Edward Marston - The Trip to Jerusalem

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London is under siege by the Black Plague, closing its theaters and losing its frightened citizens to the countryside. Lord Westfield's Men decide upon the relative safety of the road and a tour of the North. Before they can pack up and depart, one player in the troupe is murdered. 
As they travel, the company of players managed by its bookholder, Nicholas Bracewell, learns that their arch-rivals, Banbury's Men, have been pirating their best works. Hoping to shake off Banbury's Men, actor Lawrence Firethorn eventually leads his troupe to York where all is revealed in a thrilling performance.
Originally published in the U.S. in 1990 by St. Martin's Press, The Trip to Jerusalem is the third Nicholas Bracewell Elizabethan mystery following The Queen's Head and The Merry Devils.
From Publishers Weekly
Marston ( The Merry Devils ) here skillfully develops an engaging tale of murder, politics and general mayhem focused on the travels and tribulations of Westfield's Men, a 16th-century, London-based troupe. As the Great Plague decimates the city, the right to stage plays, always precarious, has been revoked. In an effort to find work, Lawrence Firethorn, the group's leader, takes his contentious crew on the road. Misfortune dogs their every step. Banbury's Men, a rival yet inferior company, purloins Westfield's plays, costumes and even players. Westfield also finds itself enmeshed in the vicious battle raging between the Church of England and the recently disenfranchised Catholics. The climax occurs at an inn in the city of York called "The Trip to Jerusalem." Marston uses period dialogue; it is cleverly handled and easily understood. A historically authentic depiction of life in England is lightly woven into the main story, and a delightfully ribald flavor freshens many scenes. 

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The streets were narrow, cobbled and overhung with gabled houses. Trades were plied noisily at every turn. Stinking midden tips added their pungent contribution to the city's distinctive atmosphere. York buzzed with life.

Robert Rawlins left his lodgings in Trinity Lane and made his way through the crowded streets to the Trip to Jerusalem. He went into the taproom and found Lambert Pym ordering his minions around with obese urgency. Mine Host gave him a smile of recognition.

'Good day to you, Master Rawlins.'

'And to you, sir.'

'These are busy days for us, I fear.'

'As I observe.'

'Whitsuntide will soon be upon us and the fair will bring in extra custom. We have to brew more beer and feed more bellies. It all needs careful preparation.'

'When will the players arrive?'

'At one and the same time,' said Pym, scratching his beard. 'We will be rushed off our feet here at Jerusalem. Every room I have will be full to bursting and my yard must serve as a playhouse.'

'I like not the drama,' said Rawlins coldly.

'Sir Clarence Marmion is a regular patron.'

'That is his choice.'

'Will you be with us long in York, sir?'

'I cannot tell, Master Pym.'

'Until your business is discharged?'

'We shall see.'

Giving nothing away, Robert Rawlins opened the door that gave access to the staircase. He was soon settling down on a chair in the private chamber above. A small black book was extracted from the folds of his coat and he began to read it in earnest. He was so absorbed by his text that it seemed a matter of minutes before he heard the familiar boots upon the oak stairs. Sir Clarence Marmion came sweeping in at such speed that Rawlins took fright and jumped to his feet.

The newcomer waved a cheerful greeting.

'I bring you glad tidings at last, sir.'

'The Queen is dead?'

'That were too great a hope,' said. Sir Clarence as he pulled a letter from his sleeve. 'But we have other causes to rejoice. Our friends have not been idle.'

'It is comforting to hear that."

'Walsingham sits in London like a great black spider at the heart of a web, waiting to catch us all. But we have our own network of spies to protect us. They have delivered up the informer.'

Rawlins took the letter that was handed to him.

'This is the man who betrayed Master Rickwood?'

'And Master Pomeroy,' said Sir Clarence. 'I knew that the trail would lead him here eventually. We shall be ready for him. He will not deliver a Marmion into the hands of Mr Secretary Walsingham.'

'Forewarned is forearmed.'

'God is sending the vile wretch to us.' Does he travel alone?'

'No, he comes with a theatre company from London. They are a convenient shield for his purposes but he will not be able to hide behind them here. The man's journey ends in York. For ever.'

