Edward Marston - The Queen's Head

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1587, and Mary, Queen of Scots, dies by the executioner's axe, her head, shorn of its auburn wig, rolling across the platform. Will her death end the ceaseless plotting against Mary's red-haired cousin, Elizabeth?
1588, the year of the Spanish Armada, is a time of more terror and triumph, not just for queen and court but for the whole of England. The turmoil is reflected in its theatres and under the galleries of inns like London's The Queen's Head where Lord Westfield's Men perform. The scene there on grows even more tumultuous when one of the actors is murdered by a mysterious stranger during a brawl.
Nicholas Bracewell, the company's bookholder, a role far wider than mere producer, faces two immediate repercussions. The first is to secure a replacement acceptable to its temperamental star -- and chief shareholder -- Lawrence Firethorn. The second is to keep his promise to the dying Will Fowler and catch his killer.
Soon further robberies, accidents, and misfortunes strike Lord Westfield's Men even as their stage successes swell. Bracewell begins to suspect a conspiracy, not a single murderous act, but where lies the proof? Then the players are rewarded with the ultimate accolade -- an appearance at court -- and the canny bookholder senses the end to the drama is at hand....
First published to great acclaim in 1988, The Queen's Head anticipated the lure of bawdy, boisterous, yet elegant epics like Shakespeare in Love. Actor and playwrite Marston has followed with, to date, ten more lusty, historically grounded, theatrically sound Bracewell mysteries that explore the face of England and reveal his deep love for its rich literary and dramatic heritage. The Roaring Boy wasnominated for a 1996 Edgar Award for Best Novel.
From Publishers Weekly
Marston launches a series with this first appearance of Nicholas Bracewell, "book holder" for an English theatrical company in 1588. Not only the prompter but also the wise manager of the group, Bracewell must cope with temperamental thespians and other, more grave crises. As England rejoices in the triumph over the Spanish Armada, the troupe rehearses a play honoring Queen Elizabeth, which she will attend. Hopes for a gala performance are dashed when a villain named "Redbeard" kills actor Will Fowler; that event and other incidents lead Bracewell to suspect a plot to ruin the company. Helped by Sam Ruff, who substitutes for Fowler, the manager keeps up morale and takes steps to guard against Redbeard in advance of the queen's arrival at the theater. Marston's exhilarating mystery, ending with a bang-up close--on and off stage--is colored by details about the acting profession at that time and, sadly, about the era's mortal quarrels between Catholics and Protestants. 

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And have you done all this for me, Lawrence?' she asked.

For whom else, my clove?'

His actors training saved him once again.

*

It was well past midnight and a sudden downpour was washing the streets of London and carrying away their refuse in busy rivulets. Splashing through the puddles, Benjamin Creech lurched his way home from the tavern and cursed the weather. It had been a bad day for him. His anger had made him walk out of Westfield's Men and he now saw what a mistake it had been. He was no longer of use. Giles Randolph wanted him where he could do harm.

By the time that he reached his lodging, he was soaked to the skin. He let himself in and blundered his way upstairs. Belching loudly, he went into his tiny room and tottered towards the mattress, ready to drop on to it as he was to sleep off his inebriation. As he leaned forwards, however, strong arms grabbed him and thrust him into the only chair.

'Sit down, sir!'

'Who are you?' grunted Creech, totally bewildered.

'An old friend has come calling.'

Too drunk to get up and too weak to protest, Creech had to sit there while the tallow was lighted. The yellow flame helped him to identify his visitor.

'Master Bracewell!'

'You left before we had finished our dealings, Ben.'

'I've no dealings with you, sir!'

'No,' replied Nicholas. 'Your dealings have been with Banbury's Men.' He held up some gloves. 'These were stolen from Hugh Wegges. That music there was taken from Peter Digby. I found John Tallis's cap here and George Dart's shoes and much else that you sneaked off with.' He threw a glance of disgust around the miserable lodging. 'It is a pity you did not bring Thomas Skillen's broom back here and put it to some use.'

'Get out!' said Creech drowsily.

'Not until we have had a talk, Ben.'

'I've nothing to say to you.'

'Did you steal this?' demanded Nicholas, thrusting a tabor at him. When Creech remained silent, he grabbed him by the throat and squeezed. 'Answer me, sir!'

'I cannot...breathe...'

'Did you steal it?' said Nicholas, exerting more pressure.

'Aye.'

'And the rest of the things?'

'Aye.'

'Did you try to cripple Dick Honeydew?'

'You will choke me!'

'Did you, Ben?'

'Aye.'...

'And was it to help Banbury's Men?'

Fearing that he would be strangled, Creech nodded his admission of guilt. Nicholas released him and took a step back to reach for something from the table. Starting to retch, the other man rubbed at his sore neck. When Nicholas put his face in close, he could smell the stink on Creech's breath.

