Edward Lee - The Black Train

“Oh, my God, please, Mr. Morris, I’m beggin’ you not to—”

He sticks the needle directly into the tweezed tip of your nipple, and the sound that comes out of your throat is like an animal’s shriek. Your body bucks beneath his weight as you watch the entire two-inch-plus needle disappear into your breast.

The shriek reels out of your throat like ribbon. “What?” he asks. “Does that hurt? Awwwwwwwww…I’m sorry.”

He removes the needle, and your body goes limp.

“See, some gals like a little spark…but I guess you ain’t one of ’em.”

You’re breathing so fast you can barely understand him. His face looks blurred through your tears.

“Guess I’ll be on my way. I done told ya. Got a chore or two up the house…”

Please, leave! Please, please, please!

But if he’s leaving…why does he still have the end of your nipple pinched between his fingers?

One last grin and he says, “Honey, aren’t ya glad ya asked me to stay?” And then he puts the lit end of the cigar to your nipple and begins to puff.

You drown in the instantaneous wave of pain, and then your mind turns black.

The room is darker when you wake up. Your left nipple burns in a slow, thudding pain. It doesn’t take you long to remember what happened.

“At least he’s gone,” you whisper in relief.

The end of your nipple is inflamed beneath a scab. You carefully re-cover your breasts and collect yourself, then crawl around the couch to where he’d dropped your ten-dollar gold piece.

It’s not there now.

You bolt out of the room. You haven’t felt this enraged since the time the German man sold your baby. When you storm into the parlor, Bella looks up surprised from a plate of chocolates.

“Why…Harriet! What—”

“That shitty man burned my nipple and stole my money!” you wail. “Do you have a gun I can borrow?”

“Calm down, dear! My, oh my, you ain’t gonna be shootin’ no one. Now just you sit down and—”

“No! I’m gettin’ my money!”

“Harriet? Honey? Listen now. You just have to accept that these things happen to a gal in this line sometimes. Sometimes we get took advantage of—”

“I earned that money and I’m going to get it!” you bark.

“Settle down! You just leave that Mr. Morris alone, girl! He’s crazy! Lotta them rail men are awful rough with the girls, but he’s the worst. He’ll kill ya—”

“He can try!” you scream and tromp out of the house.

Bella calls after you but you don’t listen. You’re running up the hill…

To the Gast House.

Your rage sends you running up but then you begin to slow down and eventually stop, because that’s when you notice the man hanging by his neck from the biggest tree in the front yard.

The rope creaks as the well-dressed corpse turns very slowly. You see that it’s Mr. Gast.

My…God…

You keep stepping back, because it almost seems like the corpse turned by a will of its own, to look at you. Mr. Gast’s face is pressed with a dead grin, and you can see yellow in the slits of his eyelids. The scariest thought sends a chill up your back: that those yellow eyes will fly open and he’ll begin to laugh…

The lowering sun covers the yard with dark molten light. You hear a snuffling and notice several stray dogs nosing through some bushes. A brief shadow crosses your face and you look up, still stepping backward, and see a lone raven gliding silently overhead.

“Ohhh!” you yelp, and turn just before you’d fall. You’d been stepping back farther from the corpse, and now you see what you’d almost fallen in: a hole.

A deep trench had been dug into the yard, six feet long and probably six deep. A grave? you wonder. But you know the hole was recently dug because the turned earth is fresh, and several shovels are lying around. You remember the fresh dirt on Mr. Morris’s hands and his reference to “diggin’.” Could he have been the one who’d dug the hole?

“Jumpin’ Jesus!” a voice cracks like a pistol shot. “Mr. Gast has up’n hung hisself!”

“Oh, my holy shee-it!” booms another.

“Looks like he’s been hangin’ a few days…”

Several townsmen are running for the house, and you see that one is the marshal. He glares at you and points. “You! You see what happened here?”

“Nuh-no, sir…”

“What’s that hole dug there?”

“I don’t rightly know, Marshal Braden…”

Something like recognition flashes. “You one’a Bella’s whores, ain’t ya?”

“Yes, sir,” you speak right up. “And I come up here ’cos a man inside owes me money.”

“Forget about your money and come help us!” he orders, so you do as you’re told.

You follow the two men into the house. “Ain’t no one seen his wife or kids for several days. Girl, you check upstairs, and we’ll check—” But the other man was already groaning.

“Marshal, in here. You ain’t gonna believe this…”

In the study two men are sitting in brass-studded armchairs. They’re both grinning but not moving.

“It’s Mr. Morris,” you gasp.

In his hand is the long knife you saw at Bella’s, and it’s clear what he’d used it for: to cut his own throat from ear to ear. A gush of blood had run down his chest to pool on the floor.

The other man is older, and has a long mustache. Half the side of his head is gone. A pistol dangles from his fingers.

“What in God’s name happened here?” the marshal mutters.

“Looks like they both kilt themselves, like Mr. Gast…”

“We gotta find Mrs. Gast and them two kids’a theirs. And where’s that damn maid?” The marshal points to you again. “Upstairs! Give a shout if ya find anything,” he says, and then both men stomp through the room toward the back of the house.

But you stay to stare at Mr. Morris. Part of you wants to rummage through his pockets to retrieve your money but you know you can’t do that. You know that if you did, he’d reach up and grab you.

So you scurry back to the foyer and go up the stairs. The first thing you notice are dirt tracks going up. On the landing you falter—your heart is pattering—because there’s something about the silence that terrifies you even worse than when you watched the Indians killing your mother.

The tracks lead to a door in the middle of the stair hall. You try the knob but it’s locked.

Maybe this one. The door clicks when you turn the knob.

You don’t scream. Instead a pressure jolts in your chest and your heart stops for a moment, but you steel yourself to remain composed. Another of Mr. Gast’s rail men lay dead. You don’t know his name but you’ve seen him at Bella’s. It’s a bath closet that you’ve entered, a fancy one that even has a wooden commode.

A hip bath sits on a heavy wooden table, water still in it. You notice that the dead man’s hair and face are sopping wet, but only after you see his trousers open, and there’s a big splotch of dried blood there.

Something in your mind that’s not really your will makes you lift the wooden lid on the commode cabinet. You look in and see the man’s thing floating in the chamber pot water.

You back out of the room. You pass the locked door and move to the one next to it.