Edward Marston - The Trip to Jerusalem

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London is under siege by the Black Plague, closing its theaters and losing its frightened citizens to the countryside. Lord Westfield's Men decide upon the relative safety of the road and a tour of the North. Before they can pack up and depart, one player in the troupe is murdered. 
As they travel, the company of players managed by its bookholder, Nicholas Bracewell, learns that their arch-rivals, Banbury's Men, have been pirating their best works. Hoping to shake off Banbury's Men, actor Lawrence Firethorn eventually leads his troupe to York where all is revealed in a thrilling performance.
Originally published in the U.S. in 1990 by St. Martin's Press, The Trip to Jerusalem is the third Nicholas Bracewell Elizabethan mystery following The Queen's Head and The Merry Devils.
From Publishers Weekly
Marston ( The Merry Devils ) here skillfully develops an engaging tale of murder, politics and general mayhem focused on the travels and tribulations of Westfield's Men, a 16th-century, London-based troupe. As the Great Plague decimates the city, the right to stage plays, always precarious, has been revoked. In an effort to find work, Lawrence Firethorn, the group's leader, takes his contentious crew on the road. Misfortune dogs their every step. Banbury's Men, a rival yet inferior company, purloins Westfield's plays, costumes and even players. Westfield also finds itself enmeshed in the vicious battle raging between the Church of England and the recently disenfranchised Catholics. The climax occurs at an inn in the city of York called "The Trip to Jerusalem." Marston uses period dialogue; it is cleverly handled and easily understood. A historically authentic depiction of life in England is lightly woven into the main story, and a delightfully ribald flavor freshens many scenes. 

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Lawrence Firethorn was achieving the impossible. He was all but coaxing a tear from the landlord's eye. It was now time to put heart into his company.

'Gentlemen,' he continued, 'when we quit London, we do so as ambassadors. We take our art along the highways and byways of England, and we do so under the banner of Lord Westfield. His name is our badge of honour and we must do nothing to besmirch it.' Firethorn pointed at an invisible map in front of him. 'We ride north, sirs. We visit many towns along the way but our real destination is York. We have special business there in the name of our patron. York beckons.'

'Then let us go,' said Gill impatiently.

'Not in that mood of resignation, Barnaby.'

'My smile is not at home today.'

'It is spirit that I talk about, man. We must not set out as a band of stragglers with no firm purpose. It is there if only we will see it. This tour is a pilgrimage. We are palmers bearing our gifts towards the Holy Land. Think of York by another name mid it will raise your minds to our higher calling. I spoke of the Holy Land. York is our Jerusalem.'

George Dart was so transported by the speech that he clapped in appreciation. Barnaby Gill yawned, Edmund Hoode gazed out of the window and Christopher Millfield had to suppress a grin but the majority of the company were enthused by what they had heard. All of them had grave misgivings about the tour. It was a journey into the unknown that could be fraught with perils yet Firethorn had made it sound quite inspiring. Stirred by his words and needing the balm of an illusion, they tried to view their progress to York in a new light.

As a trip to Jerusalem.

Sweet sorrow flooded the inn yard at the Queen's Head. When the company came out to begin the first stage of their travels, they were met by moist faces and yearning sighs. Some of the players were married, others had mistresses, most had made themselves known among the impressionable maidenry of Cheapside. Sweethearts were embraced, tokens exchanged, promises made and kisses scattered with wild prodigality. Barnaby Gill turned his back on it all in disgust but George Dart watched with a mixture of envy and regret. No sweetheart came to send him off, no lover hung about his neck. It was so unfair. Christopher Millfield was flirting and laughing with five young women, each one of them patently infatuated with him. George Dart might not have the same height or elegance or stunning good looks but he was personable enough in his own way. Why were the five of them entranced by the swaggering assurance of the actor?

Could not one of them be spared for him?

Nicholas Bracewell stood apart from the general throng with Anne Hendrik. Theirs was a more composed and formal parting, the real leavetaking having occurred in the privacy of her bedchamber during the night. She had come simply to wave him off before setting out on her own journey. Nicholas was touched. I had nor expected this, Anne.'

'Do I shame you before your fellows?'

'Every one of them will be jealous.'

