Katherine Page - The Body in the Cast

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What a bounty Katherine Hall Page gives her readers here. The Body in the Cast is as full of treasures as a Christmas stocking. First, of course, there's Page's lovely sleuth, the transplanted New York caterer Faith Fairchild, a minister's wife, gourmet cook, mother, and all-around charmer. There's the excitement that grips her little town of Aleford, Massachusetts, when a movie company arrives to shoot an arty, updated version of The Scarlet Letter. There are recipes straight from Faith's Kitchen. There's a local election as hotly disputed as only a small-town contest can be. And there is murder. After relaunching her catering company, Have Faith, Faith tackles the feeding of the cast and crew. There's quite a fright when the company falls ill from food poisoning. Faith can't believe that it was her cooking that did it, but the only other explanation is that someone deliberately poisoned the food. And when there's another poisoning in the company, this one fatal, Faith has to break her promise to her husband Tom and do some detective work herself.
From Publishers Weekly Faith Fairchild, caterer and minister's wife in Aleford, Mass., rebounds from her last case, The Body in the Vestibule , as a crew filming a remake of The Scarlet Letter arrives in town while a fierce local election is at stake. Happily, Faith lands the job as caterer for the production company of A , which includes Maxwell Reed, the director known as the "New Jersey Fellini," some stars of considerable magnitude, and even, as a lowly production assistant, Faith's old schoolmate, Cornelia Stuyvesant. But problems seem to plague the production. First, a fire breaks out in a nearby barn; then the company's soup is laced with a laxative. Everyone, including the police, considers these events just pranks, but after a stand-in is poisoned on the set, Faith suspects sabotage and initiates some subtle snooping. When a candidate for Aleford's Board of Selectmen is bludgeoned to death and his opposition (and half-sister) disappears, Faith decides more than movie madness is occuring and begins to investigate in earnest. Pen and ink illustrations and five recipes add little to this lively tale that stands perfectly well on the merits of Page's spirited characterization and energetic plotting. 

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Evelyn was lying down on a chaise. She wasn't in her Hester costume; instead, she was wearing the jersey, tight black jeans, and snakeskin western boots she'd had on earlier during the mother number. The baby and nurse were gone. Bonding time was over.

“The tray's in there." She waved in the direction of a small door. It led to a bedroom, somewhat like a stateroom on a ship, with everything, including the requisite dressing table and well-lighted mirror built in. The tray was on the dressing table. The bud vase, empty glass, and some cutlery were in place, but no plate. Another door led into the bathroom, and the plate and a fork were in there. Evidently, Evelyn was up to her old tricks and had taken the food in with her to save time.

Faith could hear raised voices from the main room. She started to pick up the plate, then was distracted by the sight of the medicine chest above the sink. It was more temptation than she could ever resist and she opened the door to take a peek at what kind of toothpaste Ms. O'Clair used—and what she might be on. It was Pandora all over again. Vials, bottles, tubes, and boxes spilled out into the sink. She grabbed for a giant glass bottle of mouthwash just in time. Serves you right, Miss Snoopy Nose, she chided herself, thankful for the din from the next room that masked her misdeed. She tried to catch what they were screaming about but could only make out an occasional bitch and the frequent repetition of Max's name. She hastily began to stuff everything back in the cabinet, when she realized that a box of cotton balls seemed surprisingly heavy. A hiding place for Evelyn's jewels? She dug around in the soft contents. It wasn't diamonds.

There was a box of slides at the bottom.

The coincidence was too great. They had to be the slides missing from the storeroom, which meant .. .

Faith ran into the next room. The scene she encountered momentarily stopped her where she stood.

Evelyn was on her feet, cheeks enflamed, waving her Oscar threateningly in Cornelia's face.

“You could never get one of these. You couldn't even come close! Telling me what to do! You piece of shit! You fucking little PA whore. Oh yes, I know all about you and our sainted director. You've been in my husband's pants for years!”

Cornelia gasped and looked as though she might faint, whether at the news that Max and Evelyn were married or at the accusation she could only wish was true.

She rallied. "f I was, I'd be a *hole lot better than you! You don't understand him. You'll never understand him. You think only of yourself, you—"

“What do you know about me? Or my husband! Keep your fucking nose out of other people's business!”

Before Faith could stop her, the star brought the shiny golden statuette down on Corny's head with murderous intent. Cornelia dropped to the floor and Faith jumped between the two women to prevent Evelyn from landing another blow.

