Joe Lansdale - A Fine Dark Line

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It is the summer of 1958 in Dewmont, Texas, a town the great American postwar boom passed by. The kids listen idly to rockabilly on the radio and waste their weekends at the Dairy Queen. And an undetected menace simmers under the heat that clings to the skin like molasses... For thirteen-year-old Stanley Mitchell, the end of innocence comes with his discovery of the mysterious long-ago demise of two very different young women. In his quest to unravel the truth about their tragic fates, Stanley finds a protector in Buster Lighthorse Smith, a black, retired Indian-reservation cop and a sage on the finer points of Sherlock Holmes, the blues, and life's faded dreams. But not every buried thing stays dead. And on one terrifying night of rushing creek water and thundering rain, an arcane, murderous force will rise from the past to threaten the boy in a harrowing rite of passage... Vintage Lansdale, A Fine Dark Line brims with exquisite suspense, powerful characterizations, and the vibrant evocation of a lost time.
From Publishers Weekly
The atmosphere is as thick as an East Texas summer day in Edgar-winner Lansdale's (The Bottoms) engaging, multilayered regional mystery, which harks back to 1958. Thirteen-year-old Stanley Mitchel, Jr., has enough on his hands just growing up in Dewmont, Tex., when he literally stumbles on a buried cache of love letters. Stanley pursues the identity of the two lovers with help from the projectionist at his family's drive-in, an aged black man who quotes Sherlock Holmes and doesn't mince words about the world's injustices. As the truth of a gruesome 20-year-old double murder comes to light in the sleepy town, so do the facts of life, death, men, women and race for young Stanley. Unfortunately, this wealth of experience sometimes strains credulity. For instance, Stanley, his sister, Callie, and friend Richard witness a secret burial, see a local phantom, are chased by a murderer and barely miss being hit by a train-all in one night. As the older and wiser Stanley says of the past, "More had happened to my family in one summer than had happened in my entire life." The "down-home" dialect is occasionally overdone, too, with more ripe sayings than Ross Perot on caffeine. But Lansdale clearly knows and loves his subject and enlivens his haunting coming-of-age tale with touches of folklore and humor.
From Booklist
Lansdale makes a rich stew of memory and mystery in the voice of Stanley Mitchel Jr., who is 13 in 1958 and is writing down, in midlife, what he recalls. His parents own the drive-in in Dewmont, Texas; his dad calls his mom "Gal"; his sister, Callie, is turn-your-head pretty and feisty besides. Stanley finds in the burnt ruins behind the drive-in a cache of love letters. Stanley--innocent enough at the beginning of the story to still believe in Santa Claus--is fascinated by the letters and soon learns that the fire marked the deaths of two young women, long ago. Those deaths ripple through the pages, as Stanley struggles with knowledge of good and evil: his friend Richard's abusive dad; the black cook's stalker boyfriend; the drive-in projectionist who faces twin demons of age and alcohol. Stanley's mother, father, and sister are vivid, glowing personages. Stanley doesn't unravel everything, but race and power, and what people do to each other in the name of desire and religion, coalesce to a mighty climax. 

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I intended to ride my bike, but when I got on it, the chain slipped off and I couldn’t get it back on. I thought about trying to get Daddy to help, but decided against it. I didn’t want to stall any longer, and didn’t want Daddy to start asking questions or find some chore for me to do. Maybe decide it wasn’t safe for me to go. I started off toward town walking, Nub trotting at my side.

———

WHEN I REACHED town the sky darkened and I had that uncomfortable feeling of being followed. Just like the other night when Bubba Joe had shown up. Or whoever it was. I had the same feeling now, but when I looked around I didn’t see anyone. There was just Main Street and buildings and lots of cars parked along the street.

I took a deep breath and kept stepping. Above, the sky continued to darken; it gave me the willies. I thought of turning around, but didn’t. Nub didn’t seem to notice the change in the weather, or rather he didn’t care. He was as happy as if he had good sense and a bone. But I did notice that from time to time he would stop, turn around and look back the way we had come, as if he too felt we were being followed.

That was not heartening.

I turned at Oak Street as it began to sprinkle, made my way toward where Buster lived. The sensation of being followed grew. But when I turned to look all I saw were the great oaks on either side of the street and the wind picking up leaves and blowing them about and two old cars rattling by with black faces behind the wheels.

I went past the men on the porch. They all waved at me, not bothering to torment me with comments. In fact, they looked friendly; it occurred to me their joking had been primarily designed for Buster.

We strolled until I saw the great billboard that hung over Buster’s house, the bright woman’s smile wet with rain and peeling as if everything she had been happy about was a lie. I went up on Buster’s porch and knocked.

He didn’t answer.

