Edward Marston - The Queen's Head

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1587, and Mary, Queen of Scots, dies by the executioner's axe, her head, shorn of its auburn wig, rolling across the platform. Will her death end the ceaseless plotting against Mary's red-haired cousin, Elizabeth?
1588, the year of the Spanish Armada, is a time of more terror and triumph, not just for queen and court but for the whole of England. The turmoil is reflected in its theatres and under the galleries of inns like London's The Queen's Head where Lord Westfield's Men perform. The scene there on grows even more tumultuous when one of the actors is murdered by a mysterious stranger during a brawl.
Nicholas Bracewell, the company's bookholder, a role far wider than mere producer, faces two immediate repercussions. The first is to secure a replacement acceptable to its temperamental star -- and chief shareholder -- Lawrence Firethorn. The second is to keep his promise to the dying Will Fowler and catch his killer.
Soon further robberies, accidents, and misfortunes strike Lord Westfield's Men even as their stage successes swell. Bracewell begins to suspect a conspiracy, not a single murderous act, but where lies the proof? Then the players are rewarded with the ultimate accolade -- an appearance at court -- and the canny bookholder senses the end to the drama is at hand....
First published to great acclaim in 1988, The Queen's Head anticipated the lure of bawdy, boisterous, yet elegant epics like Shakespeare in Love. Actor and playwrite Marston has followed with, to date, ten more lusty, historically grounded, theatrically sound Bracewell mysteries that explore the face of England and reveal his deep love for its rich literary and dramatic heritage. The Roaring Boy wasnominated for a 1996 Edgar Award for Best Novel.
From Publishers Weekly
Marston launches a series with this first appearance of Nicholas Bracewell, "book holder" for an English theatrical company in 1588. Not only the prompter but also the wise manager of the group, Bracewell must cope with temperamental thespians and other, more grave crises. As England rejoices in the triumph over the Spanish Armada, the troupe rehearses a play honoring Queen Elizabeth, which she will attend. Hopes for a gala performance are dashed when a villain named "Redbeard" kills actor Will Fowler; that event and other incidents lead Bracewell to suspect a plot to ruin the company. Helped by Sam Ruff, who substitutes for Fowler, the manager keeps up morale and takes steps to guard against Redbeard in advance of the queen's arrival at the theater. Marston's exhilarating mystery, ending with a bang-up close--on and off stage--is colored by details about the acting profession at that time and, sadly, about the era's mortal quarrels between Catholics and Protestants. 

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'You have been very brave, Dick,' observed Firethorn.

'I was a little afraid, sir,' confessed the boy.

'As were we all,' said Nicholas.

Samuel Ruff was embittered but chastened. He recognized just how cleverly the book holder had misled him. Nicholas had evidently suspected him for a long time. As the guards tried to move him away, he held his ground to make a last admission.

'I gave that crib to Susan Fowler.'

'She would rather you spared her husband,' said Nicholas.

'I know.'

'You should have gone to that farm in Norwich, Sam. You would have been far better off working with your brother.'

Ruff shook his head sadly and gave a smile of regret.

'There was no farm and I did work with my brother.'

'Redbeard?' Nicholas was shocked.

'He was my half-brother. For all his wild ways, Dominic was as committed to the true faith as I am. They imprisoned him in Bridewell for it and gave him those scars on his back. When Dominic was released, he was ready to do anything to help me.'

'So you repaid him with a sly dagger.'

'No!' denied Ruff vehemently. 'I could never murder my own kin. That was not my doing.' Pain contorted his face and his chin dropped to his chest. 'We both knew that it would cost us our lives in the end. Dominic was getting out of hand. The plan was in jeopardy while he lived. I did not want him killed but...it was in some ways a necessary despatch. He had done all that was required of him.'

'Who stabbed him, then?' pressed Firethorn.

Samuel Ruff met his gaze with dignity and defiance.

'That is something you will never know.'

'Someone has suborned you and set you on!' accused the other. 'The rack will get the truth out of you. Take him away!'

As the guards dragged their captive off, Ruff lapsed back into Latin to proclaim his faith.

'In manus tuas, Domine, confide spiritum meum.'

They were the last words spoken by Mary Queen of Scots as she laid her head upon the block. In trying to behead another Queen, he had delivered himself up to execution. Interrogation would be followed by a slow, agonizing death.

Nicholas was not entirely surprised to learn that Ruff was part of a wider conspiracy. He and Redbeard had been the active partners in the scheme while others lurked in the shadows. Their names would doubtless emerge in conversation in the privacy of the torture chamber.

One revelation, however, had rocked the book holder.

'I had no idea that Redbeard was his brother,' he said. 'I guessed that he was a fellow Catholic when he attacked the inn sign at The Cardinal's Hat. It mocked his faith. But I did not realize that he and Sam were related.'

