Joe Lansdale - A Fine Dark Line

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It is the summer of 1958 in Dewmont, Texas, a town the great American postwar boom passed by. The kids listen idly to rockabilly on the radio and waste their weekends at the Dairy Queen. And an undetected menace simmers under the heat that clings to the skin like molasses... For thirteen-year-old Stanley Mitchell, the end of innocence comes with his discovery of the mysterious long-ago demise of two very different young women. In his quest to unravel the truth about their tragic fates, Stanley finds a protector in Buster Lighthorse Smith, a black, retired Indian-reservation cop and a sage on the finer points of Sherlock Holmes, the blues, and life's faded dreams. But not every buried thing stays dead. And on one terrifying night of rushing creek water and thundering rain, an arcane, murderous force will rise from the past to threaten the boy in a harrowing rite of passage... Vintage Lansdale, A Fine Dark Line brims with exquisite suspense, powerful characterizations, and the vibrant evocation of a lost time.
From Publishers Weekly
The atmosphere is as thick as an East Texas summer day in Edgar-winner Lansdale's (The Bottoms) engaging, multilayered regional mystery, which harks back to 1958. Thirteen-year-old Stanley Mitchel, Jr., has enough on his hands just growing up in Dewmont, Tex., when he literally stumbles on a buried cache of love letters. Stanley pursues the identity of the two lovers with help from the projectionist at his family's drive-in, an aged black man who quotes Sherlock Holmes and doesn't mince words about the world's injustices. As the truth of a gruesome 20-year-old double murder comes to light in the sleepy town, so do the facts of life, death, men, women and race for young Stanley. Unfortunately, this wealth of experience sometimes strains credulity. For instance, Stanley, his sister, Callie, and friend Richard witness a secret burial, see a local phantom, are chased by a murderer and barely miss being hit by a train-all in one night. As the older and wiser Stanley says of the past, "More had happened to my family in one summer than had happened in my entire life." The "down-home" dialect is occasionally overdone, too, with more ripe sayings than Ross Perot on caffeine. But Lansdale clearly knows and loves his subject and enlivens his haunting coming-of-age tale with touches of folklore and humor.
From Booklist
Lansdale makes a rich stew of memory and mystery in the voice of Stanley Mitchel Jr., who is 13 in 1958 and is writing down, in midlife, what he recalls. His parents own the drive-in in Dewmont, Texas; his dad calls his mom "Gal"; his sister, Callie, is turn-your-head pretty and feisty besides. Stanley finds in the burnt ruins behind the drive-in a cache of love letters. Stanley--innocent enough at the beginning of the story to still believe in Santa Claus--is fascinated by the letters and soon learns that the fire marked the deaths of two young women, long ago. Those deaths ripple through the pages, as Stanley struggles with knowledge of good and evil: his friend Richard's abusive dad; the black cook's stalker boyfriend; the drive-in projectionist who faces twin demons of age and alcohol. Stanley's mother, father, and sister are vivid, glowing personages. Stanley doesn't unravel everything, but race and power, and what people do to each other in the name of desire and religion, coalesce to a mighty climax. 

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“He is.”

Dad came into the kitchen, opened the refrigerator, got out a pitcher of tea and poured it into a tall glass with flower designs. He mixed sugar into it, sat at the table and stirred his tea with a spoon. He said, “Weather stays this bad, I’m just gonna close her down tonight. I thought the family could go see the minstrel show at the school.”

I knew the word family would exclude Rosy Mae. Rosy, taking the cue, left the room.

“What’s a minstrel show?” I asked.

“Well, this one is some white folks just having a little fun. They put on blackface makeup, big white lips, and play music. Tell a few jokes. I’ve been to a few of them. They’re entertaining.”

After what I had gone through, the idea of staying home alone with the wind howling around the house was more than I wanted to deal with.

“That sounds fine to me.”

“We’ll have to wait, see if it clears,” Daddy said. “It does, we got to open up. Tell you the truth, I hope it does stay this way. We could all use a night out.”

———

IT WAS ABOUT SIX when Buster showed up for work. It was still raining and he came through the back like he always did, where the cars drove out. He was wearing a rain slicker with the hood pulled over his head. He was carrying a metal container with a handle and had a thermos under his arm. He went out to the projection booth.

Daddy was standing at the back door, watching Buster go into the booth. He said, “Now he shows up. He couldn’t show when we’re going to be open, he has to show now. Get on your slicker, go out there and tell him we’re closing tonight. And I hope he doesn’t expect to get paid just for showing up. He gets paid when we all get paid, and tonight no one gets paid. Except maybe the farmers. And that minstrel show.”

I got my rain slicker, slipped it on, went out to the projection booth. Buster had removed his rain gear, turned on his little light, and was sitting there plucking items from the metal container.

“I brought some newspaper accounts to read,” he said. “And plenty of black coffee.”

“There isn’t going to be any movie tonight,” I said, pulling my hood back.

