Dennis Wheatley - Vendetta in Spain

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Vendetta in Spain
Readers of
and other books in which the glamorous Lucretia-Jose appears with the Duke de Richleau may recall that her parentage was surrounded by mystery. Over the years many people have written, asking for an account of the great romance that led to her birth.
The story takes us back to Spain, in 1906, when the Duke had not yet succeeded his father, and was still the Count de Quesnoy. In these days it is not easy for us to realize that, less than fifty years ago, there was hardly a Monarch or President who could leave his bed in the morning with any certainty that he would live through the day. Anarchism permeated every country in Europe. Not a night passed without groups of fanatics meeting in cellars to plan attempts with knives, pistols or bombs against the representatives of law and order; not a month passed without some royalty or high official falling a victim to their plots.
In Spain, an historic bomb outrage that led to scores of innocent people being killed or injured, gave de Quesnoy ample cause to vow vengeance on the assassins. His attempt to penetrate anarchist circles in Barcelona nearly cost him his life. In San Sebastian, Granada and Cadiz he hunted and was hunted by them in a ruthless vendetta. Only after two years did it end in a final desperate gamble with death.
It is against this background of true history, subtle intrigue, sudden violence, terrorism, blackmail and suspense that there develops the bitter-sweet romance between the gallant young de Quesnoy and the beautiful Condesa Gulia, the wife of a friend he loves and honours. Their frustrated passion leads to a denouement that rivals in surprise and breath-taking effect the outcome of his vendetta against the anarchists.

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He would have gone to his bolt-hole at the first ring of the front door bell. In her hurry and in the semi-darkness of the cupboard Dolores had failed to pull the cartons into place after he had descended, so that they would completely cover the top. But for that, de Richleau realized, he might have searched the house with a toothcomb, then left it in the belief that either Ferrer had not been there or had escaped before he had had a chance to catch him.

The problem now was how to get at him. To go down the steps into the cellar would be to walk into a death trap. The man at the bottom would have an overwhelming advantage. He had only to stand round the corner to the stairway with his pistol levelled and, as the intruder emerged from it, shoot him. But de Richleau had behind him ample experience of house to house fighting, during which pockets of resistance had to be mopped up. It took him only a minute to decide what to do.

Having thrust the heavy carton of books back, so that with the others on the hinge side of the trap-door their weight would prevent Ferrer coming up and making a desperate bid to get away, the Duke hurried back to the kitchen. There, he collected some bundles of faggots, a tin of oil, some wax tapers and a rolling pin. With these items he returned to the narrow hall and set about preparing to smoke Ferrer out.

First he hauled all the cartons of books out of the cupboard so as to leave the trap-door free. He then poured oil all over the faggots and pushed a wax taper into each. Lastly he tied two of the oil-soaked faggots to raincoats that were hanging in the cupboard. The combination of oil and rubber when on fire would, he knew, produce the most suffocating smoke.

When he opened the trap-door no glimmer of light filtered up from below. That shook him a little, as he felt that Ferrer should have considered himself safe enough down there to light a candle. He became worried then that a man so experienced in being hunted as Ferrer would, quite probably, have made himself an escape exit, and by now might have crawled through a tunnel to emerge in the garden. But the thought did not deter him from putting the matter to the test.

He lit one of the tapers, waited until the oil-soaked wood of the faggot had caught, then pitched it down into the cellar. As quickly as he possibly could he got the others well alight and heaved them, with the raincoats, after them. Flames leapt up at the bottom of the stairs. Above the crackling of the wood the sound of hurried movement came up to him. His handsome, slightly saturnine features broke into a grin. Ferrer was down there all right, and now desperately engaged in trying to put the fire balls out; but the odds against his succeeding were very heavy.

De Richleau quietly lowered the trap-door into place, so that none of the smoke that was now billowing up should escape. Picking up the rolling pin that he had brought from the kitchen, he went up the stairs until he was standing above the door to the cupboard. Leaning over the banister he waited.

