the furniture. Each character must return to that childhood home to confront the demons of the past and liberate their souls from the shackles of despair. Reading this battle of good versus evil is a nail-biting experience. For more of the same by this author, try 
 and 

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On the bench swing opposite his chair, his parents sat, heads together, rocking slowly back and forth. On the top porch step, to his right, sat Kristen.

The family was all together.

Unresolved issues.

He squinted through the darkness at his sister, but though the only illumination came from the pale square of sitting-room light shining from a window some ten feet down the porch, he could still see Kristen clearly, and he understood that this was her as a child, this was the Kristen he had known, not the Kristen he had only recently met.

She said something, obviously a reply to a question someone else had asked, and he realized that they were in the middle of a conversation, one of those slow languorous summer-night conversations where thoughts were mulled over before spoken and long lapses between question and answer were the rule rather than the exception. They'd had these conversations often when he was little, and it was when he had felt closest to his parents. This was the time after the day's chores and rituals had been completed, when there was nothing that had to be done and the requirements of the day were finished until tomorrow, and it was the only time when his parents seemed truly relaxed, not overworked or overburdened or under stress.

It was the only time that they weren't working for the House, the only time they'd been allowed to be themselves.

He hadn't known that then, but perhaps he'd sensed it. These porch sessions had been almost sacrosanct to him, set off in his mind from the daylight life of his family, from their life inside the House, and it was why he was now so reluctant to bring up Billings and the girl and everything else. He knew he had to talk to his parents about it, but he did not want to shatter the mood, and he decided to wait until he could naturally broach the subject within the context of the conversation.

The night air was cool, the day's heat dissipated, and above the ever-present odor of the chickens, he could smell mesquite and a whole host of night-blooming desert flowers.

He listened to his mom, listened to his dad, listened to Kristen, and it was so nice to be here with them again, alone with them. His parents told stories of the past, laid out plans for the future, and they were still talking when he drifted off to sleep.

When he awoke, it was morning.

He'd been left where he'd fallen asleep, in the chair, but someone had given him a blanket and he was wrapped up in it, curled like a shrimp. The sun was high in the sky, and he heard the sound of his father's truck clattering up the drive, so it was obviously past breakfast time, and he wondered why he hadn't been awakened and forced to eat his meal in the proper manner at the proper hour.

They'd never gotten around to discussing the girl.

They hadn't discussed Billings or the House, either. He roused himself, pushed off the blanket, stretched out, and stood up. His muscles were sore, and there was a hard crick in his neck. Yawning tiredly, he walked over to the front door and walked inside. He expected to smell breakfast, or at least the remnants of breakfast, but even as he walked through the dining room into the kitchen, there were no odors of food. The dishes in the sink were all from last night.

"Mom!" he called. "Kristen!"

"Mom went to town for groceries."

His sister was standing in the doorway, staring at him, and he had a quick flash ofdeja vu. He'd been here before, standing in this exact same spot, with Kristen standing in the exact same spot and saying exactly the same thing. He wondered if this whole experience at the House had been cobbled from preexisting events, edited together like a videotape or a CD-ROM game.

No. Kristen walked into the kitchen, took a sack of bread out of the refrigerator, and popped two slices into the toaster. He knew nothing like that had ever happened at their House; snacks had never been allowed and meals had always been eaten together.

This was really happening.

"Dad's outside," Kristen said. "I think he's unloading the feed. He probably wants you to help him."

Mark nodded dumbly, then walked outside, pushing open the kitchen door and stepping onto the side porch.

He thought of grabbing a bite to eat, but he really wasn't hungry. He'd eaten breakfast with Daniel and Laurie and Norton and Stormy, then found himself on the porch at night after the Houses split, and slept for a while, so even though it was morning here, it felt like lunchtime to his body. And he usually skipped lunch.

He stepped off the porch, walked across the dirt and around back. The already hot air was heavy with the muted sound of thousands of chickens, clucking and movingrustlingly in their cages. The four chicken coops, long low buildings of tin roofs and unpainted slat walls, stretched away from the House on a slight grade.

His father's pickup was parked next to the second coop, on this side of the metal silo, and Mark walked over, the gradual slope causing him to unintentionally increase the speed of his step.

He saw the retarded girl in the doorway of the chicken coop behind his father.

The old man was unloading pallets of feed, lifting them off the pickup and piling them on the ground next to the sagging slatted building. She would hide whenever he faced in her direction, retreating into the coop, but the second he turned his back on her, she would jump into the doorway and pull up her shift, exposing herself and thrusting her thin dirty hips out suggestively.

It was the first time Mark had seen her since he'd come back, and he felt the same rush of cold fear he'd experienced before. This was outside, in the sunlight and open air, with his father hard at work between them, but he felt the same way he had years ago, alone in the dark hallway.

Scared.

His father put down a pallet, reached into his back pocket, and grabbed a handkerchief to wipe the sweat from his forehead. He noticed Mark standing there and motioned him over. "I was wondering when you were going to wake up. Why don't you give me a hand here.

My back's killing me."

Mark nodded, moved forward. His attention was still on the girl in the doorway.

Your father does it.

He looked away from her, and tried to concentrate on the task at hand, he and his father each taking one end of the remaining pallets and stacking them on the ground, but he kept seeing her out of the corner of his eye, kept seeing her dirty shift flip up, and he wondered if the old man saw it too and was just pretending not to.

He makes it hurt.

Finally, they finished. His father wiped the sweat from his forehead once again. "I'm going into town to pick up another load and get your mother. Don't wander too far. I'm going to need your help when I get back."

Mark nodded as his father opened the driver's door of the pickup and climbed in. The engine rattled to life, and Mark stood there as the truck bounced up the slight slope to the drive.

He turned back toward the chicken coop.

The girl was still in the doorway, but now she was unmoving, staring at him. "Mark," she said, and he remembered that voice, remembered the way she'd said his name, and a chill surfed down his spine.

She moved slowly forward, away from the coop, toward him, and he took an involuntary step backward.

She stopped. And then she was on the dirt, on her hands and knees, shift flipped up, and just as before, she looked slyly over her shoulder. "I still like it best up the ass."

He had no desire to copulate with her in any shape, form, or manner, but he was seriously tempted to kick her as hard as he could. The thought of his boot connecting with her midsection, knocking her over, knocking that smile off her face, hurting her, making her pay for what she'd done, tempted him sorely, but he knew it would not really accomplish anything. She would not really be hurt--whatever she was--and he would only be snowing his hand, revealing his true emotions.

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