'You flatter me, Nicholas. There are younger and prettier ladies here, today.'

'I have not seen any.'

She touched his sleeve in gratitude. The gesture was eloquent. Nicholas was not a demonstrative man and he shunned the public display of affection, reserving his emotional commitment for more intimate moments. Anne respected that. She had just wanted to see him once more before their paths diverged.

'When will you leave?' he asked.

'At noon.'

'Take all proper care.'

'Do not be anxious for me.'

'Who minds things here in London?'

'Preben van Loew.'

'An excellent fellow.'

'He was Jacob's right hand. Business will thrive under Preben, I have no doubt. It takes all hesitation out of my own departure.'

Lawrence Firethorn reminded them of their purpose.

'We have a mission, gentlemen. About it straight!'

There was a last flurry of kisses and farewells then the players obeyed his command. Only three of the company had horses. Dressed in a superb doublet of red, figured velvet with matching breeches, and wearing a plumed hat of tasteful extravagance, Lawrence Firethorn sat astride a chestnut stallion. He wanted people to see him coming. Barnaby Gill, also attired for show, rode a bay mare. Edmund Hoode, mounted on a dappled grey, wore the more practical apparel for a traveller on dusty roads. The company's luggage was stacked into a large waggon that was drawn by two massive horses. Nicholas was to drive the waggon with the other sharers and the apprentices on board. The rest of the company was to follow on foot.

Firethorn removed his hat for a final wave.

'Adieu, sweet ladies! Wish us well!'

As the torrent of cries began, he urged his horse forward and led the small procession out through the main gate. Gracechurch Street was its usual whirlpool of activity on market day and they had to pick their way through the ranks of stalls and the surging throng. A few cheers went up from those who knew their faces and valued their work but, for the vast majority, buying, selling and haggling vigorously, the price of eggs was or more import.

The crush thinned as Gracechurch Street merged into Bishopsgate Street and they were able to move more freely. Ahead of them was one of the main exits from the city and they approached it in a welter of mixed emotions. Firethorn had spoken of a pilgrimage but nobody could really guess what lay beyond those walls. The last sight which greeted them within the city itself was less than comforting.

High above Bishopsgate itself was a series of large spikes. Stuck on to them were the decomposing heads of traitors, bleached by the sun and pecked by the birds. One in particular caught their attention. It was the head of a nobleman which was battered out of shape and which had already lost an eye to some predatory beak. Walking along behind the waggon, George Dart looked up in horror and nudged Christopher Mill field.

'Do you see there, sir?'

'An example to us all, George.'

'What manner of man would he be?'

'That is Anthony Rickwood. Late of Sussex.'

'You know him, then?'

He was executed at Tyburn but two days ago.'

Dart noticed something that made his hair stand on end. The single eye in the deformed and blood-stained face was glaring down with an anger that was frightening. It was trying to focus its evil intent on one person.

'Master Millfield...'

'Yes, George?'

'I believe he is looking at you.'

Humphrey Budden was in a fever of apprehension. He hardly dared to leave his wife's side in case she was seized by another fir. Neighbours had been scandalized by the sounds which had issued from her bedchamber and all kinds of wild rumours were now flying around Nottingham like so many bats flapping about in a belfry. It was distressing to someone in Budden's position and he had turned once more for advice from Miles Melhuish. Racked by his own ambiguous role in the domestic tragedy, the vicar urged daily resort to prayer for man and wife. He also came up with another suggestion for the suffering husband.

'Let us walk down by the river, Eleanor.'

'If you wish it, sir.'

'This was our favourite place not so long ago,' he reminded her. 'Have you so soon forgot?'

'Indeed, no.'

'You'll come with me, then?'

'I'll obey my husband.'

'This way...'

Eleanor was no longer the woman he had married. The comely young widow with such a light heart had turned into a serious introvert with her mind on higher things. That unexplained horror in the bedchamber had robbed him of his chief delight. Eleanor had recovered from her coma with no memory of what had happened. Her naked assault on the praying Miles Melhuish was unknown to her. All was lost. Gone was her warmth, her laughter and vivacity. She was subdued and preoccupied now. Humphrey Budden had been sleeping in a cold bed for nights.

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