Katherine Page - The Body in the Cast

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What a bounty Katherine Hall Page gives her readers here. The Body in the Cast is as full of treasures as a Christmas stocking. First, of course, there's Page's lovely sleuth, the transplanted New York caterer Faith Fairchild, a minister's wife, gourmet cook, mother, and all-around charmer. There's the excitement that grips her little town of Aleford, Massachusetts, when a movie company arrives to shoot an arty, updated version of The Scarlet Letter. There are recipes straight from Faith's Kitchen. There's a local election as hotly disputed as only a small-town contest can be. And there is murder. After relaunching her catering company, Have Faith, Faith tackles the feeding of the cast and crew. There's quite a fright when the company falls ill from food poisoning. Faith can't believe that it was her cooking that did it, but the only other explanation is that someone deliberately poisoned the food. And when there's another poisoning in the company, this one fatal, Faith has to break her promise to her husband Tom and do some detective work herself.
From Publishers Weekly Faith Fairchild, caterer and minister's wife in Aleford, Mass., rebounds from her last case, The Body in the Vestibule , as a crew filming a remake of The Scarlet Letter arrives in town while a fierce local election is at stake. Happily, Faith lands the job as caterer for the production company of A , which includes Maxwell Reed, the director known as the "New Jersey Fellini," some stars of considerable magnitude, and even, as a lowly production assistant, Faith's old schoolmate, Cornelia Stuyvesant. But problems seem to plague the production. First, a fire breaks out in a nearby barn; then the company's soup is laced with a laxative. Everyone, including the police, considers these events just pranks, but after a stand-in is poisoned on the set, Faith suspects sabotage and initiates some subtle snooping. When a candidate for Aleford's Board of Selectmen is bludgeoned to death and his opposition (and half-sister) disappears, Faith decides more than movie madness is occuring and begins to investigate in earnest. Pen and ink illustrations and five recipes add little to this lively tale that stands perfectly well on the merits of Page's spirited characterization and energetic plotting. 

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Sam Miller was an attorney. "Don't worry about it, at least she didn't take Shakespeare literally."

“Oh yeah, `kill all the lawyers.' That was freshman year, too.”

Faith was getting impatient with these digressions. "Did she think Max was going to replace her with Sandra?"

“She didn't say so directly, but she certainly hated the girl. Kept saying that Sandra wanted to be her, Evelyn, but that there was only one Evelyn O'Clair. It was actually kind of pitiful. She kept asking us to agree. `I warned her, but she wouldn't listen,' she said over and over. Like it was the girl's own fault she died.”

Faith found herself adjusting her image of Evelyn O'Clair. Once again, someone was not whom she or he seemed to be—a perception repeating with alarming frequency of late.

“Do you think Max knew Evelyn killed Sandra?”

Greg Bradley answered this one. He had been following the conversation with an anguished look. "I think Max didn't want to know," he said bitterly. "Doesn't want to think about it now, either. Yeah, he liked Sandra, and maybe he even thought she had a brilliant future ahead. But essentially, she was just another PA and there would be a new one to take her place the next day. He knew Evelyn wanted Sandra off the picture, but Maxwell Reed doesn't like people telling him what to do, even, or maybe especially, his wife. He didn't stop to think what might happen to Sandra—oh, I don't mean that anyone would have suspected Evelyn of being capable of murder. It's still a shock, but she could make things very unpleasant for people, and Max knew it.”

If Max Reed had fired Sandra Wilson, she would be alive today. It was a horrible conclusion.

“Evelyn may simply have meant to frighten Sandra," Greg continued. "I saw her talking to Sandra that morning before the filming. Evelyn was clearly telling her to quit and Evelyn may have been threatening her."

“Which explains why Sandra looked terrified on the footage. It was real fear," Faith said to Dunne, then asked Greg, "Did Sandra ever mention Evelyn's threats to you?"

“Yes, she said Evelyn had told her to quit or Max would fire her. Sandra didn't believe her, and sadly, I agreed with her. Anyway, Sandra would have done anything to stay on the production with Max. I sensed that she was uneasy; there may have been threats she didn't mention. It's weird. I never suspected Evelyn, thoughit's all obvious now. She didn't act any differently after Sandra died. A normal person would have been eaten up with guilt, but with Evelyn, Sandra was gone and that was what she, Evelyn, had wanted. On with the show." He choked a bit on the words and Niki patted his shoulder companionably.