'Two yoke-devils!' snarled Firethorn.

'There is no madness worse than religion,' murmured Nicholas.

Richard Honeydew was troubled by feelings of regret.

'But Master Ruff was such a kind and friendly man.'

'He was a fine actor,' said the book holder. 'He was even ready to receive a wound in order to play his part effectively. It was his bout with Master Gill that set me thinking.'

'In what way?' asked the boy.

'Sam tried to avoid it in order to hide his fencing skills. But he was forced into the bout and we saw his true merit. A swordsman as expert as that could easily have rehearsed the brawl in the Hope and Anchor. Will Fowler was murdered to plan.'

Edmund Hoode came scurrying along the corridor to join them. Confused by the speed of events, he only half-understood why his play had been halted in such dramatic fashion.

'What is going on, I pray?'

'Retribution!' declared Firethorn. 'We have unmasked an assassin and brought him to justice.'

'Samuel Ruff?'

'Villainy incarnate,' said the other. 'The man was deep and cunning but he met his match in our book holder. Ruff stage managed things so cleverly that we were all fooled by him at first. Nick alone was equal to him.'

'I did what was needful,' said Nicholas modestly.

'You were magnificent!' insisted Firethorn. 'You won the villain's confidence and made him believe that you feared a threat from outside the company. Ruff thought that he was undiscovered. It then remained to show him in his true light.'

'Yes,' agreed Nicholas. 'By creating the very opportunity that he sought.'

'I begin to see,' said Hoode. 'When you asked me to put the execution on stage, you had a definite purpose in mind.'

'We did, Edmund,' explained the book holder. 'By casting Sam in the role of the executioner, we knew exactly when and how he would strike. With the aid of Dick here, we were able to prepare an irresistible trap for him.'

Slightly peeved that he had not been party to it all, Hoode nevertheless congratulated them warmly. There was one particular point that he wanted clarified.

'What of the theft of Gloriana Triumphant? he asked.

'That puzzled me, too,' said Nicholas. 'When the book was stolen from me, I thought it was another blow at Westfield's Men. Yet why should Ruff and his accomplice seek to wound the company? It was in their interests to ensure that it thrived.'

'So what lay behind it?' wondered Hoode.

'Religion. Your play was a celebration of the victory over the Spanish Armada and the defeat of Roman Catholicism. It offended them and their faith. That is why they tried to stop the performance.'

'Nobody can stop a performance by Westfield's Men!' asserted Firethorn grandly. 'We have foiled a plot to kill our own dear Queen and we have rendered our country a sterling service. But we still have unfinished business here. Gentlemen, we play before our sovereign this night. Let us prepare ourselves for this supreme moment in our history. Dick Honeydew has shown us the way. Onward to another royal triumph!'

*

The Loyal Subject was staged at midnight with reverberating success. Its themes gained extra resonance from the thwarted assassination attempt and it caught the mood of the hour to perfection. The whole Court surrendered itself to a unique and stirring experience. Richmond Palace was alive with unstinted praise.

Presiding over it all was Queen Elizabeth herself, who occupied her throne in a spirit of happy gratitude. She was ostentation itself. She wore a dress in the Spanish fashion with a round stiff-laced collar above a dark bodice with satin sleeves which were richly decorated with ribbons, pearls and gems. A veritable waterfall of pearls flowed from her neck and threatened to cascade down on to the dais. As befitted a sovereign, her radiance outshone the entire Court.

To repair the absence of Ruff--and to assuage Tallis's rampant fears--Nicholas Bracewell took over the small role of the executioner himself. With a measured sweep of the axe, he severed the wax head and sent the head spinning across the floor. The effect was breathtaking. Deathly silence held sway for a full minute before applause broke out. After exhibiting the head of the traitor, Nicholas went off to take up his book again.

Richard Honeydew had played his part already. He now stayed in the tiring-house with the others and sneaked an occasional look at the action on stage. Westfield's Men were at their best. The music was excellent, the costumes superb and the performances quite remarkable. Martin Yeo won plaudits for his youthful brilliance as the Duchess of Milan, Barnaby Gill supplied some stately comedy as a wrinkled retainer and Edmund Hoode was a suitably judicious judge.

Lawrence Firethorn was charismatic as Lorenzo and he caused many a flutter among the ladies. Constrained by the presence of her husband, Lady Rosamund Varley could only watch and sigh. Her erstwhile swain was no longer aiming his performance at her. It was directed to a higher station. Lorenzo was patently acting for his Queen and country.

At Firethorn's request, Hoode had written a new couplet to end the play. It related the capture of Samuel Ruff to the action of the drama. Firethorn made the two lines ring with conviction as he laid them proudly at the feet of his sovereign.

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