“Figured as much, but I thought I ought to show for work. Stan, I may not always seem like a friend, but I appreciate you bein’ one.”

“You saved my life.”

“Matter of time for Bubba Joe. Just happened to be me did him in. Could have been anyone. Would have eventually been someone.”

“You talked about Margret’s mother. That she was. . . well . . .”

“A prostitute.”

“That means lots of men would come there . . . to Margret’s house. Right?”

“Yeah.”

“It could have been any of them, couldn’t it?”

“It could have.”

About that time, Daddy called from the house. “Come on, Stanley. You need to get ready.”

“We’re going to see the minstrel show,” I said.

“That’ll be a treat. Seein’ a bunch of peckerwoods in blackface . . . You go on. We’ll talk later. Hey, I was gonna stay here and read. Think your daddy would mind?”

“Not if you don’t mention it.”

“Maybe that dog of yours—”

“Nub?”

“Yeah. Nub. Maybe he could come out and keep me company.”

“I’ll tell Rosy Mae to let him out after we leave.”

“Good. And Stan, them letters from Margret? Could I see them?”

“I’ll try and slip them out. I can’t promise, but I’ll try.”

“Good enough.”

I pulled my hood up and went out into the rain.

———

THE MINSTREL SHOW was at our school, which back then housed all grades except kindergarten. Kindergarten was operated out of a teacher’s house.

The show was in our school auditorium, and you paid fifty cents to get in. There were signs on the wall outside of the auditorium. They read: “NIGGER MINSTREL SHOW. Clean humor for the family. Music. Jokes. Hijinks. Fifty cents.”

Inside we took our seats, which were about a third of the way from the front. In the back an old colored janitor stood ready with his rolling garbage can to pick up messes when it was over. The messes would be cups and wrappers for food and drinks being sold to raise money for the band and baseball team to buy equipment.

The PTA had put a table alongside the wall. They had soft drinks in a couple of coolers and they made hot dogs on the spot, pulling the dogs from an electric stew pot with long tongs, slapping them on mustard- and relish-coated buns.

It took about fifteen minutes for the auditorium to fill, and fill it did. There were even a few people standing in the back.

When the lights went down, two white men dressed in blackface with white lips came out, one played a banjo, and they both sang. The songs were what many think of as slave classics, like “Way Down Upon the Swanee River,” “Jimmy Crack Corn,” and later on a few religious numbers, like “The Great Speckled Bird” and “I’ll Fly Away.”

There were jokes, all of them with Negroes as the butt. The jokes had to do with fishing, eating watermelon and fried chicken, being lazy and happy as birds; just funny colored people who loved to laugh, sing, and dance, and make white folks smile.

I was getting into the spirit of things, laughing along with everyone else, when I heard a loud coarse laugh from the back of the auditorium. I turned to look. It was the old colored janitor standing by his rolling trash can, a broom sticking out of it. He was laughing so hard I thought maybe he might have to be knocked unconscious to shut him up.

In that moment something switched on inside of me. And I thought, here’s a colored man who thinks this is funny. That making fun of him and his people is humor.

I didn’t laugh another time. And it wasn’t due to resistance. Nothing they did on stage the rest of the night struck me as funny.

On the way home I was so silent, Daddy asked me if I was okay, if I had had fun.

I told him I had. I didn’t know what else to say.

Callie said, “Well, I laughed a few times, and I liked the music, but I don’t know any colored people like that. I don’t think Rosy Mae would have liked it.”

“It’s not for Rosy Mae,” Dad said.

“My point exactly,” Callie said.

I looked at her, sitting across from me on the back seat, and I truly loved her for the very first time in my life. I had come to like her in the last few days, but now I loved her.

Mother said, “I think you’re right, Callie. Actually, me going to see that makes me a little ashamed. And did you see that sign? Nigger Minstrel. Not even Colored or Negro. But Nigger.”

“No harm’s meant in it,” Daddy said.

“It hurt my feelings,” Mom said.

We drove to the Dairy Queen, parked out front, under the canopy, and with the windows rolled down we could hear the rain pounding on it.

A young blond girl in blue jeans and a man’s shirt, her hair in a ponytail, came out to the car. Water was splashing up and under the canopy and hitting her on the shoes and blue jeans and you could tell from the look on her face she didn’t like it.

When she saw Callie she shrieked, and Callie shrieked. This seems to be the teenage girl greeting. Obviously they knew each other. Callie seemed to know everyone. They exchanged greetings, said we have to talk, then the girl, whose name was Nancy, took a pencil out from behind her ear, a pad from her back blue jeans pocket, and asked what we’d have.

We ordered and Nancy went away. Daddy said, “You girls sound like wounded birds.”

“Oh, Daddy,” Callie said.

When the food came, it was on a tray that fastened to Daddy’s window. He sorted out who had what, and we sat there and ate. Daddy tried to bring up the minstrel show, to talk about a funny moment here and there, and though we had all laughed at times, none of us were proud of it, except maybe Daddy, who couldn’t see any wrong in it.

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