Me and Nub went around to the window at the back. I tried to look in, but didn’t see anybody. All I could see was the table with boxes of newspapers on it.

Back on the front porch, I knocked again. Still he didn’t answer.

I called Buster’s name a few times, but I got the same lack of results.

I took hold of the doorknob, turned it, found it was unlocked.

I told Nub to stay, slipped inside.

Except for light coming through the back window, falling in a rectangle across the table, showing dust motes floating in it like gnats, the house was dark.

I called Buster’s name again, then went looking. There were few places to look and I found him lying on the narrow bed pushed up against the wall.

He was lying with one hand under his head, the other thrown across his hip with the palm up. I touched him and called his name, but he didn’t move. I listened for snoring, but didn’t hear any. I didn’t hear any breathing either. I noted a foul smell. I thought maybe the worst had happened.

Suddenly, he snorted, and began to snore. From that snoring came more of the foul odor, and though I had had little experience with it, I knew what the smell was.

Liquor.

Buster was stone dead drunk.

I shook him several times, but he didn’t rise. I decided to give him time and try later. I went over to the table, turned on the light, began looking at what Buster had been reading.

More newspapers.

He had a pad on the table, and written on it were notes. One of the notes said: “Girl’s mother.”

I looked at it without understanding anything, went over and tried to wake him again. Still, no luck.

The room grew darker and the little slice of light from the window went away and left only the lantern light. The rain began to pound on the tin roof of Buster’s shack like someone beating it with a chain. There was a lightning flash visible through the window, followed by darkness, roaring wind and pounding rain. I looked out the window, up at the billboard. It was nothing more than a sheet of rain.

I opened the door and checked on Nub. He was lying on the front porch close to the wall. He looked up at me, but seemed content enough. I went back inside.

I sat in a chair and listened to the rain beating Buster’s home, waited for Buster to wake up.

I don’t know how long I waited, but finally Buster did awake. I heard him snort like a hog, then make a kind of grumble noise. When I looked, he was throwing his feet over the side of the bed, sitting up. He had both hands holding his head, as if he wanted to keep it from falling off. When he looked up and saw me, he paused for a moment. “What in hell are you doing here?” he said.

“I come to check on you.”

“Check on me? You think I need someone checkin’ on me. Some little white boy to lead me around by the hand.”

“I didn’t mean anything by it, Buster.”

“Didn’t mean anything by it,” he said, his voice a singsong mock of mine. “Just thought you’d come check on your nigger, didn’t you?”

“No. I mean. We’re friends, and I . . .”

“Friends? Who you kiddin’, white boy? You and me ain’t never been friends, and ain’t never gonna be.”

“I thought . . .”

“You thought too damn much, you little skeeter. Get on out of my house now.”

“It’s just Daddy said if you miss work again, you’re fired. I lied for you. I told him you were sick—”

“Did I ask you to lie for me?”

“No. I—”

“I don’t need nobody lying for me. Not to no white man or any man. I don’t show for work, that’s my own business. And all this detective shit, forget it. You and me are through with this.”

“I don’t understand, Buster. What did I do—”

“Just go.”

“Buster—”

He snatched up a book lying beside the bed and tossed it at me. It struck the far wall, fell to the floor in a flutter of pages.

I jerked open the door and went out. Rain was blasting hard against the porch and it was as dark as a night without moonlight. Nub was still lying where I had left him. He beat his tail on the porch when I called his name.

I closed the door, stood looking into the wet, wind-swept darkness. I could see the road, but not well. Too much rain, too many tears.

I waited until there was a lightning flash, and in that flash I saw where the road was. And I saw something else. Nub stiffened by my side and growled.

What I saw was someone standing on the other side of the road. In that flash I couldn’t tell if who I saw was black or white, only that they wore a hat and the hat was washed down from the pressure of the rain, fell over their face and drained water from the brim.

I was caught between a hammer and an anvil. I couldn’t stay with Buster, and I didn’t want to find out who it was on the other side of the road. Someone willing to stand in the storm and wait.

When the lightning lit up the world again, there was no one there. All right, I thought. He’s moved on. Maybe he thinks I’m going to go back inside the house. Maybe he doesn’t think anything. Maybe it isn’t Bubba Joe, just some passerby.

That was a good thing for me to think. The idea gave me a moment of courage.

When the flash was gone and darkness settled over everything like a hood, I took a deep breath, steeled myself, stepped off the porch, into the wind and rain. The wind was hard to walk against. The rain was cold and ran down my collar. Instantly my clothes were sticking to me as if they had been coated on the inside with Elmer’s Glue-All. I could feel Nub pushed up against my leg.

I managed to stick to the side road and make it to the main brick street, then I turned toward town. About all I had to guide me then was an occasional flash of lightning and the feel of those bricks beneath my feet.

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