Nicola Upson - Angel with Two Faces

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Inspector Archie Penrose invites Josephine Tey down to his family home in Cornwall so she can recover from the traumatic events depicted in An Expert in Murder. Josephine welcomes the opportunity, especially since Archie's home is near the famous Minack open-air theatre perched on the cliffs overlooking the sea. However, Josephine's hopes of experiencing a period of rest are dashed when her arrival coincides with the funeral of a young man from the village who had drowned when his horse inexplicitly leapt into the nearby lake.
When another young man disappears and the village's curate falls from the cliffs of the Minack Theatre onto the rocks below, Josphine and Archie begin to suspect the involvement a cold-blooded murderer.
As Josephine and Archie try to unravel the mystery, they begin to see death as an angel with two faces -- one gazing at the violence in the present, the other looking back to the crimes hidden in the past.

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Reprieved by her own arguments, she took off her glasses and stared out across the lake. Today, with the deterioration in the weather, the Loe was a different creature altogether, its surface rippled by the wind and its beauty much less at odds with the legends that surrounded it. The wildfowl which had previously bathed in sunlit open waters chose to carry out their business around the edges of the water, sheltered by reed beds or by the tangles of willow and alder which punctuated the bank at regular intervals. Observing them, Josephine was distracted by a movement near the boathouse. How long had Morwenna been there? She must have been too engrossed in her work to notice her arrival, but she watched now as the figure stood alone and pensive in the place where she had unwittingly said a final goodbye to her brother. It began to rain softly – the sort of misty rain that feels so insignificant and soaks to the skin within seconds – but Morwenna did not turn to leave or make any attempt to find somewhere more sheltered, and Josephine saw her chance: it would seem far more natural to ask her about Loveday here than to turn up unannounced at their cottage and demand admittance. She edged a disgruntled Motley Penrose gently off her lap, collected a pair of umbrellas from the rack in the hallway and went outside, wondering what on earth she was going to say.

Morwenna must have heard the sound of footsteps on the gravel behind her but she did nothing to acknowledge Josephine’s approach, and Josephine hesitated slightly, caught between her promise to Archie and her natural reluctance to intrude upon someone’s solitude. She could, of course, take the coward’s way out; Morwenna showed no sign of hurrying back to Loe Cottage and Josephine might easily be able to see Loveday now without her ever knowing, but she did not want to risk getting the girl into trouble and she needed time to talk to her properly. It was tempting, but she rejected the underhand route and made her way down the grass bank to the water. ‘I’ve brought you this,’ she said, tentatively holding out the umbrella. ‘It looks set in for the day now.’ Morwenna ignored her, and even Josephine acknowledged that such a ridiculous comment wasn’t worthy of a response: what difference could a spot of rain possibly make to this woman’s landscape? She dispensed with the small talk, which was as alien to her as it was unwelcome to Morwenna, and tried again. ‘How’s Loveday? Archie said she wasn’t well.’

At last, Morwenna turned round. ‘If you know that, then I’m sure you know everything,’ she said with a disquieting matter-of-factness, ‘including why I’d like some time here on my own. If you want to visit Loveday, be my guest. She’s at the cottage, and I’m sure she’d love to see you. Let’s face it, she’d love to see anyone who isn’t me, and if you can keep her occupied for a bit, I ought to be grateful to you.’

It was exactly what Josephine had wanted to hear and she could have left triumphant, but her pride was reluctant to be so easily dismissed. She had told herself that she didn’t much like Morwenna when perhaps the more truthful way to put it was that she was intimidated by her – by her looks and her self-possession, by the closeness of her relationship with Archie and by the twelve years between them which separated youth from approaching middle age. Morwenna had a knack of making her feel as though she’d been caught out in a lie which she wasn’t even aware of telling – and she resented it more than she would have cared to admit.

‘Do me a favour, though, if you do go to see Loveday,’ Morwenna continued, looking back out over the lake. ‘Don’t insist on reading too much into what she says. It’s hard enough to get some peace round here, and telling everyone that I’m a battered woman isn’t helpful. If you’re going to spy, at least do it properly.’

‘You’d rather everyone knew the truth, then?’ Josephine asked, stung more by the justness of the rebuke than the abrupt way in which it was delivered.

‘I’m past caring what anyone knows.’

‘Even Loveday?’

‘Especially Loveday. She’ll be all right – she knows how to look after herself.’

Josephine had already allowed herself to be dragged further into the conversation than she had intended, and she had no wish to antagonise Morwenna by trying to tell her how to look after her own sister, but it seemed to her that Loveday was the most overlooked casualty of all that had gone on in the Pinching household. ‘Surely you don’t blame her for what’s happened?’ she said.

Morwenna looked at her sharply. ‘What do you mean?’

‘Well, I can see that bringing her up must have put a strain on you and Harry, but it didn’t have to be for ever, did it?’ Morwenna seemed to relax a little, and Josephine wondered what she had expected her to say. ‘Why didn’t you just wait a bit longer and start the relationship again once Loveday had left home? It was only a matter of time.’

‘Like I said to Archie, it was different after the fire. And anyway, who’s to say that Loveday will leave home? She’s hardly ideal marriage material.’ Morwenna gave a bitter laugh. ‘At least we have that in common.’

Christopher would have been more than happy to remove the inconvenience, Josephine thought, almost allowing her sarcasm to get the better of her, but she remembered in time that Loveday would not thank her for betraying that particular secret. She remained unconvinced by Morwenna’s explanation, though; if the fire had been the only reason for her rejection of Harry, surely the tension between them would have emerged much sooner? ‘What did Harry do that seemed such a betrayal of everything you had?’ she asked.

Morwenna was quiet for such a long time that Josephine wondered if she had even heard the question. A strong breeze rustled through the nearby reed beds, revealing the white undersides of the leaves on the low-hanging willows and driving the water against the floor of the boathouse with a muffled, persistent thud. She was about to repeat herself when Morwenna answered her with a question of her own. ‘You don’t think that killing our parents was a betrayal?’

‘Of Loveday, perhaps, but not of you. If you wanted to romanticise it, you could even say it was the ultimate act of love.’ She knew as soon as the words were out that she had gone too far; privately, she was sickened by the violence and selfishness of Harry’s behaviour and her opinion of him had changed very little since the first time she had discussed him with Ronnie, but making that obvious was hardly the best way to get anything out of someone who loved him.

‘How could you even begin to understand that love?’ Morwenna asked in a tone which made it clear that she had no intention of wasting any more time by talking.

‘Just because he was your brother…’

‘No, no – that’s not what I mean.’ She lifted her hand dismissively before Josephine had a chance to finish. ‘You can’t understand because you didn’t know Harry. This isn’t about some abstract question of right or wrong; it’s about him, only him, and how he made me feel. You never met him, you never heard his voice or saw him smile or felt the touch of his hand on your face, so you can never understand what it means to be without him.’

There was no argument to this, and it struck Josephine as ridiculous that she should be envious of Morwenna, but the emotion she felt as she listened to this simple declaration of love – a declaration all the more powerful for its ordinariness – could not be fooled into calling itself anything else. She had experienced it before – not a jealousy of anyone in particular, but a vague, unsatisfiable longing for a passion which she had never truly known and which she had now seen too much of the world ever to experience. How she wished she had been given the luxury of first love in peacetime, free from fear and believing that anything was possible rather than resenting the war which had taken away so many choices.

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