“Miss O'Clair, please!" Faith had heard it said that people would kill for one of these on their mantel, but kill with was an entirely different matter. "I know there's nothing going on between Cornelia and your husband. She's an old friend of mine. She just admires his work, and yours! Let's calm down, before someone gets hurt."

“Calm down," Evelyn screeched, "you're as bad as she is. Who the hell do you think you are telling Evelyn O'Clair what to do? The whole world thinks it can tell me what to do! Well, I fucking do what I want!”

She pushed Faith and seemed about to repeat her earlier action, but Faith grabbed her raised arm at the wrist and forced her to drop the Oscar. The prize hit the carpet with a muted thud.

Evelyn made a sort of feral cry and lunged for Faith, who quickly stepped to one side, hoping to grab the woman from behind as she fell forward, but Evelyn did not lose her balance. She was almost foaming at the mouth now and screaming obscenities even Faith had never heard.

There was a phone on a table by the chair Evelyn had been sitting in earlier. Faith had to get some help. She obviously couldn't leave Cornelia, who was out cold, yet fortunately visibly breathing, in the room with this maniac. But would said maniac let Faith call 911? Not in the condition she was in at the moment. The situation was becoming more and more bizarre. f she didn't do something soon, Faith realized, she'd be locked in hand-to-hand combat with one of America's biggest box-office draws. She could probably take Evelyn, but she'd just as soon not try. f only Cornelia would come to and give Faith a hand, even if it were to find something with which to tie the woman up.

Evelyn had backed off for a moment, panting heavily, her hair covering most of her face. Through the tangled blond strands, her eyes glittered dangerously.

“Why don't we call over to the house and ask Mr. Reed to come and straighten all this out? I'm sure he'll be very upset. He can tell you himself that he has nothing but a work relationship with Cornelia." Faith employed the same tone as the one she used when Ben and a friend both wanted to play with the same toy. It seldom worked then and it certainly didn't work now.

As Faith spoke, Evelyn ripped the phone from the wall with such force that the multicolored wires sprayed out from the plastic casing. The woman was strong. It might not be so easy to subdue her as Faith thought.

“You're not calling Max!”

She regarded Cornelia and Faith appraisingly for a moment, then grabbed a bulky sweater and Gucci purse the size of a steamer trunk from a shelf and started for the door. Hand on the knob, she delivered her last line in completely controlled tones: "You ladies have been forgetting who I am”

It was an accusation. It was hurt pride. It was a wrap.

Faith moved, but not in time. M she got to the door,

Ms. O'Clair was already on the other side and doing a

very thorough job of locking them in. Faith reached for the knob and turned, but it was too late. She pulled frantically at the door. It was a solid one and shut tight. Seconds later, the car started. Faith listened despairingly as Evelyn left them in her dust.

Dumb! Dumb! Why had she let Evelyn get close to the door!

Faith would be replaying this scene and scolding herself for months to come, but first things first. She had to take care of Corny and then she had to get a look at the slides, which she'd slipped into her pocket.

Cornelia was moaning slightly. When Faith bent over her, calling her name, she opened her eyes and responded predictably. "Where am I?" What with Evelyn's exit line and Cornelia's entrance one, life was fast assuming all the characteristics of a B movie.

“We're in Evelyn's RV. She hit you on the head, but I don't think it's serious. Don't move. I'm going to get a blanket." And a towel. Evelyn had not managed to sell Corny the farm, yet Ms. O'Clair had made a mess of her victim's hairdo. Blood was streaming out of a large gash in Corny's left temple.

“Faith, Faith! I'm bleeding!" She had discovered her injury and was panicking. Faith rushed back with the snowy white quilt from Evelyn's bed and one of her monogrammed towels. Irony, at any rate, was alive and well.

She managed to staunch the flow of blood. Corny was going to have a lump the size of the Matterhorn and a headache for a week, but other than that, she should be lording it over everyone as usual before too long. Her good health, and all the milk she'd drunk as a child, had resulted in fortuitously dense bone mass.

It wasn't exactly the time for a chat, yet Corny seemed unable to stop talking.

“She thought I was having an affair with Max! And they're married! I never knew! How could he! Oh, Faith!”

Corny had shut up for the moment and, snugly wrapped in the down comforter, had closed her eyes again. She hadn't passed out again. Faith had asked her.

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