Mark Chadbourn - The Silver Skull

As he neared the Fairy House, he leapt onto the roof of one of the lands and felt it shift beneath his feet. The highest story had been attached only recently, with nailed boards and beams but no proper joints as far as Will could tell. It felt as insubstantial as a pile of randomly heaped firewood, swaying whenever he shifted his weight, held up by luck and hope more than anything. Dropping to all fours, he edged along the top until he could move to the adjoining roof.

Finally he landed with barely a whisper of a footfall on the roof of the Fairy House, a five-story residence that had long since seen better days. Missing and broken tiles peppered the roof, and tufts of grass and elder sprouted from where birds had dropped seeds.

Flattening himself out, he moved down the pitch of the roof to the edge where he could peer over to the cobbles far below. A black carriage drawn by a sable stallion waited outside the front door of the house. There was no sign of any driver. All of the house windows were dark, and no sound issued from within.

Crawling back up the pitch to the roof's ridge, Will inspected the chimney stack, which was cold. As he'd guessed, the hole was wide enough to admit him, though a tight squeeze. The biggest danger was that he would climb down into the maze of flues and become trapped, especially in a chimney that had not been kept in good repair.

Steadying himself on top of the stack, he lowered himself into the hole, feeling for footholds in the crumbling brick. Amid the suffocating stink of soot, his clothes and skin were soon black. Unable to see anything in the dark, his senses focused on the tips of his fingers searching for cracks in the brick and the ache in his leg muscles as he braced himself against the sides of the chimney to stop him falling.

As he made his way down, intermittent noises floated up from the lower floors: garbled voices speaking no tongue he recognised, their emotions seesawing in an extreme and disturbing manner, from barks of anger to frightened mewling to shrieks of insane laughter and mocking whispers; a sound like a blacksmith's hammers on an anvil, which came and went, echoing dimly then resounding near at hand; a dog growling that sounded disturbingly close, on the other side of the brick; and then music, pipes and a fiddle, eerie and haunting, fading in and out.

Feeling with his feet, Will came to a junction in the flue and decided to take the right-hand path. After a few feet, it turned so sharply he had to force himself around the bend a fraction of an inch at a time, leading with his sword which he had to flex and maneuver through the gap. His muscles were compressed so hard they ached, and his chest constricted so tightly that he could barely catch a breath.

Halfway around the turn, he became afraid he was jammed, unable to go forwards or backwards. He rested for a moment, fighting to breathe, and then relaxed his muscles just enough to edge on.

Finally, he rounded the turn, but he'd barely lowered himself another six feet when he realised the flue was blocked. Some of the stones had collapsed in on another turn-he could feel them grinding beneath his feet-but however hard he pressed, the obstruction would not shift.

There was no way to go but back. Steeling himself, he dug his fingers in the cracks between the stones and hauled himself up. Sweating, choking, every muscle burning, he came back to the turn. It was even harder going up, and it took him the better part of half an hour to maneuver himself around it in tiny increments, dragging with his fingertips and pushing with the tips of his boots. Again he got stuck halfway around, and this time it took so long to relax his muscles, he became concerned he would suffocate before he could move.

Once he'd pulled himself up to the junction and rested his head for a moment, breathing deeply, he realised there was a current of air rising through the other flue. It gave him heart, and once again he began his slow descent.

He'd passed the worst of it, and now there were regular junctions that led down to the large stone fireplaces in every room. But though the distant sounds continued to rise through the flues, there never appeared to be any noise coming from any room he passed.

When Will estimated he'd reached the second floor, he slid down towards a fireplace, bracing himself just above the hearth to listen. When he was sure the chamber was empty, he dropped into the hearth in a cloud of soot. The room was bare apart from a cracked mirror above the mantelpiece which revealed a white-eyed black figure. Moving swiftly across the dirty floorboards to stand by the door, he waited for any who might have heard his arrival.

The house was silent. What had happened to all the noises he had heard in the chimney? he wondered. Opening the door a crack, he peered out into the corridor where a candle flickered in a holder on a small table.

Not so empty, then, he thought.

He moved quickly along the corridor, checking the rooms on either side. All were bare. Outside the last room, the boards creaked loudly, and there was a corresponding growl from the first floor, followed by heavy paws padding onto the stairs. Lightly, Will bolted up to the next floor.

Flickering light on one wall brought him to a halt just near the turn. Peering round, he saw a figure-male, although the brown hair was longmoving away from him slowly, holding a candle aloft. Below, the sound of padding paws continued up to the second floor, accompanied by another deep, penetrating growl.

Caught between the two, Will weighed his choices. Just as he had decided to draw his sword, a door at the far end of the corridor opened and light flooded out. The figure paused and communicated in a low whisper with someone within before entering the room. The door closed behind him and the light winked out.

Instantly, Will darted to the nearest door, listening briefly before opening it slowly. The room was in darkness. He slipped inside.

Closing the door, he pressed his ear against it and waited. The padding reached the top of the flight of stairs and then moved towards him. It paused outside the door and growled again, disturbingly loud in the quiet. Will held his nerve. After a second, he heard the dog move on, and listened intently until silence returned.

Will wondered if it was the same dog that had accompanied the Hunter in Alsatia. That would mean the Hunter was probably there too, he thought coldly, and perhaps even the Silver Skull.

"Who are you?"

He started at the voice, soft and dreamy with the burr of a Scottish Lowlands accent. In the dark of the room, a man sat on a chair looking out of the window, his back to Will.

Drawing his sword in an instant, Will waited for the alarm to be raised, but the man did not move. After a second, Will cautiously approached. As the moonlight broke through the window, Will saw it was a man, not one of the Enemy. He was in his forties, grey streaks in his black hair, and grey eyes that had the faraway look of a sleepwalker.

"Who are you?" Will asked.

"John Kintour," he replied. "Advisor to my queen, Mary."

"Mary is dead."

"No ... no ... I saw her this morn. So beautiful. The sun made her hair glow like fire." His voice was as insubstantial as the moonbeam breaking through the window.

Will passed his hand in front of Kintour's face, but he did not blink. "How long have you been here?"

"A day? A week? A month? A year?" He paused thoughtfully, then said, "They gave me food and drink. The most wonderful food ... The taste ... I had never experienced anything like it."

Will realised what had happened. One of the first rules during his induction as one of Walsingham's men was that he should never eat or drink anything offered by the Enemy, for it would allow them to take complete control of you. Normally it was how they lured their prey for their sport, usually simple country folk drawn to hear the music on the hilltops or in the fields at night. Kintour was clearly not being kept a prisoner in the house for sport.