'There is more you have to tell me, Ben.'

'No.'

'You did know Redbeard. You were his accomplice.'

'As God's my witness, I never saw the man before.'

'You set on me that night in Bankside,' said Nicholas with subdued fury. 'The two of you worked together.'

'That is not true!' howled Creech.

'Then how did you come by this?'

Nicholas dropped something into his lap and his companion stared at it with blurred, uncomprehending eyes. The object had been lying with the rest of Creech's spoils.

It was the prompt book for Gloriana Triumphant.

Lord Westfield's Men had grown accustomed to the idiosyncrasies of their leading actor but he could still surprise them from time to time. When Lawrence Firethorn summoned a meeting of the full company, they all expected that it would follow its normal course. He would first harangue them for what he felt were gross lapses in standards then he would commend anything praiseworthy that he had noted in their recent work. Finally, he would remind them of the intense rivalry they faced from other dramatic companies and urge them on to greater efforts to enhance the reputation of Westfield's Men.

It was different that morning. He did not even look like the same man. In place of the usual alert and spirited personality was a rather dull, jaded, weary human being. Jokes immediately circulated about the exhausting effects of his supposed night with Lady Rosamund Varley and many sniggers had to be held back. Barnaby Gill was on hand with a characteristically tart comment.

'No wonder he cannot walk straight,' he said to Edmund Hoode in a whispered aside. 'The lady has broken his middle leg!'

'What is amiss with him?' wondered the other.

'Lust, Edmund. Over-satisfied lust.'

They were gathered in the tiring-house at The Queen's Head. Instead of attacking them with a barrage of words, Firethorn spoke quietly and almost without interest. There was no condemnation, no praise and no inspiration. He supported himself with one hand against the door jamb.

'Good morning to you one and all, gentlemen.'

(*)Chapter Thirteen

There was a murmured response from the whole company.

'I speak or our future,' he began, suppressing a yawn. 'Over the next six weeks, we shall be playing here, principally, at the Red Lion in Stepney, the Boar's Head near Aldgate, The Curtain, The Theatre and at Newington Butts. We will also make our debut at The Rose.' Another yawn threatened. 'Our repertoire will be Love and Fortune, The Two Maids of Milchester, Cupid's Folly, The Queen of Carthage, Marriage and Mischief and...' The pause brought the slightest twinkle to his eye. 'And Hector of Troy.' There was a buzz of interest. 'That is all, gentlemen.'

The buzz became a mild hubbub and the meeting started to break up. Lawrence Firethorn quelled all movement with a raised voice that flew to the back of the room like a spear.

'One thing more!'

Silence fell instantly. He was in no hurry.

'One thing more, gentlemen,' he repeated casually, as if passing on some minor piece of gossip. 'Westfield's Men have been invited to appear at Court this Christmas.'

Joy and amazement greeted the announcement and Firethorn watched it all with a beaming smile. His energy now seemed fully restored and he shared in general happiness. Performance at Court would bring no great financial advantage but it was a signal honour and it conferred status on the company. The previous year, it had been Banbury's Men who had played before the Queen during the Christmas Festivities. Firethorn's company had now supplanted them and there was a special pleasure in that.

Nicholas Bracewell watched it all with wry amusement. The leading actor could not simply pass on the good tidings to his fellows. He had to give them a performance and his air of fatigued indifference had fooled them all. The actor had set the place ablaze. Nicholas gazed round the faces in the tiring-house and saw the impact that the news had made.

Barnaby Gill wore a look of smug satisfaction as if he had just been accorded his just deserts. Edmund Hoode seemed a trifle overwhelmed. Richard Honeydew was ecstatic and almost in tears. Martin Yeo grinned, Stephen Judd giggled and the lantern jaw of John Tallis was dropped in awe. But it was Samuel Ruff whose reaction interested Nicholas the most. He sat in the corner with his eyes glistening, a man whose dream had just been fulfilled.

Here was a failed actor, outlawed from the profession, then rescued from obscurity. Instead of milking cows in Norwich over Christmas, he would be playing before Queen Elizabeth. Nicholas was very pleased for him.

Lawrence Firethorn now swooped down on him.

'Come here, you knave, you Satan!'

'Was everything to your satisfaction last night, master?'

The actor's rich chuckle cut through the tumult. With an arm around Nicholas, he led him out on to the stage which had already been erected in the yard. There were a few people about but there was an illusion of privacy.

'Why did you not tell me it was Margery?' asked Firethorn.

'It would have spoiled the moment of discovery.'

'Indeed, it would.'

'Mistress Firethorn is an astute woman,' argued Nick. 'She would have to be to marry you, master.'

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