“The operative word here is act," Faith pointed out. "Ms. O'Clair may well be one of the world's great actresses. Think about that night at the Town Hall. She delivered a performance, whipped downstairs for the slide show, which must have been prearranged, killed Alden, and was back in time for her next cue."

“That's pretty much what seems to have happened from what we've been able to piece together," John said. "She left the auditorium when Reed was doing retakes of the scene between himself and Camson. She was alone in the back. Alden had his slide show all set up in the basement. He must have phoned her to tell her what he had—and what he had heard. She hasn't said what he wanted in exchange, but it may not have been money. I think he wanted what Cappy was getting on the slides. She must have strung him along and maybe agreed to meet him the next day or something. Then as they were leaving the room, she let him have it. The first blow must have stunned him, then she finished off the job when he was lying on the floor. She had to have brought some other kind of weapon along, but the lumber was handy and easier to get rid of.”

Dunne spoke. He sounded a bit stunned. "Do you mean Alden Spaulding was blackmailing her for sexual favors?"

“I think we can tell everyone what Alden was like without getting too specific," Tom suggested. Faith and Pix agreed. They summarized Audrey's and Penny's stories. Dunne was even more astounded—and upset. "I wish the victims had come to the police. We wouldn't have let him get away with it."

“What else did Evelyn say? Why did you say the piece of lumber was easy to get rid of?" Many questions remained unanswered, and to her annoyance, Faith was getting sleepy. She was also getting a headache from the MSG.

“The woman was incredibly lucky. You know there are many murders that only get solved because the murderer tells someone about it. Can't keep it to himself or herself. Evelyn didn't blab. f Faith hadn't found the slides in the trailer, we'd still be wondering who killed Wilson and Spaulding. There was no evidence to link the two crimes and we've been kicking around the two killers theory all week. But getting back to the weapon. After O'Clair killed him, she put the piece of wood in her car, which was parked just outside. Later, when she got home, she burned it in the fire that she knew would be conveniently set for her arrival."

“I'm sure Alden never thought he was in any danger from Evelyn, a mere woman. She definitely had the element of surprise working for her," Faith commented.

“But she must have had a nasty moment when Faith arrived," Niki said. "Thank God you didn't see her!”

“She was wearing a long, dark hooded cloak—used it to open the door and switch the lights on and off, by the way—and it made her virtually invisible in the dark. Her only worry would have been that Faith might hang around too long and the people upstairs would start to wonder where their star was. When we went over the footage, we never noticed she was missing, because the camera at that time was either op the stage or the audience. We knew Alden was gone and Reed and Camson were there. That's all."

“It almost was the perfect crime," Faith said.

“Is anybody going to pass those cookies around?" Charley complained.

“How about me?" said a cheerful voice at the door. "I knew you'd all be here.”

It was Millicent. There was going to be little rest for the weary tonight, Faith concluded, then perked up as she realized that Penny Bartlett was at Miss McKinley's heels. There had no longer been any need for secrecy, so Faith had told Detective Sullivan right away where Penny was, then promptly forgot about her in the rush of other events. Faith was very glad to see her.

Everyone jumped up and embraced Penny, even Niki, who had never been actually formally introduced to the woman before. Settled next to Charley MacIsaac, who was trying to adopt a stern manner toward the runaway, Penny declared happily, "You have no idea what it means to be home! Not that the people at the Y weren't absolute angels, but I've been missing Piggy—and the plants, too." Piggy was the totally unsuitable name of Penny's darling Irish terrier.

“Would you like something to eat?" Faith asked automatically, surveying the wreckage spread out on her table—a few sad bamboo shoots floating in a pool of congealed sauce, half a container of rice, one egg roll. It was not very appetizing, but Niki had put the pear crisp in the oven to warm.

“No, thank you. We went out to dinner to celebrate. That's why we're so late."

“It was like something out of the movies. I was in my room working on some patchwork I'd fortunately remembered to pack, when Millicent called from the lobby and said, `The murderer has been unmasked. Pack your things and make yourself tidy; we're going to the Ritz for dinner.' I don't suppose they hear many messages like this at the desk.”

Faith had to hand it to Millicent. She possessed an ineffable sense of style. The Ritz-Carlton was the perfect choice. Two old friends tucking into their baked scrod or whatever in that elegant dining room overlooking the Public Garden. Two proper New England ladies: one a former fugitive from the law; the other, her accomplice.

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