Kynaston Hall was able to confirm that a performance of The Renegade had been given there by Banbury's Men but nobody at the house knew the company's next destination. Nicholas Bracewell thanked them for their help and went due north on the chestnut stallion he had borrowed from Lawrence Firethorn. The animal was full of running and it was given free rein. Nicholas stopped at every village, hamlet or wayside dwelling to enquire after the whereabouts of his quarry but he was given precious little help for his pains. Whichever way Banbury's Men had gone, they seemed to have covered their tracks very effectively. It was frustrating.

His luck eventually changed. He came upon an old shepherd who was sitting in the shade of a tree with his dog and munching an apple. Though he was no playgoer, the shepherd could recognize a theatre company when he saw one. His bony finger pointed down a bumpy track.

'They went that way, Master.'

'Are you sure, friend?'

'I sit here every day and they passed me by.'

'How many were there?'

'Oh, I don't know. Twelve or fifteen, maybe.'

'On horse or foot?'

'Both, sir. They'd a couple of horses and a cart piled high with baskets. Most of them walked behind.'

'Can you be certain they were players?'

'They were no shepherds, that I know,' said the old man with a cackle. 'Their clothes were too bright and their noise too loud. I'd frighten away my sheep if I went around making those alarums.'

'How far away were they when you saw them?'

'Not more than a hundred yards.'

The shepherd had not been deceived. Banbury's Men had evidently gone past and he had taken due note of their passing. Nicholas pressed a coin into his gnarled hand then rode off again. It was evening now and the company would soon seek shelter before nightfall. His heels sent the horse into a full gallop. Five miles later, he caught up with them.

They had camped by the roadside and lit a fire. Since it was a clear, dry night, they were obviously going to spend it under the stars. Nicholas approached with a caution borne of his misadventures with the gypsies. He did not want to be set upon by the whole company. After tethering his horse behind some bushes, he moved in on foot, hearing the telltale banter of true actors floating on the night air. He had run Banbury's Men to ground. What he now had to establish was whether or not Richard Honeydew was with them.

Creeping in ever closer, he got his first proper look at the encampment. His heart constricted. There were about a dozen of them, as reported, and they wore the gaudy apparel of travelling players but here was no London theatre company on tour. Their clothes were threadbare and their horses were spindly nags. Whatever was being roasted over the fire had not been paid for because they were patently impoverished. Gaunt faces chewed on their food. Thin bodies lounged around the flickering blaze. They were actors but of a different sort and temper to Banbury's Men. They had never performed in a real theatre in their lives or tasted the fleshpots of the capital. Lacking any noble patron, they were no better than outlaws and could be arrested for vagrancy. They scraped a bare living by keeping on the move like the gypsies.

It was sobering to reflect on how removed their world was from that of the London companies and Nicholas felt a pang of shame that Westfield's Men had come to take their audiences from them. Then he recalled the purpose of his journey and shook off such considerations. Marching boldly into the camp, he introduced himself as a fellow-actor and was given a cheerful welcome. It waned somewhat when he asked after Banbury's Men who were seen as London predators come to swoop on the provinces. They had scorn for the other company but no knowledge of its present location. Nicholas thanked them and withdrew.

Darkness was beginning to close in and he needed a bed for the night. He had passed a small inn a few miles back and now rode off again in that direction, his mind grappling with the problem of where Banbury's Men could be and his concern for Richard Honeydew rising all the time. Absorbed in his thoughts, he let his guard fall.

'Hold there, sir!'

'That is a fine horse you have.'

'Let us guess its age by its teeth.'

The three men came out of the woodland and ambled towards him with amiable grins. He was not fooled. Each of them had a hand on his sword. They had caught him on a deserted track that ran between the trees. Nicholas knew that they would not close in on him like that unless they had someone at his back. He swung his horse around in the nick of time. The fourth man was running silently towards him with a cudgel in his hand, ready to hack him down from behind while his attention was diverted.

Nicholas got his kick in before the cudgel fell and the man staggered back. When he came charging in again, he felt a sword go clean through his shoulder and yelled out in agony. His accomplices sprinted in to wreak revenge but they had chosen the wrong target. As the first of them swished his sword, it met such a forceful reply from Nicholas's rapier that it was twisted out of his hand. The book holder dismounted in a flash, pulling out his dagger as he did so and daring the two armed men to come at him. They flashed and jabbed but could get nowhere near him. Unable to recover his sword from the ground, the third man produced a dagger and raised an arm to throw it but he was far too slow. Nicholas's own dagger hurtled through the air and pierced the fellow's wrist, causing him to drop his own weapon with a cry.

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