The wait seemed interminable. Yet it was no more than three or four minutes. Suddenly there came a loud bang, as the trapdoor was thrust up and thrown back. After that there came the sound of someone gasping for breath, and eddies of smoke began to seep out into the hall. For a full minute nothing further happened. Then a head, that peered swiftly right and left, emerged cautiously from the open doorway of the cupboard.

But, to the Duke's amazement it was not Ferrer's head. Ferrer had had brown hair. This man's was red - startlingly red - the red that is known as 'carrots'. Nevertheless, with the head had appeared a hand that held a revolver. Whoever he was, as an occupant of this villa he must be an enemy. De Richleau leaned forward over the banister and brought his rolling pin down hard on the man's head. Without even a murmur his knees buckled and he fell in a heap on the floor of the narrow hall.

For two minutes de Richleau remained where he was, waiting for Ferrer to follow this other man out of the cupboard beneath him. But no second head appeared, neither was there any sound of footsteps on the cellar stairs. All he could hear were Veragua's groans and a continuation of the muffled noises from the lavatory. Putting down the rolling pin, he took out his pistol and came downstairs. Having shut the cupboard door as a precaution against Ferrer surprising him by suddenly emerging from that quarter, he turned the body of the red-headed man over and stared down at him.

His features were clean-shaven except for a carroty toothbrush moustache. For a moment de Richleau did not recognize him, then he realized that, after all, the man was Ferrer. He looked many years older than when the Duke had last seen him, perhaps on account of his year in prison; and the violently red hair, coupled with the fact that he no longer wore a beard, had entirely altered his appearance. Picking up the lamp de Richleau moved it nearer to him so that he could examine at close quarters the hair, now worn en brosse , on the skull. By the brighter light he could see that the violent dye used to change his hair to carrots had also stained the skin of his scalp. That dissolved the Duke's last doubts. The man was Francisco Ferrer.

De Richleau's next problem was to get his prisoner in to Barcelona. To take him as an apparently lifeless body in the open automobile or, worse still, when he came round as a captive shouting for help when they passed through the working class outskirts of the city, could have led to all sorts of trouble. For a moment he remained deep in thought, then he smiled to himself, for it had occurred to him to take a leaf out of the Ferrer family book.

Now he did open the door opposite to the one beside which Veragua lay moaning and retching. It led, as he had expected, into a sitting-room. At one end stood a table which, from the fruit and other things on it, was evidently used for meals; but in its centre the stained floorboards were covered with a coarsely woven Indian rug, measuring about six feet by eight.

Returning to the hall, de Richleau stuffed his handkerchief into the still unconscious Ferrer's mouth, picked him up, carried him into the sitting-room, laid him down at one end of the rug and then proceeded to roll him up in it. Having done that, he secured the tube from unrolling by pulling tight and knotting two curtain ties round it. Heaving the bundle up on to his shoulder he carried it out into the hall, put it down for a minute while he unlocked the front door then rolled it out on to the doorstep.

Leaving it there, he walked back up the hall and unlocked the door of the lavatory. The strange sounds that had come from it were then explained. Dolores had attempted to escape through the narrow window, but got stuck in it. Something about her fat posterior, from which depended skinny legs and feet shod in heavy brogues, the toes of which were beating a violent tattoo against the wall, struck him as incredibly funny. He roared with laughter, then with his open hand dealt her a mighty slap on the bottom. Her squawk of indignation came faintly back to him. Controlling his mirth, he took her by the ankles, stood back, and pulled hard upon them. She gave an agonized groan as the sharp tug freed her. Stepping forward he caught her as she fell.

Her eyes blazing hatred, she swivelled in his embrace, raised both her hands and clawed at his face. Instead of throwing his head back in an attempt to avoid her vicious attack, he brought it forward and downward in a swift, strong jerk. His forehead came into hard collision with her fleshy Semitic nose. She let out a scream, her hands flailed helplessly and, as he let go of her, she flopped down on to the lavatory seat.

Indifferent to the suffering of this woman who had helped to cause so much more suffering to others, he gave only a moment to looking down at her now hideous face: the nose flattened and streaming blood, the eyes blinded by tears. Then he said:

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