Mira Grant - Blackout

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Blackout: краткое содержание, описание и аннотация

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The year was 2014. The year we cured cancer. The year we cured the common cold. And the year the dead started to walk. The year of the Rising.
The year was 2039. The world didn't end when the zombies came, it just got worse. Georgia and Shaun Mason set out on the biggest story of their generation. The uncovered the biggest conspiracy since the Rising and realized that to tell the truth, sacrifices have to be made.
Now, the year is 2041, and the investigation that began with the election of President Ryman is much bigger than anyone had assumed. With too much left to do and not much time left to do it in, the surviving staff of After the End Times must face mad scientists, zombie bears, rogue government agencies-and if there's one thing they know is true in post-zombie America, it's this:
Things can always get worse.
BLACKOUT is the conclusion to the epic trilogy that began in the Hugo-nominated FEED and the sequel, DEADLINE.
Review
"A satire of the science-industrial complex, the Newsflesh trilogy is a wry and entertaining exploration of the way political corruption never stops - even after the zombie apocalypse." --
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Minutes slipped by me almost unnoticed. It wasn’t until my butt started going numb that I realized how long I’d been sitting there, paralyzed by the simple reality of the dark. “Fuck that,” I muttered, and slid off the bed, only stumbling a little as my feet hit the floor. There. Step one had been successfully taken: I was standing up. Everything else could come from there.

If I remembered correctly, the wall with the door would be about six feet in front of me. I started forward, holding my hands out in a vain effort to keep myself from walking face-first into anything solid. I felt a little better with every step. I was up . I was doing something . Sure, what I was doing was basically creeping my way across a dark room like a heroine from one of Maggie’s pre-Rising horror movies, but it was something , and that was a big improvement over what I’d been doing before.

It’s amazing how effective simple disorientation is as a mechanism for controlling people. Reporters use it whenever we think we can get away with it. We try to be the ones in control of the environment, using everything from props and street noise to temperature to keep people either completely relaxed or totally on edge, depending on the needs of the piece. Well, the CDC was trying to disorient me, and I’d been playing right into their hands. Who cared if I was a clone of myself, being kept under lock and key in a secret facility somewhere? I was still Georgia Mason—call it “identity until proven otherwise.” And if I was going to be Georgia Mason, I couldn’t sit around feeling sorry for myself. I needed to do something.

My hands hit the one-way mirror. I stopped, leaning forward until my forehead grazed the surface of the glass. If I squinted, I could make out the hallway on the other side. It was like trying to look through a thick layer of fog; if the lights in the hall hadn’t been on, I wouldn’t have been able to see anything at all. As it was, I was only getting outlines. The walls. The equally deceptive “windows” looking in on those other, empty rooms. Were they waiting for their own secretly cloned residents? Was I the first, the last, or somewhere in the middle?

“Stop it,” I muttered, wrenching my way out of that line of thought. It was something I needed to think about—probably at great length, and potentially as part of an exposé on illegal human cloning being conducted by the CDC—but this wasn’t the time. Here and now, it didn’t matter if they had a damn army of clones. I was the only clone I cared about.

I was the only…

I stepped away from the mirror, staring into the darkness in front of me. If the CDC was monitoring me on a hidden video feed—and I had absolute faith that the CDC was monitoring me on a hidden video feed, that’s what hidden video feeds are for —they’d probably think I was having a seizure. Let them think what they wanted. My frozen stare was as close as I could allow myself to come to cheering and punching the air in raw triumph.

They’d almost managed to catch me in their little logic puzzle, I had to give them that, but I’ve spent my entire life pursuing the truth ahead of all other things, and I know a lie when I don’t hear one. Dr. Thomas tried so very hard not to give me any firm answers… and that was the problem. He said he was sorry for my loss. He wouldn’t let me have an Internet connection, not even one that wasn’t capable of transmitting, only receiving. And he never, not once, went so far as to say that Shaun was dead. Why wouldn’t he tell me Shaun was dead?

Because he didn’t have any proof. The old Internet rallying cry: pics or it didn’t happen. There was no way he could invent a believable story that I wouldn’t be able to poke holes in, and if he’d been telling the truth, he would have been happy to prove it.

Shaun was alive.

I could be a clone, up could be down, and black could be white, but Shaun had to be alive. If I were in their shoes, the only thing that would have convinced me to clone a potentially recalcitrant reporter—and let’s face it, I was renowned for my stubbornness, especially when people were trying to tell me what to do—was the need to have that specific reporter on my side. The CDC wouldn’t have brought me back unless they needed me to do something for them. And there was only one thing I could do that no one else could.

I could make Shaun stop.

Shaun was alive, and he was doing something they didn’t approve of. Shaun was doing something they wanted stopped. But this was the CDC—they were the good guys. Whatever he was doing had to be something I would support stopping, right? Shaun was always good at making trouble, and I was usually the one in charge of stopping him. Take me out of the picture, and well…

For a moment, I lost myself in the pleasant fantasy of the CDC telling me that they were done processing me, everything was fine, and I could go. They’d hand me a pair of sunglasses and show me the door, sending me out into the world to find Shaun and give him a brisk smack upside the head. I was the only one he’d listen to, after all.

Regretfully, I set that pretty daydream aside. If they just wanted to make Shaun settle down, they’d hit him with a tranquilizer dart or something. Cloning a single sterile organ for a transplant patient cost millions of dollars. My shiny new factory-issue body probably came with a price tag somewhere in the billions. Shaun could cause a lot of trouble if he wanted to, but he wasn’t capable of that much trouble—certainly not enough to justify the cost of resurrecting me.

So what had he done that justified it? What did they want from me that they couldn’t get from him? My fingertips brushed the edge of the door. I stopped, turned, and paced in the opposite direction, letting the fingers of my other hand whisk along the wall. Fine; so they hadn’t brought me back from the dead for purely altruistic reasons. I knew that when I woke up. I represented too much money and too much time to be a purely scientific exercise. If this had happened before the Rising, human cloning might have been seen as a way to enhance and extend life. Worn out your body? Get a new one! Every cosmetic procedure imaginable in one easy step. Well, assuming you considered having your brain—whatever it was they did to my brain—having your brain somehow extracted and inserted into a whole new body “easy.”

That was before the Rising. Our modern zombie-phobic society would never embrace something that brought people back from the dead, even if they came back without all those antisocial cannibalistic urges. When I got out of here—if I got out of here—I was going to have a lot of extremely fast explaining to do, unless I wanted to find myself getting shot dead for the second time in my life.

There was something wrong with that phrase. I reached the wall, turned, and continued pacing.

Shaun was alive, Shaun was causing trouble, and they weren’t willing to risk getting caught in a lie if they told me he was dead. That might mean they were planning to use me against him somehow, convince me to spill private information about where we hid our network keys and offsite backup drives. That idea felt thin, like there was something I was missing, but it was a start. Every article begins with a line that can be twisted, somehow, into a hook.

Fine: The CDC brought me back so they could use me as a weapon against the only person in the world I loved more than I loved the truth. How they were planning to do that, I had no idea. Shaun knew I was dead. If anyone in the world knew, without question, that I was dead, it was Shaun; he’s the one who pulled the trigger. Seeing a woman who looked like me might make him pause for a second, but it wouldn’t be enough to bring him running.

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