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Dennis Wheatley: To The Devil A Daughter

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Dennis Wheatley To The Devil A Daughter

To The Devil A Daughter: краткое содержание, описание и аннотация

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Miles away, in the mist and rain of the Essex marshes, a satanic priest has created a hideous creature. Now it was waiting beneath the ancient stones of Bentford Priory for the virgin sacrifice that would give it life . . . Revew Why did the solitary girl leave her rented house on the French Riviera only for short walks at night? Why was she so frightened? Why did animals shrink away from her? The girl herself didn't know, and was certainly not aware of the terrible appointment which had been made for her long ago and was now drawing close.  Molly Fountain, the tough-minded Englishwoman living next door, was determined to find the answer. She sent for a wartime secret service colleague to come and help. What they discovered was horrifying beyond anything they could have imagined.  Dennis Wheatley returned in this book to his black magic theme which he had made so much his own with his famous best seller The Devil Rides Out. In the cumulative shock of its revelations, the use of arcane knowledge, the mounting suspense and acceleration to a fearful climax, he out-does even that earlier achievement. This is, by any standards, a terrific story.

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Why, Molly wondered, when she never went out in the daytime, should she go out at night? It could hardly be that she was in hiding, because she spent the greater part of each day on the terrace, where she could easily be seen from the road by anyone passing in a car. The obvious answer seemed to be that she had gone out to meet someone in secret; but she had been neither fetched in a car nor returned in one, and she had not been absent quite long enough to have walked to St. Raphael and back. Of course, she could have been picked up by a car that had been waiting for her round the next bend of the road, or perhaps she had had an assignation at one of the neighboring villas. In any case, this midnight sortie added still further to the fascinating conundrum of what lay behind this solitary young woman having taken a villa on the Corniche d'Or.

For the twentieth time that morning Molly's grey green eyes wandered from her typewriter to the open window. Just beneath it a mimosa tree was in full bloom and its heavenly scent came in great wafts to her. Beyond it and a little to the left a group of cypresses rose like dark candle flames, their points just touching the blue horizon. Further away to the right two umbrella pines stood out in stark beauty against the azure sky. Below them on her small, square, balustraded terrace the girl still sat motionless, her hands folded in her lap, gazing out to sea. About the pose of the slim dark haired figure there was something infinitely lonely and pathetic.

Molly Fountain knew that she had no right whatever to poke her nose into someone else's business, but she could bear it no longer. Her new neighbour, although unconscious of it, was playing the very devil with her work, and, worse, she would know no peace of mind until she had at least made an effort to find out if the girl were in trouble. That it was not the sort of trouble which sometimes causes young women to seek seclusion for a while in order to protect their reputations was evident, as the villa had been leased for only a month and the girl showed not the slightest sign of pregnancy. Yet there must be some cause for her abnormal conduct and obvious melancholy. Molly was far from being a motherly soul, but she had her fair share of maternal instinct and, quite apart from her desire to satisfy her curiosity, she now felt an urge that would not be denied to offer her help if it was needed, or at least endeavour to animate this woebegone young creature with something of her own cheerful vitality.

There was only one thing for it. On the Riviera it was not customary to call upon temporary neighbours, but the fact that they were both English would be excuse enough for that. With Molly, to make up her mind was to act. Pushing back her chair from the typing table, she stood up. For once a real life mystery had been thrust beneath her nose. There and then she decided to go out and attempt to solve it.

2

Colonel Crackenthorp's Technique

Going through into her bedroom, Molly Fountain pulled her linen working smock up over her head. Anyone seeing her at that moment would never have guessed that she was forty five. Her up stretched arms emphasized the lines of her good figure; her hips had broadened comparatively little since she had reached maturity and her legs were straight and shapely. Only as she jerked off the smock and threw it on a chair did the fact that her youth was past become apparent, from a slight thickening of the muscles in her neck and her grey hair.

From her wardrobe she selected a white, hand embroidered blouse and a grey coat and skirt. The cut of these, together with her medium weight nylons and practical, lowish heeled shoes, did nothing to detract from her real age, since the one thought Molly could not bear was that anyone should have cause to regard her as `mutton dressed as lamb'. For that reason, too, except when going out at night to a party, she used very little make up. Yet, even so, the face that looked back at her from the mirror as she quickly tidied her hair would have been judged by most people to be that of a woman still under forty. There were laughter lines round the mouth and the beginnings of crow's feet round the eyes, but not a hint of sagging in the still firm flesh, and it was moulded on that fine bone formation that preserves the basis of youthful good looks right into old age.

Reaching up on tip toe she pulled a battered hat box from off the top of the wardrobe and took from it a three year old straw hat bedecked with cornflowers. Molly hated hats and never wore one if she could possibly avoid it, but she felt that on this occasion a hat should be worn in support of her pretence that she was making a formal call. Securing it on her head at what she believed to be a chic angle, she collected a pair of gloves and her bag, then set off on her self appointed mission.

It was a little before mid day and the sun was strong enough now to tan anyone who was not used to it. As she made her way down the garden path that zig zagged among spiky cactus and strange shaped succulents she saw a little green lizard run up the trunk of a tall palm tree, and on reaching the terrace at the bottom she made a mental note that enough roses were in bloom in the bed behind it to furnish her with another bowl. Out in the road she walked along under the tall retaining wall of rough hewn rock that supported both her garden and those of several medium sized villas situated on the same slope. At intervals along it hung festoons of large flowered yellow jasmine and purple bougainvillea. The scent of flowers, mingled with that of the primeval pine wood among which the villas had been built, was delicious. For the ten thousandth time the thought crossed her mind that never could she bring herself to leave it and face another English winter.

By then she had reached the gate to the next garden. Opening it, she went up the steep stone steps set in a narrow cleft in the stonework. As her head emerged above ground level she turned it towards the terrace. The girl had heard her approach and was looking in her direction. Slowly she stood up, but she did not move forward and gave no sign of welcome. Her face had a guarded look and Molly thought she detected just a trace of fear in her dark eyes.

Stepping up on to the terrace, Molly said, `I'm Molly Fountain, your nearest neighbour. As we're both English I thought ...'

The girl's eyes widened and her broad face suddenly became animated as she exclaimed, `Not the Molly Fountain?'

Molly smiled. Her name was by no means universally

known, but during the past two years it had become sufficiently so for a high proportion of English people to whom, for one reason or another, she had to give it to ask if she was the author; yet the question still never failed to arouse in her a slightly bashful pleasure, and she replied with becoming modesty

`I don't know of any other, and if you are thinking of the writer of secret service yarns, that would be me.'

`Of course!' said the girl. `I've read several of them, and they're awfully thrilling.'

`That makes things easier, doesn't it?' Molly quickly took advantage of the bridge unexpectedly offered by her literary activities. `Having read some of my stories will, I hope, make you look on me as a little less like a total stranger. You must forgive me making my first call on you in the morning, but social customs are more elastic here than at home, and I thought you might prefer it to cards left formally on you in the afternoon.'

It was the first time Molly had seen the girl face to face, and while she was speaking she was taking quiet stock of her. Tall above the average, so slim as to be almost gawky, and a slight awkwardness in the control of her long limbs gave her somewhat the appearance of an overgrown schoolgirl. Seen from the distance Molly had put her down as about twenty three, but now she revised her estimate and decided that nineteen would be nearer the mark. Her forehead was broad and surmounted by thick, wavy, dark brown hair parted in the middle; her mouth was wide, full and generous. A snub nose robbed her of all pretence to classical beauty, and her complexion was a trifle sallow; but she possessed two excellent features. When her teeth flashed in a smile they were dazzlingly white: more striking still, her brown eyes were huge and extraordinarily luminous.

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